An iconic and
instantly recognizable image from Robert Longo's, Men in the Cities series, Cindy was created by the artist in 2002 as an original lithograph in black and grey on Rives...
An iconic and
instantly recognizable image from Robert Longo's, Men in the Cities series, Cindy was created by the artist in 2002 as an original lithograph in black and grey on Rives BF...
It spans two floors of the Museum and includes
instantly recognizable images such as Warhol's iconic Campbell's Soup Can (Tomato) and Marilyn Monroe (Marilyn).
It relied on
instantly recognizable images of everyday or mass - consumer items, or images of celebrities in film, music or politics.
Not exact matches
The
images of hundreds of schooling hammerheads, with their
instantly recognizable oblong heads, became an emblem of the ocean's bounty and one of the greatest wonders of the natural world.
It's the name of the exhibition at Deutsches Museum — Warhol's cars never became as
instantly recognizable as his signature
images of American consumer products and celebrities.
Mercedes - Benz Vans, the company behind the
instantly recognizable Sprinter, unveiled a teaser
image of the next - generation large van due for 2019.
Her text - based works using appropriated
images are iconic, unforgettable, and
instantly recognizable.
Over the past 60 years, Jasper Johns has developed a body of work whose
images of flags, maps and targets are
instantly recognizable to any seasoned viewer of modern art.
Instead of fighting over pickled sharks or macabre canvases, the European and Asian new rich here have far more conservative taste, gravitating toward
instantly recognizable names and softer
images.
She did the deed well, too, for her
image of Connecticut is
instantly recognizable today.
His signature
images of such American products and celebrities as Campbell's soup cans, Coca - Cola bottles, Marilyn Monroe, and Elizabeth Taylor have become
instantly recognizable.
• Charles Frasier (b. 1930) American Pop - artist sculptor known for his satirical
images of
instantly recognizable consumer objects.
The duality inherent in desire is contained in Lowman's use of well - known
images whose meanings are both
instantly recognizable and constantly in flux.
For one, the combination of a very noticeable camera hump, minimal bezels and the presence of a second screen make the V20 almost
instantly recognizable — granted, were these
images to represent the actual device.