Sentences with phrase «institutional exhibition by»

Until August 23, 2009, Kunsthalle Basel presents Where the Lions Are, the first major institutional exhibition by Danh Vo.

The catalogue published on the occasion of the first institutional exhibition by Ana Navas at Galerie der Stadt Sindelfingen continues her artistic research, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas.

Not exact matches

Refreshingly, the Whitney exhibition sought to rectify that by showing how Minimalism, Conceptualism, and institutional critique inspired his pieces.

A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.

The exhibition coincides with other shows and events that can be seen as augmenting its perspective by giving additional visibility to AIDS - affected individuals and communities that have been neglected due to racial, gender, or institutional bias.

Adding to SAMA's institutional bragging rights, the Lams» passion for the field was sparked by the museum's 2000 exhibition Spirit Country, which featured the collection of the Melbourne - based families Gantner and Myer.

Curated by artist - filmmaker Guy Sherwin, this exhibition offers the visitor a comprehensive over - view of the aesthetic, conceptual and institutional tendencies within British experimental film and expanded cinema.

Institutional exhibition support is provided by MASS MoCA's Director's Advisory Council.

Mike Kelley Foundation Grants Ten Los Angeles nonprofits received grants from the Mike Kelley Foundation for the Arts, including the Underground Museum (to support videos and performances by Rodney McMillian, $ 45,000), Craft & Folk Art Museum (to present the first institutional solo show of Oakland - based artist Indira Allegra, $ 25,000), and the Museum of Latin American Art (to fund an exhibition documenting the history of printmaking in the Americas, $ 40,000).

CUE provides institutional guidance, generous honoraria, a shipping budget, and an accompanying exhibition catalogue with a critical essay by a participant in CUE's Art Critic Mentoring Program.

The exhibition is further punctuated by documentary material including ephemera from famous actions, behind - the - scenes photos and secret anecdotes that reveal the Guerrilla Girls» process and the events that drive their incisive institutional interventions.

CUE provides institutional guidance, a stipend, shipping budget, and an accompanying exhibition catalogue featuring an essay written by a participant in CUE's Young Art Critic Mentoring Program.

Solo institutional exhibitions include «Portraits by Y.Z. Kami,» Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (2003); the 52nd Biennale di Venezia (2007); «Perspectives: Y.Z. Kami,» Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC (2008); «Y.Z. Kami: Endless Prayers,» Parasol Unit Foundation for Contemporary Art, London (2008); «Y.Z. Kami: Beyond Silence,» National Museum of Contemporary Art, Athens (2009 — 10); and «Y.Z. Kami: Endless Prayers,» Los Angeles County Museum of Art (LACMA), CA (2016 — 17).

His work is included in numerous prestigious institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.

His work is appears in prestigious institutional collections throughout Europe and the United States, including the Museum of Modern Art, New York, Moderna Museet, Stockholm, Centre Georges Pompidou, Paris, the Royal Museums of Fine Arts of Belgium, Brussels, and the Tate, London, and was recently recognized by comprehensive solo exhibitions at the Museum of Modern Art, New York, the Menil Collection, Houston, and the Art Institute of Chicago, beginning in 2013.

Drawing on the findings of over two years of research by the gallery into LGBTQ history and visual culture, this exhibition reveals hidden queer histories and institutional blind spots.

Pendleton is accomplished well beyond his age, a fact that is exemplified by his history of institutional and gallery exhibitions.

In 2011 he had his first institutional solo show at the Nassauischer Kunstverein (NKV), Germany and was recently selected for the Studio Voltaire Open exhibition curated by Cory Archangel and Hanne Mugaas.

With Anne Ellegood, Hammer senior curator, she was an institutional curator for the spring 2015 exhibition Charles Gaines: Gridwork 1974 — 1989 at the Hammer (organized by the Studio Museum in Harlem, New York) and recently assisted Hammer chief curator Connie Butler with the exhibition and publication Mark Bradford: Scorched Earth.

It also includes genealogies organized by Sara O'Keeffe, an institutional archival portfolio organized by Kate Wiener, and transcripts of roundtable conversations between members of the exhibition's advisory group: Lia Gangitano, Ariel Goldberg, Jack Halberstam, Fred Moten, and Eric A. Stanley.

Curated by Sergio Edelsztein, Four Works is the first large - scale institutional exhibition of Gilad Ratman's works in Europe.

This exhibition seeks to reexamine the BMPT group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium...

In addition to mounting five institutional - quality exhibitions in its first year, Mr. Moskowitz has coordinated over twenty events including artist interviews, lectures, curatorial walkthroughs, dance and musical performances, and a classical concert series sponsored by Steinway & Sons.

Featured in the traveling institutional exhibition Art AIDS America, which was shown locally at the Bronx Museum of Art last year, Silano's Arrangements project is presented by Rubber Factory (New York, both C10).

This exhibition — the first critical examination of the significant, albeit brief, work of the four artists in 1967 — seeks to reexamine the group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium.

The ten works in this exhibition span from 1964 to 1975, with works from the Block's collection complemented by loans from institutional and private collections.

«Her «Italian Paintings, 1961 - 69» exhibition in New York in 2016 provoked deep institutional soul - searching as to how such an important body of work by an American artist had remained unrecognized for so long.

The exhibition is Ragnar Kjartansson's first in Argentina and also marks the first institutional collaboration between FAENA ART and Thyssen Bornemisza Art Contemporary (TBA21), led by Founder and Chairwoman Francesca von Habsburg.

Whether this is partially motivated by the need to shed the «play it safe» image of the institutional gallery or just to play catch up with spaces like the Saatchi Gallery with its globally diverse range of exhibitions, is to some extent irrelevant.

In order to better understand the importance of this exhibition and the expression of institutional acclaim is the fact that due to certain procedures, Piper was described as a Suspicious Traveler by US Transportation Security Administration in 2008, while on unpaid stay in Berlin.

Kunsthalle is presenting the first institutional solo exhibition outside the United States by Chris Martin (b. 1954 in Washington D.C.), who is as yet relatively unknown in Germany.

These images will be complemented by a selection of iconic images from Ben Brown Fine Arts» 2004 exhibition, marking the longstanding representation of the artist and her ongoing fascination with institutional spaces.

As that date approaches, this bias toward the school's male students is being revised, and its many integral female members recognized by scholarship and institutional exhibitions.

As Director and Chief Executive Officer at MUNAL since 2013, Arteaga has enhanced its exhibition program through key international partnerships, dramatically grown its annual attendance, established new streams of institutional support, and expanded the museum's collection of over 7,000 works with more than 35 strategic gifts and acquisitions — including major works by Diego Rivera, Francisco Zúñiga, Gabriel Orozco, and Abraham Cruzvillegas.

Opening on Friday 17th February 2012 at 20.00 The Kunstverein Hannover presents the first institutional solo exhibition in Europe by the American painter Hernan Bas (born 1978 in Miami, lives in Detroit).

Renée Green's (b. 1959) exhibition Within Living Memory is a meditation spurred by inhabiting an architectural icon — Le Corbusier's Carpenter Center — while exploring the historical and institutional legacies of modernism's other forms, including cinema, visual art, poetry, music, and literature.

Institutional exhibitions include «The Agony and the Ecstasy,» Museo Archeologico Nazionale di Napoli (2004); «A Selection of Works by Damien Hirst from Various Collections,» Museum of Fine Arts, Boston (2005); «Damien Hirst,» Astrup Fearnley Museet fur Moderne Kunst, Oslo (2005); «For the Love of God,» Rijksmuseum, Amsterdam (2008, traveled to the Palazzo Vecchio, Florence in 2010); «No Love Lost,» The Wallace Collection, London (2009); «Requiem,» PinchukArtCenter, Kiev (2009); «Cornucopia,» Oceanographic Museum of Monaco (2010); «Damien Hirst,» Tate Modern, London (2012); «Relics,» Qatar Museums Authority, Al Riwaq, Qatar (2013); «Signification (Hope, Immortality and Death in Paris, Now and Then),» Deyrolle, Paris (2014); «Damien Hirst,» Astrup Fearnley Museum of Modern Art, Oslo (2015); «Damien Hirst: New Religion,» The Museum of Contemporary Art of Republika of Srpska, Banja Luka, Bosnia & Herzegovina (2016, traveled to Museum of Contemporary Art Vojvodina, Novi Sad, Serbia); «Damien Hirst: The Last Supper,» National Gallery of Art, Washington, DC (2016); and «Treasures from the Wreck of the Unbelievable,» Palazzo Grassi and Punta della Dogana, François Pinault Foundation, Venice (2017).

By creating a new forum for exhibitions, and in taking on multiple roles beyond «artist,» they have located one recourse from the power structures of the institutional and commercial art world.

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

In this exhibition domestic settings, institutional interiors and remote landscapes are bathed in cool, Nordic light and appear to have been deserted by the figures who so often inhabit them.

Work by Doug Aitken is included in the current institutional exhibitions: Again and Again, Sammlung Goetz in the Haus der Kunst, Munich; La Biennale de Lyon; Performance: Les collections du Centre Pompidou, 1967 - 2017 at Le Tripostal, Lille; Future Shock at SITE Santa Fe.

23/3 - 27/5/2018 MAGALI REUS: AS MIST, DESCRIPTION Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions.

The ICA - in association with the K11 Art Foundation - is delighted to announce the first solo institutional exhibition in the UK by Chinese artist Guan Xiao, entitled Flattened Metal.

Through a series of projects and actions (workshops, symposia, publications, exhibitions) CAHF both questions and strengthens the institutional practice of collecting, by accommodating dialogue and collaboration between its 4 partner museums and an international community of art professionals.

Finally embraced by museums that long considered him a pariah for his critiques of institutional power, Hans Haacke's critical eye remains unchanged: his new exhibition at Paula Cooper includes a new work about the Met's acceptance of donations from David H. Koch, the billionaire philanthropist who's financially supported conservative political campaigns.

The ICA is pleased to present the first UK solo institutional exhibition, Lives on Wire, by British artist Eloise Hawser.

YYZ commits to give space, financial support, and mentorship to diverse artists to develop their practices through inter-disciplinary solo exhibitions and public programs aided by institutional collaborations.

Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: Ten Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first solo institutional show in the United States since 2004.

Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: 10 Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first solo institutional show in the United States since 2004.