Sentences with phrase «institutional exhibitions such»

His works have been included in several institutional exhibitions such as: A Universal History of Infamy, LACMA, Los Angeles (2017); The Restless Earth, Fondazione Trussardi, Milano (2017); Little lower layer, Museum Of Contemporary Art Chicago, Chicago (2017); Really Useful Knowledge, Museo Reina Sofia, Madrid (2015); Under thesame sun, Guggenheim Museum, New York (2014).

His works have also been included in collective institutional exhibitions such as Painting or Not, The KaviarFactory, Lofoten, Norway (2017); Soft Power, Kunsthal KAdE, Amersfoort (2016); Here There, Qatar Museums — Al Riwaq, Doha (2015); ImagineBrazil, Astrup Feranley Museet, Oslo (2013) / DHC / Art Foundation for Contemporary, Montreal (2015); 12 Biennale de Lyon, Lyon (2013).

Not exact matches

Yet, it is such exhibition of near - zero institutional memory, as Ogun crassly showed, that condemns contemporary Nigeria to repeating avoidable mistakes!

The magazine covers both well known, institutional realities — such as museum exhibitions, established galleries and foundations — and alternative, young spaces.

Beyond solo and group exhibitions A.F.A. also welcomed renowned guest curators to organize thematic exhibitions, such as Collins & Milazzo («Modern Sleep,» 1986), Ralph Rugoff («Just Pathetic,» 1992), James Meyer («What Happened to the Institutional Critique?»

«Her «Italian Paintings, 1961 - 69» exhibition in New York in 2016 provoked deep institutional soul - searching as to how such an important body of work by an American artist had remained unrecognized for so long.

As the Stedelijk's Public Program was established in a period during which the Stedelijk was reinventing itself prior to the grand re-opening in September 2012 (during the Temporary Stedelijk series, in which the Stedelijk functioned as a temporary, nomadic institution), this new curatorial model of public programming could be freely experimented with, leading up to pertinent questions as how public programs relate to other institutional structures and programs (such as education) and exhibitions, as well as questions regarding the curatorial strategies involved in public programming, audience outreach and the Stedelijk's relation to its building and histories.

Citing Adrian Piper's controversial withdrawal from Radical Presence, Vikram questions whether the format of the «ethnicity exhibition'truly serves those whose work is being shown, whether it limits the artist to their biographies, or if «racially marked shows are marked as such for the benefit of white audiences and institutional power players.»

The catalogue published on the occasion of the first institutional exhibition by Ana Navas at Galerie der Stadt Sindelfingen continues her artistic research, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas.

Helen Molesworth, one of the exhibition's curators (along with Dieter Roelstraete and Ian Alteveer), takes such statements as evidence that Marshall's work is best seen «as a form of institutional critique, a profound querying of the museum through its most privileged object: painting.»

Thanks to her wide and inclusive view, she is able to fulfill the role of artistic director in different realities such as an institutional pavilion like Expo Gate, for Milano Expo in 2015, and IL CREPACCIO project, a showcase in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of exhibitions — such as the latest solo exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet in Stockholm and Performa in New York.

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as Crystal Bridges Museum of American Art, Bentonville, AR (2018); The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

If today, almost twenty years later, such clearly articulated reflection on the mechanisms of the art system and its institutions seems to be more covert in his works, yet engagement with the specific exhibition site and its institutional features is of great significance for him, now as then.

Performance and video artist Andrea Fraser is known for her institutional critique in works such as Official Welcome (2001), in which she delivered a monologue satirizing the bombastic language used when presenting art exhibitions and prizes, or the controversial Untitled (2003), a videotaped encounter in which a collector paid $ 20,000 in exchange for sex with the artist, posing the question of whether art is prostitution.

More and more, the moraes - barbosa collection has been active in fostering, either as institutional partner, sponsoring or producering, a series of activities such as artists residencies (in Brazil and abroad), curating and organizing exhibitions and editing monographic publications on young Brazilian artists.

The gallery has helped realise major institutional exhibitions in the UK such as Susan Hefuna at The Whitworth, Manchester (2017) and Ipek Duben at Fabrica, Brighton (2017).

Beyond the all - star roster in Cut - Up, one of the exhibition's greatest achievements is presenting a survey that evades the failures of most institutional overviews, such as wall text that expects brain - dead viewers who need overbearing guidance through the works, or sloppy curatorial decisions that produce more incongruities than enlightening insights.

Michel François realized numerous institutional exhibitions and took part in major events such as the 48th Venice Biennale, Documenta IX in Kassel, and the São Paulo Biennial XXI.

The exhibition draws on IMMA's own significant holding of his work, with such important pieces as Slow Dance Forest Floor, 1976, and Megaceros Hibernicus, 1983, as well as on private and institutional collections.

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

Such an observation was elaborated on nearly ten years later by the art historian James Meyer in his nuanced 1993 exhibition What Happened to the Institutional Critique?.