Not exact matches
Interested in the intersections between the various creative fields, White Zinfandel, published by With
Projects, Inc., is a continuation of this
curatorial experiment, coupling food and art as a reliable means to provoke unexpected reactions, cravings and curiosities.
The Fulcrum Fund is expressly
interested in visual art including: public art
projects / site specific installations, the publication of writing directly related to the visual arts including printed matter and online publications, artist residencies, film screenings,
curatorial projects and exhibitions that highlight unconventional artistic practice, workshops, multimedia, video and photo
projects.
Forthcoming shows and
projects include; «I guess, anything can become
interesting if you look at it long enough» (solo), Syson Gallery, Nottingham, 2015; Forming Thoughts — alongside Neil Dixon and Natalie Finnemore, One Thoresby Street, Nottingham, 2015; Ground: Paul Housley and John Smith — a
curatorial project with Alice Gale - Feeny, Attic, Nottingham, 2015.
She has a career - long
interest in alternative narratives of modernism and has pursued
curatorial projects that expand our understanding of the global diversity of contemporary practice.
Burns has a particular
interest in socially engaged arts practice and past
projects commissioned through Fire Station include Troubling Ireland — a think tank for socially engaged artists in collaboration with the Danish
curatorial collective Kuratorisk Aktion.
His
curatorial interests are with artist - led
projects, emerging art, new models for
curatorial methodologies and an international scope for partnerships and exchanges.
Mai's fellowship, administered by the Museum of Fine Arts, Houston, honors two outstanding students in the region who will work at the Museum of Fine Arts, Houston, on
curatorial research
projects tailored to their
interests.
The Center for
Curatorial Studies is home to a diverse group of scholars, curators, researchers, and artists, whose individual
interests and
projects shape an environment where contemporary art and its relationship to our society is constantly tested and explored.
With recent
projects like curator Germano Celant's recent show «When Attitudes Become Form: Bern 1969 / Venice 2013» at Venice's Fondazione Prada — a dramatic re-staging of the 1969 exhibition organized by Harald Szeemann that introduced conceptual art to Europe — there's suddenly widespread
interest in examining the
curatorial history of certain exhibitions that are considered major milestones in contemporary art's development.
In her
curatorial as well as her writing
projects she esteems to promote art made by female artists as well as harboring a special
interest in Latin American art.
Five artists were commissioned to create a
project in an area of
interest between New York City and the Center for
Curatorial Studies at Bard College (CCS Bard), located along a 110 - mile route.
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring international curators — Mai Abu ElDahab (co-curator of the 2014 Liverpool Biennial) will present her current research
interests and
curatorial projects.
As part of ICI's Curator's Perspective — an itinerant public discussion series featuring international curators — Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston) will present her current research
interests and
curatorial projects.
Her
curatorial projects and writing depart from an
interest towards language and non-Western conceptions of time and systems of belief.
This installation drew thousands of people and delved into revolutionary politics past and present, a continuing theme in Fein's work.In May 2010, Fein was invited by the New York
curatorial project No Longer Empty to recreate his «Remember the Upstairs Lounge» installation in a vacant Chelsea space.The exhibition, once again, drew thousands of visitors and sparked renewed
interest in this piece of history.
Lamarche - Vadel began her
curatorial life in Berlin, where her
interest in experimental modes of exhibition - making led her to collaborate with underground art
projects, such as the «Forgotten Bar
Project» in Kreuzberg.
Fiber, as the ICA's website attests, may be «the first exhibition in 40 years to examine the development of abstraction and dimensionality in fiber art from the mid-twentieth century through to the present,» but it also speaks to a broader
interest in this type of work evidenced by recent
curatorial and scholarly
projects, including Elissa Auther's String, Felt, Thread: The Hierarchy of Art and Craft in America (Minneapolis: University of Minnesota Press, 2009)(click here for review); Thread Lines, a group exhibition curated by Joanna Kleinberg Romanow at the Drawing Center in New York (2014); and Richard Tuttles's installation I Don't Know.
Torchia's
interest in the photocopier as an artist's tool goes back to his first
curatorial project, a 1983 group survey for the Princeton Art Museum.
Researching urban memory with a marked
interest for the contexts and implications of loss, Lee's observations often merge personal and national narratives and are variously translated into objects, diagrams, situations,
curatorial projects, and critical texts.
Guarding against special
interests in any particular style or genre, his
curatorial projects bridge gaps left in art history and reflect the creative imagination of the past, present and future.
Since 1988, Ben Kinmont «s
project - based work has demonstrated an
interest in archiving and blurring the boundaries between artistic production, publishing, and
curatorial practices.