Sentences with phrase «institutional solo exhibition of his work»

This show, the first institutional solo exhibition of his work to take place outside his home country, focuses on his sculpture, for which he was best known.

Not exact matches

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

In her first institutional solo exhibition in Switzerland, Lynette Yiadom - Boakye (b. 1977 in London; lives and works in London) fills the majestic, skylit upstairs galleries of Kunsthalle Basel with all new paintings, lush and vibrant reflections on perception, painting, and the figure.

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

His work has been shown in numerous solo and group exhibitions in the US and Europe and are part of permanent institutional and private collections in the USA, Australia, Europe, Japan, China and his native Macedonia.

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

His work is included in numerous prestigious institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.

His work has been most recently featured in a comprehensive solo exhibition at the Josef Albers Museum Quadrat in Bottrop, Germany, and is part of prestigious permanent institutional collections including the Whitney Museum of American Art, the Museum of Modern Art, New York, and The Museum of Contemporary Art, Los Angeles.

His work is appears in prestigious institutional collections throughout Europe and the United States, including the Museum of Modern Art, New York, Moderna Museet, Stockholm, Centre Georges Pompidou, Paris, the Royal Museums of Fine Arts of Belgium, Brussels, and the Tate, London, and was recently recognized by comprehensive solo exhibitions at the Museum of Modern Art, New York, the Menil Collection, Houston, and the Art Institute of Chicago, beginning in 2013.

His work has been featured in solo exhibitions throughout Europe, including retrospectives at the Musée d'Art Moderne de la Ville de Paris, the Serpentine Gallery, London, and the Museo d'Arte Contemporanea Donnaregina, Naples, and appears in established institutional collections including the Tate Modern, London, the Museum of Modern Art, New York, Stedelijk Museum, Amsterdam, and Galleria Civica d'Arte Moderna e Contemporanea, Turin.

Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.

Born Losers is Bajagić's first US solo institutional exhibition, presenting a new series of work alongside earlier monochrome studies.

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at C / O Berlin (2017); Serpentine Sackler Gallery (2017); Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by

Building on Swiss Institute's long history of providing a platform for emerging artists, each show will be the artist's first institutional solo exhibition in the United States with a newly commissioned body of work specifically created for the exhibition space.

23/3 - 27/5/2018 MAGALI REUS: AS MIST, DESCRIPTION Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions.

The works in «Enough rope to hang «emselves» are taken from a larger body of work that will be shown at Touchstones, Rochdale, Greater Manchester in her first institutional solo exhibition in the UK later this year.

MAGALI REUS: AS MIST, DESCRIPTION Mar 23 - May 27, 2018 London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions designed specifically for the South London Gallery's main space.

In addition to his solo work, Mr. Milan has participated in numerous significant institutional group exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.

Jiro Takamatsu: The Temperature of Sculpture An artist who was as interested in shadows and perspectives as he was sculpture, Jiro Takamatsu's first institutional solo exhibition outside Japan also features work centred on his obsession with everyday objects — including a fascination with string — and the meanings we assign to them.

«Blue Room», the first institutional solo exhibition by Frank Heath, is a synchronized installation of video works connected by an ominous humor, shadowed by references to surveillance and espionage.

Gallery 6 is dedicated to presenting the work of young and emerging artists, all of whom are yet to have a solo exhibition in an institutional setting, nationally or internationally.

«Blue Room», the first institutional solo exhibition by Frank Heath, is a synchronized installation of video works connected by an ominous humor,...

Taking Basel — its Rhine, architecture, and pharmaceutical history — as her central subject, Marina Pinsky (b. 1986) creates an oneiric landscape of new works for her first institutional exhibition in Switzerland and her largest solo show to date.

The Temperature of Sculpture is the first institutional solo exhibition of Takamatsu outside of his home country, presenting over seventy works made between 1961 and 1977.

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 — 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 — 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 — 2006).

In a solo exhibition at GRAD, Chernysheva focusses particularly on the experience of the individual in the neglected institutional spaces of abandoned museums and offices, taking over the gallery with a range of work in a variety of media.

Here in his hometown of choice, Haus am Lützowplatz now has dedicated a first institutional solo exhibition to his work.

One further solo presentation of the work of David Robilliard, The Yes No Quality of Dreams (16 April — 15 June 2014), will be the first institutional exhibition of his paintings in over twenty years.

Selected institutional solo exhibitions include: Campaign: An Exhibition in Four Moments, Museu Serralves, Porto (2016); What's What in A Mirror, Dublin City Gallery — The Hugh Lane, Dublin (2016); All - Intimate - Act, Stedelijk Museum and Holland Festival, Amsterdam (2015); From 199C to 199D, Le Magasin, Grenoble (2014); From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, New York (2012); A Game of War Structure (site - specific work), Irish Museum of Modern Art, Dublin (2011); One long walk... two short piers, KAH, Bonn (2010); Three Perspectives and a Short Scenario, Kunsthalle Zürich (2008); McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (2005), and Projects 79: Liam Gillick: Literally, MoMA QNS, New York (2003).

Kunsthalle Basel presents the first institutional solo exhibition in Switzerland of Yan Xing, born in 1986 in Chongqing, China, and living and working in Beijing and Los Angeles.

Building on Swiss Institute's long history of providing a platform for emerging artists, each show will represent the artist's first institutional solo exhibition in the United States, lasting one month and presenting a single newly commissioned work specifically created for the exhibition space.

Beijing's UCCA presents the largest and most comprehensive exhibition of Zeng Fanzhi's work to date, and his first institutional solo in Beijing.

London - based Dutch artist Magali Reus's first major institutional solo exhibition in London comprises an entirely new body of work, framed by architectural interventions designed specifically for the South London Gallery's main space.

The Double Trouble exhibition represents a first institutional presentation of Sturtevant's work after her solo show at the Everson Museum of Art in 1973.

Jac Leirner, Institutional Ghost 14 February 2017 — 5 June 2017 Considered one of Brazil's most important contemporary artists, this solo exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.

For his first major institutional solo exhibition Daniel Kiss (b. 1984, Roth; lives in Cologne) has created a series of new works that occupy the large gallery hall of the Kunstverein as a sequence of cut - out forms and silhouette - like images.

Bringing together approximately 60 works from institutional and private collections across the United States, the exhibition represents the artist's entire career with an emphasis on paintings and drawings produced during the years since his first (and last) major solo museum exhibitions in 1981 (La Jolla Museum of Contemporary Art) and 1983 (Rose Art Museum).

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondazione Bevilacqua La Masa - Palazzetto Tito, Venice (2015); Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 - 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 - 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 - 2006).

This exhibition, Liu Wei's largest institutional solo show to date, revolves around a grouping of major new paintings, sculptures, and videos which refer back to his fifteen years of mature output while also opening up interpretive pathways for works yet to come.