Sentences with phrase «interest with other artists»

Not exact matches

I've chatted to all sorts of interesting people and made good contacts with other artists.

It starts with Frida Kahlo and then goes through all the important portrait artists like Rembrandt, Frans Hals, Van Gogh, Picasso and then takes through a number of other artists with interesting styles, Hundertwasser, Gary Hume, Chila Burman, Sonya Boyce, Leger, Picabia, Dali and much more.

All seven Maserati brothers were born in the nineteenth century, and if fifth - born Mario was an artist with no interest in cars or racing, the six others were true «car guys,» to use a term popularized long after the last of them had died.

The move suggests a future in which publishers might co-fund projects across different forms of media, in collaboration with other interested parties — readers, other media companies, the artists themselves — enabling them to share the costs of publication, and thus take greater risks.

Ragazine.CC is a collaboration of emerging and established artists, writers, poets, musicians, photographers, travelers and interested others, with a goal to promote an eclectic selection of subject matter to an international audience.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

It will be interesting to hear how the music of other artists like FamilyJules7x, who is known for his metal game arrangements, will work with the game's visual style.

I don't find my work less interesting or lower quality than other artists I've seen with thousands of followers.

«I realized it was such an interesting topic that it's a question I raised with other artists I knew, and it had a great impact on my own encounters with art,» says Garrels, who went on to organize the exhibition, which included Grotjahn, Amy Sillman, Charline von Heyl, Mary Heilmann, Wade Guyton, and Christopher Wool.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

Every man or woman painted by Alice Neel comes across as an intriguing person with an interesting story to tell, and it shouldn't come as a surprise that, unlike other artists, she loved chatting with her models while they posed for her.

There is a recent, interesting, curatorial turn, pairing two artists alongside each other, for example Andy Warhol and Ai Weiwei at the National Gallery of Victoria in Melbourne; Salvador Dalí and Marcel Duchamp, currently at London's Royal Academy of Arts; Tracey Emin with Louise Bourgeois.

In the early 1980s, I, along with many other artists, was interested in the distributive capacity of art based in reproduction.

His diverse interests and methods have led him to undertake a varied range of projects, which at times have included long - term collaborative efforts with other artists, musicians, and writers resulting in ambitious traveling shows and exhibition catalogues.

In reaction to the swelling art world in New York, Mr. Deitch said, «artists are now more and more interested in this idea of the salon and building a real community with other artists.»

BLACKLEY: I'm interested in asking you about your situation at Participant now, with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.

Along with other research and programming initiatives at CSM, Artists Select aims to uphold the intellectual breadth — ranging from an interest in music and philosophy to literature and history — that Clyfford Still himself maintained.

JG Matthew, when you curate exhibitions that mingle work by marginalized or developmentally disadvantaged people with that of other contemporary artists, surely there is a special ethical responsibility to protect their interests?

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

He, along with other influential writers and artists like Guillaume Apollinaire, Georges Bataille, André Masson and Joan Miró, became interested in employing processes for art making that were developing in psychiatry to bring out the workings and visions of the psyche, like the Rorschach test.

It showed us that there's this demand for great craftsmanship for the Lalique heritage and how we make things but also in a way that's exciting and collectible like art pieces and that's when we decided it would be interesting to collaborate with other artists and bring them within our design atelier so we could create shock and push boundaries again.

The other success story for us was Edith Dekyndt, the Belgian artist — we sold many works by her with interest from collectors and museums.»

This piece, one of a series of homages to artists (others are to Yves Klein, Marcel Duchamp and Joseph Beuys) consists of a curvy art deco desk adorned with books about automatic writing — an interest of Stein's until she became a famous modernist writer, at which point she furiously distanced herself from it.

Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in conversation with the other works on view in the gallery.

EW: Artists I showed in the very beginning in my gallery in the 1990s in SOHO were Carolee Schneemann, Vicky Civera Redondo, Sang Nam Lee, Angela de la Cruz, Eduardo Costa, Carol Szymanski and Nicola L. I have access to all of them, even if some are with other galleries now, as I always kept up contacts and followed the artists I was really interesArtists I showed in the very beginning in my gallery in the 1990s in SOHO were Carolee Schneemann, Vicky Civera Redondo, Sang Nam Lee, Angela de la Cruz, Eduardo Costa, Carol Szymanski and Nicola L. I have access to all of them, even if some are with other galleries now, as I always kept up contacts and followed the artists I was really interesartists I was really interested in.

This professional - level class on Sunday afternoons during the 2018 - 19 academic year is a unique opportunity for young artists interested in developing their observational skills in painting from nature and working with other exceptional young artists.

In addition to our exciting opening night parties, MOCA's nightlife events, artist talks, documentary screenings and other programming keeps this museum alive with interesting, intelligent and engaged individuals living in the increasingly cosmopolitan Cleveland area.

But as with the Ink Forest Group before this, Kwon was not interested in aligning himself with a coterie of artists working under a single aesthetic program; in fact, Kwon was beginning to seek out other artistic scenes at this time.

The series stems from Providence College Galleries» interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other American and international urban contexts.

The series stems from Providence College — Galleries» and the Providence College Art & Art History Department's interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other international urban contexts.

The circumstances under which the exhibition has been constructed began with the current and pervasive interest that African and African - American artists, and other artists of African descent, have been garnering in Europe, particularly through mainstream museums and gallery exhibitions, biennials, prestigious prizes, specialized coverage, and collectors.

Though never a formal movement or school, «AbEx» grouped together artists — including Jackson Pollock, Willem de Kooning, Mark Rothko, and Clyfford Still, amongst others — with interest in spontaneity, monumental size, the individual psyche, and universal expressions of feeling.

Delaney's interest in the arts also included poetry and jazz, and he formed close friendships with writers such as James Baldwin and Henry Miller, and other artists, including Alfred Stieglitz, Georgia O'Keefe, and Al Hirschfeld.

We are interested in a discussion of the production - and distribution systems for images and are amongst other things arranging seminars and symposiums with invited filmmakers, artists and theorists.

Jorn, along with artists such as Sonja Ferlov Mancoba, Henry Heerup, Egill Jacobsen, and Carl - Henning Pedersen among others, shared an interest in an exploration of ancient folk art, populist art forms, and the legacy of Surrealism in defiance of their anti-Modernist German occupiers.

With the addition of a College of the Arts library on the CSU RiverPark Campus adjacent to the Bo Bartlett Center, the Center's curator will continually broaden the collection by actively seeking the donation of sketchbooks, journals and archival materials of other noteworthy American artists interested in a permanent repository for their work.

The artist's practice has always been marked by an interest in collaboration with other artists and cultural producers.

The series stems from an avid interest in cultivating relationships with artists, scholars and arts communities from around the world in order to draw connections between the city of Providence and other international urban contexts, and to provide Providence audiences idiosyncratic glimpses of innovative contemporary artists working in cities around the world.

It's definitely a good thing to have dialogues with people other than artists who have an interest in the history and display of art

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).

The assemblages and collages in Betye Saar: CAGE also share with her other works a global perspective interlaced with the artist's personal interest in metaphysics, magic, mystery, legends, and superstitions.

Ryan Foerster (Newmarket, Canada, 1983) is a mixed media artist working primarily in photography with an interest in the evolution and decay caused by the effects of time, weather and other organic processes.

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

Alison Jacques, a London gallerist who represents Blank, Hicks, Maria Bartuszová, and Lygia Clark, among others, says building up interest in these artists is a strategic process, which she explains to estates and the families of the artists she works with when she asks for certain works.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

I'm interested in making art, and if I'm in a group exhibition with other artists, I'm interested in their success as well so that the show can be a success.

Among the exhibitors are influential nonagenarian Indian artist Krishna Reddy, who shows drawings from the 1950s articulating various experiments with form, and (at the other end of the age scale) Dhaka - based Ayesha Sultana, whose hypnotic watercolours follow her interest in material, movement and distance (and, fundamentally, form).

Some artists used analogue with an interest in the direct relationship of light while others address the fictions in both digital and analogue images.

The Royal NoneSuch Gallery is not motivated by commercial interests, but instead by working with other artists and creators to facilitate experimentation and social engagement through monthly exhibitions and events.