Their arcs are too blunt at times and wishy - washy at others, but both actors have the parts down so well that they manage to sell just about everything from the amusing banter to some particularly
intense emotional scenes.
Their relationship is endearing and destructive and there's a really
intense emotional scene where Pace confronts his continual manipulation of the girl which has lead directly to her injury.
Not exact matches
Parents: No bad language or sexual situations, but several
emotional and
intense scenes.
Second: Thresh's
scene with Katniss was less
intense and
emotional than I found it to be in the book.
Also, she never even commented on the long, sweeping and
emotional one - shot beach
scene which is going to stand out in Cinematic History for it's
intense and all - together difficulty in shooting and brilliance in realization.
In more
intense or
emotional moments, the voice acting and sync with characters broke me out of the experience and dulled the impact of some
scenes.
And yesterday, we did our most
intense,
emotional, painful
scenes of the whole film.
We'd be foolish not to give some sort of shout out to other terrific
scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an
emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching
scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the
intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.
It's his ability to make music that compliments a
scene rather than eclipse it that has made him an invaluable creative partner to filmmakers who work in such
intense melodramatic registers, and Burwell is emphatic that his scores aren't responsible for all of the
emotional heavy - lifting.
The
scene in Grace's kitchen where she is attempting to take the potassium cyanide has
intense psychological and
emotional richness for stage or screen.