The first day of each rotation involves
intensive experimental work, and the second day involves analysis and presentation of the work to the entire conference group.
The collective's interest was in making
work that avidly challenged the prevailing Minimalist and Conceptual art, and its collaborative practice,
intensive engagement with music, and raucous group exhibitions are widely recalled as improvisational,
experimental and highly charged: everything seemed to be made quickly and without premeditated plans or structures.