Sentences with phrase «institutional exhibition making»

Not exact matches

A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

«Revolution in the Making» also has an institutional precedent: Hauser Wirth & Schimmel is just walking distance from the Museum of Contemporary Art's first building of the early 1980s, the Geffen Contemporary at MoCA, and its proximity prompts visceral memories of the 2007 exhibition «WACK!

«This season, we have the opportunity to evolve and create new forms of expression that span both time and place — from a prodigiously talented group of self - made dancers from New York in their debut institutional performance, to the first U.S. exhibition from one of the most influential visual artists working today in France,» stated Alex Poots, Artistic Director of Park Avenue Armory.

The exhibition in the Kunstverein Hannover represents the first institutional survey of Omer Fast's works in Germany and it gathers together works made between 2002 and 2008.

This exhibition highlights Maine's artistic legacies in the making, featuring established artists with strong Maine ties as well as the first major institutional appearance for several young, emerging artists — showcasing the next wave of Maine artists and affording them the opportunity to make initial introductions to national art audiences.

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

Its focus is to offer programming that reaches beyond the expectations of traditional gallery and institutional exhibition - making, to a diverse and intergenerational audience.

He has been the subject of a number of institutional solo exhibitions, including the current show Torbjørn Rødland: Back in Touch at C / O Berlin and Torbjørn Rødland: The Touch That Made You at Serpentine Sackler Gallery (Fall 2017), as well as shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

A major exhibition on the 40 - year career of the Pictures Generation pioneer, whose work engages conceptualism and institutional critique Published in conjunction with the exhibition Louise Lawler: WHY PICTURES NOW, at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture - making and institutional critique.

That Dispatch's most recent «time - sensitive transmission» was one of the quietest little exhibitions imaginable, intriguing and alienating in pretty much equal measure, makes the self - conscious institutional rhetoric — tongue - in - cheek or not — seem all the more unnecessary.

For Gibson's first major institutional exhibition, the Choctaw - Cherokee painter and sculptor will show work made between 2011 and the present — a period in which the artist's practice began to allude to his Native American roots.

Looking at the potential for new dynamic forms of exhibition - making and cultural exchange, Silva will present her research into artists, as well as respond to questions posed on the subjects of the expansion of curatorial networks and emerging collaborative institutional models around the world.

Taking «world making» as a starting point also allows the exhibition to highlight the fundamental importance of certain key artists for the creativity of successive generations, just as much as exploring new spaces for art to unfold outside the institutional context and beyond the expectations of the art market.»

Samson Young presents «A dark theme keeps me here, I'll make a broken music» his first institutional solo exhibition in Europe.

For her solo exhibition «SÅ LÆNGE DET VARER *», Nairy Baghramian created a site specific installation reflecting on the role of the institutional frame as an experimental space that is made available to contemporary art.

The Temperature of Sculpture is the first institutional solo exhibition of Takamatsu outside of his home country, presenting over seventy works made between 1961 and 1977.

«A Dark Theme Keeps me Here, I'll Make a Broken Music» is Samson Young's first institutional solo exhibition in Europe.

For his first institutional solo exhibition in Germany at Heidelberger Kunstverein, Mexican artist Rodrigo Hernández looks back at «Figure 1», a sculpture he made in 2013 that has traveled to different locations and has been presented in various contexts.

With current institutional exhibitions exploring figuration presenting few of those contributions, «Part of the discussion was looking at art, particularly [that of] Kara Walker, who is in the show, and making [our] exhibition about that form of expression,» Villalongo says.

Taking a break from our typical routine we'd like to highlight a number of exhibitions running concurrently with Electronic Super Highway (Whitechapel Gallery, London) making for an interesting comparison in institutional curatorial approach.

With the current «Making Africa» Guggenheim Bilbao exhibition and the continent being the subject of Armory Show's Focus programme this year, there's finally a swell of market and institutional interest in contemporary African art.

Art and the Feminist Revolution is the first institutional exhibition to examine comprehensively the international foundations and legacy of art made under the influence of feminism.

«Jeffrey Gibson: Like a Hammer» Denver Art Museum May 13 — August 12 For Gibson's first major institutional exhibition, the Choctaw - Cherokee painter and sculptor will show work made between 2011 and the present — a period in which the artist's practice began...

Mayer's work has been included in many institutional exhibitions, including Painting 2.0: Malerei im Informationszeitalter (2015/16) at MuMoK in Vienna and Museum Brandhorst in Munich, Captain Pamphile — Ein Bildroman in Stücken (2011) at Collection Falckenberg, Deichtorhallen in Hamburg, Make Your Own Life: Artists In & Out of Cologne (2007) at the Henry Art Gallery at University of Washington, Seattle and Museum of Contemporary Art Miami, and Made In Berlin (2004) at Art Forum Berlin, Berlin.

Jac Leirner, Institutional Ghost 14 February 2017 — 5 June 2017 Considered one of Brazil's most important contemporary artists, this solo exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.

But in «Encounters and Collisions,» Ligon skirted questions of institutional framing and representation, concentrating instead on narrative modalities inherent in exhibition making.