Sentences with phrase «instead of movie screens»

There are so many hopes and expectations pinned on the new film version of «A Wrinkle in Time,» I feel like it should be projected on giant bulletin boards instead of movie screens.

Not exact matches

Precision leads to results: instead of saying «Maybe I'll put on a movie later,» declare «Today, while updating an Excel spreadsheet, I'll re-watch David Fincher's catalogue with play - by - play explainer videos from No Film School on my second screen.

Despite complaints over hard - to - define bias, many shows and movies have made Christianity a part of on - screen characters» lives, portraying the faith as an important element of a bigger story — instead of just a punchline.

Watching this movie, you're constantly reminded that the actors are looking at green screens instead of the alien planets, insane alternate dimensions and glorious vistas that you're seeing, and that essentially breaks the movie.

In movie theatres, the eyes need to focus on the screen itself to see objects in focus, but the 3D effects can force the viewer to try to focus several metres in front of or behind the screen instead.

Watch downloaded movies on your big screen instead of your computer monitor by hooking up this $ 130 gadget to your TV and then plugging in an external USB hard drive or flash drive.

Sure, you don't want the studios to cut corners to the point where movies start looking cheap and silly — a big reason why superheroes and aliens have been making such a huge impact on movie screens in recent years is that we can finally make them look cool instead of tacky.

that greeted the first bared ass at my screening is any indication, that transformation won't hurt the bottom line (a figure these strippers always seem to have on their minds), though it does make Magic Mike another promising yet half - baked Soderbergh project instead of a good movie, sans asterisks.

It's the opposite of an Event Movie for the summer season; instead, it's an old - fashioned star vehicle, fashioned for the particular screen persona of Al Pacino, who can usually play these roles in his sleep, but adds something special every single time.

You expect it from people like Jeff Bridges and Matt Damon, of course, but even the stuffy town merchants and the grubby, no - dialogue banditos have a heft to them and an on - screen presence that lets you know this movie could just as easily have been about them instead of a 14 - year old girl with a bone to pick.

A pimped out Don Johnson as Big Daddy Bennett was almost too much for me to take the movie seriously, but thankfully the plantation owner and slave trader isn't over used and is instead given the perfect amount of screen time.

Their comfortable chat has little screen - specificity, as they instead offer a knowledgeable general assessment of the movie and of its makers» lives and careers.

It's the opposite of an Event Movie for the fall season; instead, it's an old - fashioned star vehicle, fashioned for the particular screen persona of Clint Eastwood.

When that didn't pan out, he resigned to instead becoming the editor - in - chief of his South Austin - based movie news and reviews website, Smells Like Screen Spirit.

I understand that you have zero say in release dates but still It would be good if I can watch your movie at least once on a big screen instead of my 22 ′ desktop monitor.

Instead of pointing out flaws and tearing apart the movie at the center of their latest Honest Trailer, as they have done in nearly all of their past videos, Screen Junkies has nothing but praise for Die Hard, 1988's Bruce Willis - led action classic.

Instead of taking one movie and cleverly spoofing it (as Mad magazine does), or ribbing the conventions of romantic comedies we get two hack writers throwing stuff on screen to see what sticks.

Instead of placing the vast narrative of Deathly Hallows into a snug three - hour shell, the two pictures provide roughly five hours of screen time to page through the quest, patiently absorbing the resplendent and harrowing details of the book, slowing down the entire effort in a marathon manner that might leave those weaned on the movies alone slightly disorientated.

All three of the movies it screened in Toronto — «The Shape of Water,» «Three Billboards Outside Ebbing, Missouri,» and «Battle of the Sexes» — were developed by Searchlight, instead of purchased at a festival.

As the digital revolution has swept through Hollywood like brushfire, Nolan has remained a stalwart champion of shooting on film, and as 3D has increasingly become the blockbuster norm, he has refused to join the bandwagon, advocating instead for IMAX, a variant on the old 70 mm process responsible for the likes of Lawrence of Arabia and 2001, and whose screen - filling images envelop us in a way that only a select few 3D movies (chiefly Avatar and Hugo) have even approached.

Synopsis: «Lamberto Bava and Dario Argento bring you THE Gonzo Horror movie of the 1980s with Demons, a frenzied slice of gore heavy shock cinema that gives up on logic and instead assaults the screen with a riot of X-Rated violence, face chewing Zombies and pounding Heavy Metal.

Though Strong previously wrote for cable (the HBO movies Recount and Game Change) and this feels like it could easily have gone that route too, instead it became one of 2013's biggest commercial triumphs on the big screen.

Although the movie probably runs a little too long and occasionally suffers from confusing editing, it is nevertheless the kind of film that stays with a viewer for days (instead of minutes or hours) after the end credits have scrolled across the screen.

Adoption of the 4:3 format, instead of 16:9, can say that Motorola pay more attention to the practicality of a tablet, by choosing a less suitable screen for watching movies, but allows us to use more efficiently the space work.

Instead of the ubiquitous flat - screen, there's a movie - size screen that unrolls in front of the window with the flick of a switch.

Outside from the fact that I'm still naturally repulsed towards remaking movies instead of proposing new ideas on the big screen, any sliver of will I might ever had of watching the 2016 Ghostbusters movie has vanished the second that mr. Feig vented his frustrations for the initial poor trailer reception.

On so many occasions in the passing hours of this day I've had to keep myself from bludgeoning people with my laptop instead of searching for porn and illegally downloading advanced screenings of Onechanbara: The Movie.

The game was named after the de facto villain, a gorilla (which was named after the classic 1933 movie monster King Kong), instead of the player - character Mario (or «Jumpman», as he was named at the time), because designer Shigeru Miyamoto felt Donkey Kong had to be the strongest character in the love triangle displayed on - screen - the game used then - innovative techniques to tell the on - screen story of how the stubborn pet gorilla of «Jumpman» the carpenter steals away his girlfriend, Pauline, and it is up to the hero to save the damsel in distress.

Instead of tasking an actual person with the assignment, the American film studio trusted IBM's supercomputer Watson to put together the trailer for the movie, making it the first - ever artificial intelligence system to produce a promo video for the big screen.

If you have a Chromecast installed, you can use the Google Home to toss a binge - worthy movie or a television show to a nearby screen instead of navigating tedious on - screen keyboards and always - changing menus.

If you've ever watched a 3D movie where the simulated depth stretched into the screen instead of jumping out at you, looking at CastAR software looks very similar.

As smartphones continue to vie for our attention in every situation imaginable — dinners, conversations, and even inside movie theaters, frustratingly — the risks associated with focusing on a screen instead of our day - to - day lives increase.