Alexandra Bachzetsis Artforum International; February 1, 2009; Scharrer, Eva; 700 + words BASEL Alexandra Bachzetsis KUNSTHALLE BASEL In her first
institutional solo presentation, dancer, choreographer, and performance artist Alexandra Bachzetsis redefined the term show in the museum context.
(Middelburg, Netherlands) Adriano Amaral's first
institutional solo presentation in the Netherlands begins this Saturday, February 25th, at Vleeshal Zusterstraat.
Replicate, Keegan's first
institutional solo presentation in the US, includes his recent video, Generation (2016), alongside sculpture, and two new site specific commissions — a hanging textile and a cardboard - lattice work made in response to the Sert Gallery space.
Not exact matches
In Los Angeles, James has organized the first
solo institutional presentations of artists Abigail DeVille, Sarah Cain, Simone Leigh, Alex Da Corte, Njideka Akunyili Crosby, and Charles Gaines.
This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only
institutional presentation of her work organized in the United States since her
solo show at the Everson Museum of Art in 1973.
Earlier
solo institutional presentations include concurrent
presentations at the University of Louisville, Kentucky and the Kentucky Museum of Art and Craft, Louisville, KT in 2013; Luettgenmeijer, Berlin; La Conservera, Murcia, Spain; Artpace, San Antonio, TX; and Parasol Unit Foundation for Contemporary Art, London.
Major
solo presentations of the artist's work have been staged at
institutional venues including Schirn Kunsthalle, Frankfurt (2015); Nam June Paik Art Center, South Korea (2013); Seattle Art Museum (2013); Tate Liverpool (2012); LUMA Foundation, Arles, France (2012); Deste Foundation, Hydra, Greece (2011); Cincinnati Art Museum, Cincinnati (2010); Museo d'Art Contemporanea Roma, Rome (2009); Museum of Modern Art, New York (2007); Aspen Art Museum (2006); Musée d'Art Moderne de la Ville de Paris (2005); The Fabric Museum and Workshop, Philadelphia (2002) and Serpentine Gallery, London (2001).
Concluding our celebration of # 5WomenArtists for @womeninthearts this month selected by ICA LA Curator @jamillahjames, the research - based interdisciplinary practice of Maryam Jafri will occupy our Project Room this July, marking the artist's first
solo institutional presentation in the U.S. Jafri will rework an iteration of» Product Recall» (pictured @kunsthallebasel, 2015) that explores 20th century commodity and mass consumption.
Akashi's exhibition at SculptureCenter marks her first
solo institutional presentation and includes new works commissioned for the lower level galleries incorporating large and mid-scale glass forms.
For her first
solo and
institutional presentation in the United States, Cally Spooner (b. 1983, Ascot, UK) has produced a new installation for the New Museum's Lobby Gallery.
After rounding out 2015 with a
solo exhibition at Stuart Shave / Modern Art (and following his showstopping
presentation at Frieze London in the gallery's booth, awarded best in fair), 2016 will see the Norwegian - German sculptor cresting to new heights with a spring exhibition at Kunsthalle Basel — his largest
institutional show to date.
The artist received a Master's Degree in Fine Arts from Columbia University in 2000, and has staged numerous
solo presentations at
institutional venues including The Contemporary Art Museum St. Louis, Missouri (2015); Modern Art Museum of Fort Worth, Texas (2012 and 2007); Museum of Contemporary Art Denver, Colorado (2009 - 2010) and Baltic Centre for Contemporary Art, Newcastle (2005).
Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: Ten Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the
presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first
solo institutional show in the United States since 2004.
Curated by Wattis Institute director and chief curator Anthony Huberman, Laura Owens: 10 Paintings presents new paintings, artist books, and site - specific, hand - printed wallpaper installations that were created for the
presentation and fill the entire 4,000 - square - foot exhibition space, marking the artist's first
solo institutional show in the United States since 2004.
For her
solo presentation at the Berlinische Galerie, Monica Bonvicini has produced a site - specific installation to be staged in the museum's large exhibition hall — a move that is a hallmark of her decades - long practice, which often focuses on the
institutional viewing space.
One further
solo presentation of the work of David Robilliard, The Yes No Quality of Dreams (16 April — 15 June 2014), will be the first
institutional exhibition of his paintings in over twenty years.
The Intervals exhibition and the Public Art Fund program mark Gander's first
solo institutional presentations in New York.
The Intervals exhibition marks Futurefarmers» first
solo institutional presentation in New York.
The Double Trouble exhibition represents a first
institutional presentation of Sturtevant's work after her
solo show at the Everson Museum of Art in 1973.