Sentences with phrase «intended as works of art»

They were not originally intended as works of art.

Not exact matches

The remark may been intended as a sneer at Boehme, but it is an exact description of all works of literary art without exception.»
As hard as it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting storAs hard as it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting storas it may be to trash a movie that looks so glorious, an unavoidable conflict has been created, because «The American» is clearly intended as an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting storas an art film and it works perfectly fine as that, but it fails on so many levels in terms of telling an interesting storas that, but it fails on so many levels in terms of telling an interesting story.
These performances were intended as works of a new art form combining sculpture, dance, and music or sound, often with audience participation.
SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]
This ventriloquism manifests itself in the artist's ability to take the basic, intrinsic and intended use of a material by its manufacturer, as defined by the requirements of a society and transform these into art - works that function on several levels simultaneously, without relinquishing its original, newly found or potential, future identity.
The Art Center first exhibited her work in 1987 as part of a three - person exhibition also organized by Richard Born who then described her tapestries as «simultaneously utilitarian objects and works of independent beauty intended both for use and appreciation at the same time.»
The modular paintings have often been described as send - ups of Minimalism, or as references to video - game icons, but these connections were not intended.4 Kim Conaty, curator at the Rose Art Museum and a contributing author to the substantial catalogue that will accompany Bradley's museum exhibition, found the artist's reading of these works entirely unexpected and it informed her writing on the paintings as a whole.
This phrase implies the self - consciously provisional nature of the narrative: the absence here of many of the permanent collection's most iconic works from this era makes clear that this is intended as an array of interesting things that happened during that decade — in other words, not an authoritative history of»60s art.
«Calder: Hypermobility,» a new exhibition at the Whitney Museum of American Art, is a rare chance to see several of his works as intended.
A national survey of 13,581 arts - school alumni found that almost three - quarters of those who intended to work as a professional artist had done so at some point since graduating, and 90...
Wyeth's work was as rural as Warhol's was urban, his nudes as earthy as Warhol's girls (and boys) were dirty, but while the rural can easily look picturesque to the city dweller, and might appear to pander even unintentionally to wide appeal, urban art is by nature of its situation radical and intended for a strictly limited, edgier audience.
-- Erwin Wurm, «Ethics Demonstrated in Geometrical Order» / Lehmann Maupin For anyone dying to touch the art, here's the show for you — many of the sculpture / furniture works are intended to be part - performance, whereby the participant / viewer hold the position as dictated by Wurm for one minute.
He would have applauded the BMA announcement that it intends to put more emphasis on diversity and contemporary art that has a connection to the community («Baltimore Museum of Art to sell works by masters such as Andy Warhol, will aim to improve artist diversity,» April 1art that has a connection to the community («Baltimore Museum of Art to sell works by masters such as Andy Warhol, will aim to improve artist diversity,» April 1Art to sell works by masters such as Andy Warhol, will aim to improve artist diversity,» April 13).
Perhaps he intended the work as a riff on process art, or an attempt to pun action painting's grand gesture with miniature flicks of his wrist, but ultimately, the sloppiness of the piece is annoying.
The piece was originally intended as a response to the work of artist Kurt Schwitters, commissioned with Grizedale Arts and housed in part at Tate Britain.
When Sol LeWitt, many of whose works mess with gallery walls, gets a full - dress retrospective, as he did recently at the San Francisco Museum of Modern Art, then an intervention such as Rathbone's is doomed to appear more sportive than critical, whatever she intends.
On the other hand, the ICA intends to position itself as a decentralized place for global art conversations involving local, U.S. and European artists, with a current presentation of video works by U.S. artist Alex Bag and a solo presentation of Berlin - based Renaud Jerez to come in 2016.
The artist presents objects as works of art, strategically manipulating the items while still adhering to their intended aesthetic.
Whether intended or not, his work of this period offered a useful stepping stone between American concrete art of the 1940s and the Minimalism of the mid-1960s and 1970s, and, as a result, influenced several of today's top contemporary artists.
Intended as projections of personal experience, these works also evoke broader social and aesthetic issues, involving consumerism and the commodification of art.
This session of Artist / Admin, facilitated by Natalia Nakazawa, is intended primarily for administrators in arts organizations who also are pursuing an independent artistic practice, but is also suited for people who are simply interested in both administrative work as well as artistic creativity.
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