Institutional critique is the act of critiquing
an institution as artistic practice, the institution usually being a museum or an...
Not exact matches
Museums reported increases in audience without compromise to
artistic quality,
as well
as a change in the
practices of staff members who took ownership of their
institution's new mission and visitor - centered culture.
LAND supports dynamic and unconventional
artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of
institutions and organizations, such
as universities, museums, and theaters
as well
as other types of spaces, industries, and entities Offering additional programs such
as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Weekly informal gatherings, inter-studio visits and activities,
as well
as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of
artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art
institutions.
Condorelli has long engaged with the architecture and context of the exhibition space, building modular furniture and reflecting on the history of the
institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and
artistic work
as always related in ways that go beyond any traditional sense of curating
as a
practice of caring and selecting.
Through an engagement with some of the existing and on - going archival projects in South Asia and West Asia, this workshop examined the very
practice of archiving in a digital world
as it is conducted in research
institutions as well
as its appropriation in
artistic practice.
What is the relationship between
artistic practice and
institution - building, and what are the traditions and case studies of artists
as creators of durable social contexts that we can look to?
We find it easy to sequester art
institutions and
artistic practice as a whole
as subject to the whims of the political, whatever its manifestation, without acknowledging its potential radical ruptures.
Artistic practice is likewise no substitute political
practice but the important point here is that it also should not be dismissed
as a potential opening into a prefigurative
practice of
institution building.
During London's forthcoming art week, Ayyam Gallery will exhibit alongside art spaces,
institutions, and imprints such
as Whitechapel Gallery, Maraya Art Centre, the Royal College of Art, and Phaidon publishing
as part of a broader international effort to bring diverse
artistic practices to UK audiences.
* has specialized training in the
artistic field (not necessarily in academic
institutions) * is recognized
as a professional by their peers (artists working in the same
artistic tradition), and * is committed to an on - going
artistic practice
Seven contributors consider how citizenship relates to cultural and political systems
as they intersect with
artistic practices,
institutions, and diverse publics.
Over the last 10 years, Bellet has lived between Berlin, DE, and Basel, CH, where she was able to develop her
artistic practice and exhibit in many international art
Institutions, fairs, and galleries in Europe,
as well
as participate in residency programs in Europe.
In the former times presenting research
as a strategy for
artistic practice, had remained the sole domain of research funding from higher education
institutions,
as it is often a precarious and beguiling balance based on strategic re-formulation; Slavs» and Tartars» regional linguistic web - like encasing or Simon Fujiwara's intriguing journeys involving gumshoe archeology, travel and sexuality are dependent on revealing specific correlations; their instigations have won over funders willing to stay the course, a condition that allows a great deal of curatorial independence.
I see Dallas
as a very progressive city, and so even the encyclopedic
institution, the Dallas Museum of Art, has a really strong focus on contemporary
artistic practice.
As a politically engaged artist, I have to believe that
artistic practices do have the potential to offer insights and negotiate anything from the demands of cultural
institutions to politics and the ideals of civil society.
As a Singaporean
institution for tertiary arts education, positioned at the crossroads of diverse cultures within a multi-ethnic society, LASALLE aims to add a distinctive Singaporean viewpoint to the ongoing debate on repositioning
artistic practice in a post-industrialised society.
As exhibition, documentation and a restaging, the project not only traced the tracks of a lost
artistic practice of the 1970s, but also examined the importance of ephemeral material in exhibition contexts, the boundaries of the artwork, the exhibition and
institution history, the reception and today's
practice of restaging.