Not exact matches
This term,
now a numinous one, denotes what Michel Foucault would call a discursive formation or practice, an activity, that is, for which there is a definite
institutional and theoretical place in the
culture, an activity that
now has a fairly lengthy history and that has produced its own bureaucratic organizations, organs of publication, and professional experts.
Art as a fully engaged
institutional critique, capable of extending its frame of reference directly into the political sphere is, if not a purely historical phenomenon, then one that is
now associated, almost exclusively, with contexts outside Western centers of
culture and commerce.
The
now - old story of the infinitely capacious co-optation of aesthetic subversion by the
culture industry has been similarly updated, as the strategically deployed pessimism of
institutional critique is absorbed into the alterna - worlds of individual agency.