Everyone in the theater watching «Game Night» is more
intelligent than the characters in «Game Night».
Not exact matches
The only thing more
intelligent than making something up out of thin air is discussing the fictional
character's bodily functions.
those who are the most
intelligent or able or competent have demonstrated more
character in manifesting a potential that flows through all; don't they deserve to be treated with more respect
than others, or at least to be entrusted with more power?
Warm,
intelligent and highly articulate, there's far more to Casey
than the punchline - driven
character she played for so long — although she does like to pepper her speech with what your granny might call «broad language», usually for comic effect.
It was playing a female politician, she said, and it was good, and although she declined to say who the
character was, looking at her layered bob (several shades lighter
than the red she'd had as Miranda on Sex and the City),
intelligent blue eyes, button nose, and Cool Whip complexion, you wouldn't have to be a genius casting director to figure it out.
In featuring likable and
intelligent characters as well as some interesting plot turns, the script more
than adequately does its job as a support beam for the visuals.
Despite being more rounded
than its edgy predecessor, this is still a very
intelligent offering, populated by interesting ideas and a host of compelling
characters.
Going the extra mile, Coogler also pushes forward several strong female
characters who are noble,
intelligent, fierce and heroic, but also grounds them as separate and distinctly female entities, rather
than just generic roles that just happen to be played by women.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting
than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather
than bringing a human being to life - Lincoln as portrayed is a strangely zombie
character, an
intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
The prematurely balding,
intelligent, fast - talking Chase created a couple classic
characters, notably Irwin M. Fletcher (aka Fletch) and Vacation's Clark Griswold, but his career is often thought of as plagued by misfires and missed opportunities, rather
than touched by comic brilliance.Born on October 8, 1943, in New York City, Cornelius Crane Chase became known as «Chevy» when his grandmother nicknamed him after Chevy Chase, the wealthy Maryland community.
The
characters are as quick on the uptake as the audience, and the Thing, while showing less forethought
than the 1982 version, is still incredibly
intelligent and, most importantly, scary.
They have made it a point to make these
characters fiercely
intelligent and more
than capable of standing up for themselves no matter their age, gender or life experience.
Geoffrey Rush — King's Speech — strong, mischievious, charming as all hell, and very
intelligent — he made a far - fetched
character really work Miles Teller — Rabbit Hole — God this guy blew me away — I could sit and watch him watch Kidman for hours — the vulnerability, the hopeless hope, the teary eyes — he melted my heart in that film more
than anybody else — I've already been to IMDB to see what his next project will be!
As for screenwriter Koepp, he said almost a year ago that the movie would have a more feminist bent
than the original, with a highly
intelligent Bride
character who takes control of her own destiny.
Shyamalan's films have transcended genre constraints, as the director has made use of
intelligent stories and compelling human
characters rather
than gore.
The political satire is
intelligent and trenchant (and, it should be noted, far wittier
than almost anything in «Our Brand Is Crisis»), the action is thrilling, the
characters are empathetic, and while its taken me three previous movies to get there, I find myself getting chills when her fellow rebels give Katniss (Jennifer Lawrence) that three - fingered salute of defiance.
While the use of pre-battle cutscenes is nothing new, the
characters are a lot more believable and relatable
than previous games, where they tended to just be showing off battle skills or spouting out proverbs to sound
intelligent.
The work of director Swery 65 more
than makes up for the various technical shortcomings with an extremely
intelligent and mature storyline, and some of the best - written
characters I've ever seen — protagonist Francis York Morgan is someone I'll never, ever forget.