Harassment includes but is not limited to: verbal, physical, or written conduct, conduct of a sexually inappropriate nature, physical or psychological abuse, repeated remarks of a demeaning nature, implied or explicit threats, demeaning jokes, stories, or activities, and
intentional use of names and pronouns inconsistent with a person's presented gender.
Entrant hereby releases, discharges, and agrees to release and hold harmless SEMA, its agents, representatives, affiliates, successors, and assigns from any liability, including, without limitation, any claims for libel, slander, or invasion
of privacy, incurred by virtue
of any blurring, distortion, alteration, optical illusion, or
use in composite form, whether
intentional or otherwise, that may occur in any works incorporating Entrant's
name, voice, signature, photograph, or likeness, or in any reproductions thereof, as well as in any subsequent processing, broadcast or publication thereof.
In 1625, Baroque painter Peter Paul Rubens wrote that he was creating an oil sketch
of the Three Graces
using opalescent gray and warm brown hues — «en grisaille et non couleurs» — thus giving
name to the practice
of intentional chromatic reduction in painting and sculpture that has become an enduring paradigm
of artistic practice to the present day.