Not exact matches
Plus One Gallery artist Paul Day has spent over twenty years developing a highly personal approach to figurative sculpture with a particular
interest in representing the figure in
architectural space using high - relief, an art form that combines drawn
composition and fully rounded sculpture.
Continuing with her
interest in macro-versus-mirco structures, Smith pushes the boundaries of perception and context as her
compositions toe the line between
architectural and cellular forms.
My paintings at this time were both perceptual and conceptual: smallish images of architecture, mostly Victorian houses, with their
interesting balance of details upon large planes, which were painted on site during summers away from the city; small still life paintings; larger figure
compositions ---- studio works ---- looking toward Italian High Renaissance painting, with one or two or three figures in an
architectural setting.