The utopia of placeless infinity (Untitled, «Infinity wall,» 2008) or the reminiscence of a former socialist utopist turned dictator (Thaw (Takaki Masao), 2007) explore this theme, as do the most recent large - scale sculptures, which, like pieces of architecture, allow the viewer to access interior worlds and provide him / her with
an intense spatial experience (Via Negativa, 2012).