DOGGO is the title of artist John Russell's first
institutional exhibition outside of Great Britain.
To coincide with Jamian Juliano - Villani's first
institutional exhibition outside the US, The World's Greatest Planet on Earth held at Studio Voltaire, we are pleased to present a new limited edition print by the artist.
The Kunsthalle is showing the first
institutional exhibition outside the United States of the American painter Chris Martin (born 1954, Washington D.C.).
Not exact matches
Art Sonje's
institutional desire to keep alive, but not historicize its past is mirrored
outside, where Jun Yang has renovated a hanok (a traditional Korean house) into a café and bookshop, freeing up their respective spaces on the art center's ground floor for the
exhibitions.
Recent
institutional exhibitions and in situ paintings include Atoms
Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!
Like Japan's Gutai Bijutsu Ky!kai (Gutai Art Association, 1954 - 72), a group that sought to move away from museums, galleries, and other
institutional settings, Takamatsu created public interventions, or activities
outside the confines of
exhibitions.
In her 2005 Artforum essay «From the Critique of Institutions to an Institution of Critique,» Andrea Fraser scrutinized the distinctions between what is inside and
outside of the gallery space, emphasizing the inquisitive approach artists working with the framework of
institutional critique — Michael Asher and Daniel Buren to name a few — bring into
exhibition spaces.
At the time they were invited to curate the
exhibition, they were all based
outside of New York, and had very different professional backgrounds and
institutional affiliations.
Kunsthalle is presenting the first
institutional solo
exhibition outside the United States by Chris Martin (b. 1954 in Washington D.C.), who is as yet relatively unknown in Germany.
The Kunsthalle Dusseldorf will present the first
institutional solo
exhibition outside the United States by Chris Martin.
Jiro Takamatsu: The Temperature of Sculpture An artist who was as interested in shadows and perspectives as he was sculpture, Jiro Takamatsu's first
institutional solo
exhibition outside Japan also features work centred on his obsession with everyday objects — including a fascination with string — and the meanings we assign to them.
Taking «world making» as a starting point also allows the
exhibition to highlight the fundamental importance of certain key artists for the creativity of successive generations, just as much as exploring new spaces for art to unfold
outside the
institutional context and beyond the expectations of the art market.»
The Temperature of Sculpture is the first
institutional solo
exhibition of Takamatsu
outside of his home country, presenting over seventy works made between 1961 and 1977.
This summer the Henry Moore Institute presents the first
institutional solo
exhibition of Jiro Takamatsu to take place
outside his home country of Japan.
Civilians: Artists from San Diego June 16 — October 9, 1988 Guest Curator: Dave Hickey Featured in this
exhibition were a group of San Diego - based artists who functioned
outside of the
institutional art world of museums and universities.
This show, the first
institutional solo
exhibition of his work to take place
outside his home country, focuses on his sculpture, for which he was best known.
Robert Smithson: POP Works, 1961 - 64 highlights a rare body of work by Robert Smithson that is seldom seen
outside of major
institutional exhibitions.