Visitors can peruse the artists» favorite «love letters and hate mail,» drawn from almost three decades of humorous, heart - warming and shocking communications, and are invited to contribute their own views to
an interactive wall installation.
Jenny Marketou offers a site - specific,
interactive wall installation which invites visitors to walk around the neighborhood to record their olfactory experiences on a giant smell map.
Not exact matches
The Armory will be the setting for a series of groundbreaking performances, temporary
installations, events, and other programs, all free to the public, by Biennial artists from March 4 to March 23, creating an exciting opportunity to present works that could not be accommodated within the Whitney's
walls and remaining true to the fluid,
interactive way in which these works were conceived.
The Infinity Engine, 2014, multimedia
installation, partly
interactive (genetically modified fishes, fish tank, screens, projections,
wall paper, 3 - D printed nose, files, electrics, and other materials), 380 x 1280 x 550 cm,
installation view, Lynn Hershman Leeson.
The
installation will no doubt be
interactive and multi sensory, with few white
walls in sight.
Employing a range of materials including bronze, wood, terracotta, silicone, concrete and silver, Tallur L.N. creates sculpture,
wall pieces, site - specific
installations and
interactive work that delve deep into the dichotomies between the tangible and the ethereal, the figurative and the abstract, and the decorative and the conceptual.
Employing a range of materials, Tallur L.N. creates sculpture,
wall pieces, site - specific
installations and
interactive works that delve deep into the dichotomies between the tangible and the ethereal, the figurative and the abstract, and the decorative and the conceptual in order to reveal new meanings on contemporary existence.
Focusing on three types of works — namely her monumental
wall paintings, colorful pixel
installations and
interactive drawing machines — SHORT BIG DRAMA presents a selection of existing works together with specially commissioned new pieces.
Past site specific projects include an
installation with six trompe l'oeil paintings and 3000 pieces of mirror in a 12th century gothic church in the Netherlands and an
interactive, temporal
wall painting in Woodland, California.
Ranging in scale from three inches to nearly 40 feet, the exhibit features mixed - media
installations in a presentation of approximately 50 unique objects, dating from 1796 to the present, in particular with the inclusion of large works by four contemporary women artists: Kara Walker, with her panoramic
wall murals, Camille Utterback via an
interactive digital
installation that reacts to visitors» movements and shadows, Kristi Malakoff's life - size cutouts of children dancing around a Maypole, and Kumi Yamashita's intricate, shadowy
installations.
Ranging from monumental structures to witty interventions, epic performances to
interactive installations, participants will exhibit alongside each other without partitions or
walls, creating a pop - up village of global art for visitors to explore.
This method allows Ritchie to reshape his images into sculptures, floor - to -
wall installations,
interactive web sites, and short stories.
The Armory was the setting for a series of performances, temporary
installations, events, and other public programs by Biennial artists from March 6 to March 23, creating an opportunity to present works that could not be accommodated within the Whitney's
walls, but remain true to the fluid,
interactive way in which these works were conceived.