Sentences with phrase «institutional space of the museum»

Tate Liverpool's second floor gallery plays host to Living Room a collection display that links the institutional space of the museum to the familiar interior of the home.

Not exact matches

Like last year's certification of Open Space, a department of SFMOMA, we wish to again demonstrate that where there is political will within museums by determined institutional actors, it can be done.

Museums, institutional critique suggests, are not ideal, transcendent spaces outside of history.

This course surveys the history of museums, galleries, and other exhibition spaces and explores how social and cultural conditions, institutional requirements, and aesthetic conceptions have shaped past and current exhibition practices.

The Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art as well as the organizational archives of select galleries, artist - run spaces and initiatives, and the personal papers of select curators and artists.

With such progression come ideas of space, duration, viewing, and the necessary destabilization of this triad — a process of unsettling that is made all the more urgent by the museum's «cultural confinement,» to dust off Robert Smithson's handy term — a concept acknowledged by Eliasson even as he updates it to speak to the long - established and more or less pervasive institutional insistence on blinding viewers to their own perceptions.

Taking the art experience back from the institutional museum or gallery space, Beuys» works demonstrated the importance of the individual in relation to universal artistic theory.

The Archives comprise the institutional archives of CCS Bard and the Hessel Museum of Art, the archives of select galleries, artist - run spaces, the personal papers of select curators and artists, as well as a collection of artist files for artists represented in the Hessel Museum Collection.

The Museum of Contemporary Art San Diego will pour through the work of artists who have operated outside of institutional spaces.

Shared between four institutions — the Belkin Art Gallery, the UBC Museum of Anthropology, the Charles H. Scott Gallery at Emily Carr University of Art and Design, and Presentation House Gallery — this collaborative space was devoted to exploring the boundaries of artistic and institutional practices.

MOCA also lent its institutional backing to the fledgling The Underground Museum, a storefront art space founded by artist Noah Davis — who passed away in 2015 — in the working class neighbourhood of Arlington Heights.

Google's Art Project Gets Aesthetic Upgrade — As if taking virtual tours of major museums while at your computer weren't fun enough already, Google has recently made some significant stylistic changes to its Art Project's presentation, improving its search function and increasing the amount of white space, which puts more emphasis on the images and gives the entire design an institutional look.

Often pulling inspiration from the natural world, Rose filters her piece through the lens of institutional space, engaging with the architecture of museums, fair tents and exhibition areas.

In this town, the metal wall studs ringing the gallery space must read as a summoning of a hallowed gesture of institutional critique: Michael Asher's 2008 exhibition at the Santa Monica Museum of Art.

He had substantial institutional solo shows at the GEM Museum of Contemporary Art of The Hague, The Hague, NL (2004); MUHKA Museum of Contemporary Art, Antwerp, B (2006); Centraal Museum, Utrecht, NL (2007); the Smithsonianâ $ ™ s Hirshhorn Museum and Sculpture Garden, Washington DC, US (2010); Kunstmuseum Thun, CH (2010); Centro de Arte Caja de Burgos, Burgos, ES (2010); Butler Gallery, Kilkenny, IRL (2012); Kunstverein Hannover, D (2012); Tampa Museum of Art, Tampa, USA (2013); the Harn Museum of Art, Gainesville, FL, USA (2013); FRAC Paca, Marseille, F (2013); MIT List Visual Arts Center, Cambridge, Boston MA, US (2014); MOCA Cleveland, OH, US (2014); Sammlung Goetz, Munich, DE (2014), Screen Space, Melbourne, AU (2015); Chà cents teau de Chimay, Chimay BE (2015); Espace 104, Paris, FR (2016); Kunstmuseum Wolfsburg, Wolfsburg, DE (2017); Fondazione Pino Pascali, Polignano a Mare, IT (2017);.

Despite Walther's studies at the Kunstakademie Düsseldorf in the early 1960s, a hotbed of European artistic talent that bred classmates such as Gerhard Richter; despite his subsequent four - year immersion in New York City, similar to stays that propelled fellow Germans such as Hanne Darboven to statewide institutional recognition; and despite his participation in seminal shows, including the Museum of Modern Art's «Spaces» in 1969 and Harald Szeemann's Documenta 5 in 1972, North America has still been slow to recognize Walther's significance for the expansion of painting,

In a solo exhibition at GRAD, Chernysheva focusses particularly on the experience of the individual in the neglected institutional spaces of abandoned museums and offices, taking over the gallery with a range of work in a variety of media.

For her solo presentation at the Berlinische Galerie, Monica Bonvicini has produced a site - specific installation to be staged in the museum's large exhibition hall — a move that is a hallmark of her decades - long practice, which often focuses on the institutional viewing space.

Like every year, Art City was part of Arte Fiera's program, a series of exhibitions and institutional initiatives held in museums and public spaces around the city of Bologna — including the exhibition Il Piedistallo vuoto — The Empty Pedestal.

A bold endeavor breaking institutional boundaries, The Living Room examines the relationship between public and private space, and addresses alternate modes of experiencing art within a museum structure.

Despite Walther's studies at the Kunstakademie Dusseldorf in the early 1960s, a hotbed of European artistic talent that bred classmates such as Gerhard Richter; despite his subsequent four - year immersion in New York City, similar to stays that propelled fellow Germans such as Hanne Darboven to statewide institutional recognition; and despite his participation in seminal shows, including the Museum of Modern Art's «Spaces» in 1969 and Harald Szeemann's Documenta 5 in 1972, North America has still been slow to recognize Walther's significance for the expansion of painting, for the convergence of art and design, and for time -, performance -, and (especially) participation - based art.

Artist Statement Working in various capacities in art museums over the years, I experienced a side of institutional space that the public rarely sees.

Upon entering the first gallery, one is greeted by Andrea Fraser's «Museum Highlights: A Gallery Talk» (1989) where Fraser acts as the fictitious docent Jane Castleton and gives a tour of the institutional infrastructure of the Philadelphia Museum of Art, setting up an ongoing conversation with the space of the Hammer galleries.