Sentences with phrase «integrates artistic practice»

His work integrates artistic practice with architecture in installations and... More

Grant will support key programs and projects integrating artistic practice and community engagement

The Meadows Prize is awarded to innovative artists and creative professionals and is a key aspect of the School's Ignite / Arts Dallas program, the arts and urbanism initiative at the Meadows School which integrates artistic practices with community engagement in Dallas and across the country.

Not exact matches

The HOT Schools Program professionally develops teaching artists in the HOT APPROACH to arts - integrated teaching practice so they may provide exceptional artistic experiences and authentically integrated curriculum to reinforce the role and power of the arts in a well - rounded education.

Efrati will conduct research in Romania and explore integrating her personal and familial ties to Romania into her artistic practice.

Originally published in 1970 and integrated into the design of the Critical Studies curriculum at CalArts, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process - based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices — from the avant - gardes to postmodernism — with Marcuse and McLuhan serving as points of anchorage.

In his artistic practice Ballen has increasingly been won over by the possibilities of integrating photography and drawing.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Tina Kohlmann's artistic practice integrates installation, sculpture, performance and the use of objects.

The artistic practice of Geoffrey Farmer integrates forms of collecting and scholarship employed by cultural historians, and draws on a diverse repertoire.

Paulina Olowska has previously integrated a variety of areas of the applied arts into her artistic practice, for example as set designer and choreographer for a fashion show in Stockholm, or by fitting out a bar in Warsaw.

Through her artistic practice and her teaching, both of which are very closely integrated, she rigorously explored complex issues of class, gender, health and the body; combining personal experience, political understanding and critical theory.

Her artistic practice is distinguished by complex processes of appropriation and transformation, in which she applies artisanal, even anachronistic methods, integrating them into a contemporary context.

In his artistic practice, he used such diverse languages as sculpture, drawing, writing, collage, assemblage, installation, and video, integrating themes that reveal his character as a researcher and activist: the aesthetic investigation of language; the questioning of the Western world, power, and the rules that dictate the values of religion, art, justice, and the state; the reverence for women and eroticism; and the depiction of violence.

How do you reposition your artistic practice in the context of this refracted, generalized spectacle, in which each of us makes his or her life a daily performance, which is integrated into the great machinery of post-capitalistic performances?

Its power was magnified by his methodical and innate urge to express his own yearning for personal freedom into his artistic creativity, thereby integrating his life and his artistic practice into a consistent and constant Gesamtkunstwerk (Total Art Work).

The artist promotes and participates in events related to contemporary artistic practices, integrating individual and group exhibitions, publishing articles, and organising interdisciplinary residencies.

According to these ideas, artistic practice allows the improvement of human ethical, cognitive and sensory capabilities integrated into a harmonious life.

After moving to New York from his hometown of Los Angeles in 1975, Allan McCollum developed an artistic practice that integrated modernist painting, conceptual art, and legacies of the readymade as a means to interrogate the ontology of art.