They were not originally
intended as works of art.
Not exact matches
The remark may been
intended as a sneer at Boehme, but it is an exact description
of all
works of literary
art without exception.»
As hard as it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting stor
As hard
as it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting stor
as it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly
intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting stor
as an
art film and it
works perfectly fine
as that, but it fails on so many levels in terms of telling an interesting stor
as that, but it fails on so many levels in terms
of telling an interesting story.
These performances were
intended as works of a new
art form combining sculpture, dance, and music or sound, often with audience participation.
SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you,
as every time, a collection
of intersections
of moving image with sonic
art; a program
of screen
works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically
intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]
This ventriloquism manifests itself in the artist's ability to take the basic, intrinsic and
intended use
of a material by its manufacturer,
as defined by the requirements
of a society and transform these into
art -
works that function on several levels simultaneously, without relinquishing its original, newly found or potential, future identity.
The
Art Center first exhibited her
work in 1987
as part
of a three - person exhibition also organized by Richard Born who then described her tapestries
as «simultaneously utilitarian objects and
works of independent beauty
intended both for use and appreciation at the same time.»
The modular paintings have often been described
as send - ups
of Minimalism, or
as references to video - game icons, but these connections were not
intended.4 Kim Conaty, curator at the Rose
Art Museum and a contributing author to the substantial catalogue that will accompany Bradley's museum exhibition, found the artist's reading
of these
works entirely unexpected and it informed her writing on the paintings
as a whole.
This phrase implies the self - consciously provisional nature
of the narrative: the absence here
of many
of the permanent collection's most iconic
works from this era makes clear that this is
intended as an array
of interesting things that happened during that decade — in other words, not an authoritative history
of»60s
art.
«Calder: Hypermobility,» a new exhibition at the Whitney Museum
of American
Art, is a rare chance to see several
of his
works as intended.
A national survey
of 13,581
arts - school alumni found that almost three - quarters
of those who
intended to
work as a professional artist had done so at some point since graduating, and 90...
Wyeth's
work was
as rural
as Warhol's was urban, his nudes
as earthy
as Warhol's girls (and boys) were dirty, but while the rural can easily look picturesque to the city dweller, and might appear to pander even unintentionally to wide appeal, urban
art is by nature
of its situation radical and
intended for a strictly limited, edgier audience.
-- Erwin Wurm, «Ethics Demonstrated in Geometrical Order» / Lehmann Maupin For anyone dying to touch the
art, here's the show for you — many
of the sculpture / furniture
works are
intended to be part - performance, whereby the participant / viewer hold the position
as dictated by Wurm for one minute.
He would have applauded the BMA announcement that it
intends to put more emphasis on diversity and contemporary
art that has a connection to the community («Baltimore Museum of Art to sell works by masters such as Andy Warhol, will aim to improve artist diversity,» April 1
art that has a connection to the community («Baltimore Museum
of Art to sell works by masters such as Andy Warhol, will aim to improve artist diversity,» April 1
Art to sell
works by masters such
as Andy Warhol, will aim to improve artist diversity,» April 13).
Perhaps he
intended the
work as a riff on process
art, or an attempt to pun action painting's grand gesture with miniature flicks
of his wrist, but ultimately, the sloppiness
of the piece is annoying.
The piece was originally
intended as a response to the
work of artist Kurt Schwitters, commissioned with Grizedale
Arts and housed in part at Tate Britain.
When Sol LeWitt, many
of whose
works mess with gallery walls, gets a full - dress retrospective,
as he did recently at the San Francisco Museum
of Modern
Art, then an intervention such
as Rathbone's is doomed to appear more sportive than critical, whatever she
intends.
On the other hand, the ICA
intends to position itself
as a decentralized place for global
art conversations involving local, U.S. and European artists, with a current presentation
of video
works by U.S. artist Alex Bag and a solo presentation
of Berlin - based Renaud Jerez to come in 2016.
The artist presents objects
as works of art, strategically manipulating the items while still adhering to their
intended aesthetic.
Whether
intended or not, his
work of this period offered a useful stepping stone between American concrete
art of the 1940s and the Minimalism
of the mid-1960s and 1970s, and,
as a result, influenced several
of today's top contemporary artists.
Intended as projections
of personal experience, these
works also evoke broader social and aesthetic issues, involving consumerism and the commodification
of art.
This session
of Artist / Admin, facilitated by Natalia Nakazawa, is
intended primarily for administrators in
arts organizations who also are pursuing an independent artistic practice, but is also suited for people who are simply interested in both administrative
work as well
as artistic creativity.