Sentences with phrase «interested in the art form»

Matta - Clark had a heavy duty interest in the art form — letting Bronx teens tag up his van and documenting early tags on the subways in pieces he called Graffiti Photoglyphs.

Not exact matches

Don't limit it to just one art form: poll your group for their interests in music (all kinds), painting, drawing, sculpture, drama, prose, poetry, graffiti art and dance (all styles).

By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.

What intervened in the half - century or so between Arnold and Santayana and the early Ph.D. programs in religion and art was precisely this interest in the art object, its language and form.

With an avid interest in visual arts, she enjoys writing and editing for The Licensing Book and The Toy Book, leading trade magazines about toys — the first art forms we encounter as children.

Park51 teaches calligraphy On Sat., April 21, anyone interested in learning calligraphy can take advantage of a free lesson on the ancient art form, thanks to Park51.

I am interested in many art forms besides ballet and would like very much to meet a man that has the same interests.

I am not interested in being submissive only in learning the beautiful art form that is BDSM.

While Lords of Dogtown represents and interesting look into a time where youths of the streets created a new art form out of nothing but a toy, the tale still lacks the weightiness in theme and worthiness in importance to make for a truly compelling two hours of movie to go out of one's way for.

Above all else, movies and art, in any form, exist to entertain and I remain much more interested in how art affects others, more than with myself.

So Sega moved forward with a boxed version of the game, and while its boxed version has its own physical perks (32 - page art book, «holographic» cover, reversible Genesis - styled cover), the more interesting stuff comes in the form of new gameplay features.

I am interested in the change from the period when the meaning of art and form in art was in making complex experience simple and lucid, as is still the case in «Knife in the Water» [Roman Polanski, 1962] or «Bandits of Orgosolo» [Vittorio De Seta, 1960], to the current acceptance of art as technique, the technique which in a movie like «This Sporting Life» [Lindsay Anderson, 1963] makes a simple, though psychologically confused, story look complex, and modern because inexplicable.

There's nothing special about the packaging; Valiant comes in a black keepcase (there's some logic behind the color, but finding it requires more thought than interest and space probably allow) with a form for a new 100 - Disney DVD sweepstakes, a booklet promoting Kronk's New Groove, Bambi II, and Lady and the Tramp, and a two - sided insert which nearly duplicates the cover art in addition to providing scene selections and an overview of the extras.

This has always been a great lesson - students do not know that photography is a baby in terms of art forms at 200 years old and they are really interested in looking at the images to work out why these paintings are so different before and after the invention of photography.

«If it was a straight shoot, it wouldn't be very interesting,» he says, «so the ability to advance a policy agenda in an environment that is entirely set up to thwart it is a real art form.

Urquhart continues her interest in unconventional art forms, a theme that has run through two of her previous novels, The Stone Carvers and The Underpainter, with a story that rewards the patient reader.

Record the most interesting and relevant material that you have in your notebook and write it in any order and in any form (use abbreviation and symbols that are understandable to you, make art schemes, etc.).

By the time I graduated high school I had drawn and sold a lot of portraits, and had developed a growing interest in photography as an art form.

The point here is that there are a few hurdles to cross and those involved in this process don't appear to have an interest in expanding the art form.

Normally, ESP are indeed just a publishing shell but in the case of Game Arts — post Grandia — there were vested interests that did exact a form of editorial control.

So Sega moved forward with a boxed version of the game, and while its boxed version has its own physical perks (32 - page art book, «holographic» cover, reversible Genesis - styled cover), the more interesting stuff comes in the form of new gameplay features.

Left to their own devices they have no interest in animation as an art form.

We're at a very interesting point in gaming's development as an art form, where we are really digging deep into what makes a game and what doesn't.

Level - 5's RPG has the art style of Professor Layton, an interesting squad - forming, leveling - up process in a boarding school setting and touch - based controls that are more game than sport.

She is interested in the topic of interactivity and it's possibilities in different art forms.

Hansen's interest in combining technology, human biology and fine art is longstanding and has led to some rather unusual experiments: we're told he recently used his own DNA to form the codes that go on to create his work.

AT THE HEIGHT of the Abstract Expressionist movement, which has been referred to as the «Triumph of American Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.

After meeting en route to the opening of «Red Eye: Artists From the Rubell Family Collection,» the two discovered other common interests, including popular music (the Beatles, the Smiths, Led Zeppelin) and the most classical inspiration in all of Western art — the human form.

The Figurative Arts Residency offers artists interested in representational and figurative subjects a unique opportunity to hone skills and advance techniques of image - and form - making.

I respect all forms of art, but I'm not really interested in a narration of what the thing is supposed to be.

These light boxes — flawlessly crafted out of mirror, fluorescent lighting, mahogany and Perspex — form an installation that reveals Rademeyer's interest in the experiential element of visual art.

Lin's research - based, interdisciplinary practice is ideally suited to the Artist Lab Residency, connecting her with a long succession of artists whose interests in feminism, gender and queer theory, performance, time - based art forms, and cross-disciplinary research have informed the ethos of 18th Street Arts Center over the past two and a half decades.

In his first exhibition following the 2007 career retrospective, Thomas Chimes: Adventures in «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingIn his first exhibition following the 2007 career retrospective, Thomas Chimes: Adventures in «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintingin the form of celestial, white and gold paintings.

Sybren Renema's interest lies in all forms of human knowledge - production, with a particular liking for art, history, geographical exploration and the natural sciences.

Faena Art Center's inaugural project, Ernesto Neto's first major exhibition in Argentina, promises to bring together his key interests within the striking space of an old mill, enlivening the space with sound, color, and spatial and sensory experiences, as well as the artist's exquisitely beautiful forms.

They shared the interest in American indigenous art, especially in the form of wood sculptures and totems.

«The abiding appeal of art,» he announces in the Renoir book, «springs from the presence in it of the characteristics which lend interest and poignancy to life itself: movement, contrast, rhythm, symmetry, coherence of parts, unity of form and meaning, and individuality of purpose.»

While Krushenick's graphic forms and bright colors are akin to Pop art, he remained interested in abstraction, distancing his work from the representational forms of Pop art.

The school's program in «visual narratives» combines writing and visual art, for those interested in illustration, graphic novels, and other forms of «visual storytelling.»

This work concretized his interest in creating «conditional art» that makes the environment the form and, by doing so, heightens one's perception of a space.

The artists are interested in how identities are continually shaped by mass - media art forms, such as televsion, videogames, music and the internet.

But I think that when you are going to art school you just know a lot of people who do traditional things for different reasons or in a different spirit than they were done originally, but who are still interested in those forms.

Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as «drawings in space.»

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqArt as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

She is widely known for her simultaneous engagement with academic scholarship and contemporary architectural practice and for interest in the intersection of architecture and other art forms.

As his interest in primitive art forms emerged, anticipating his «pictographic» paintings of the 1940s, Gottlieb won a U.S. Treasury competition for a post office mural in Yerrington, Nevada.

includes art produced in South America, North America, and the Caribbean presented in the form of six short visual essays, each offering a critical perspective on a set of related issues in modern culture and society of particular interest to progressive artists.

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

He developed an early interest in multiple forms of visual art — drawing, sculpting, taking and developing photographs, and shooting film all before the age of fifteen.

Ms. Umland isn't interested in one concrete or comprehensive definition of the art form.