Sentences with phrase «interesting exhibitions presented»

Not exact matches

You would think that those responsible for exhibition policy might respond to the present public interest by showing off their treasure.

His article did add some interesting extra touches, such as an attempt to show that the solar corona at eclipse during the period was strongly suppressed compared with its present exhibition of major streamers.

These interests are a clear influence on Pore, an exhibition that presents a sculptural exploration of the vulnerability of the human body and the permeability of its borders.

In this exhibition, Thomas Houseago presents a body of work that not only testifies to his continuing interest in the history of sculpture, but also hints at the emergence of a new aesthetic sensibility within his oeuvre.

Due to the interest and response from the public to his recent exhibition at Goodman Gallery Cape, Goodman Gallery One & Only is pleased to present selected works of Thomas Mulcaire's opening 27th August.

The exhibition Písařovic's Study is a way of presenting to the public (at least in a fragmentary form) a valuable collection of works by psychiatric patients, as well as a way of showing to the spectator the interesting and complicated personality of the Czech psychiatrist František Písařovic.

Artists and curators interested in submitting exhibition proposals to GRACE should present the following materials:

It also includes a large collection of poetry by Bill bissett (published by Talon Books) and other interesting exhibition catalogues from the 1980s to present.

This group exhibition presents the work of four artists - Strauss Bourque - LaFrance, Caitlin Keogh, Pam Lins, Sean Raspet - who share an interest in surface, artifice, perception, and seriality.

Borrowing its title from the eponymous work by Carrie Mae Weems (American, b. 1953), the exhibition presents the history of the medium in three parts, emphasizing the strengths of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.

Ales Otruzar, Director at David Zwirner Gallery talked to galleryIntell about the exhibition at ADAA: The Art Show 2013 where they are presenting an interesting phase in the artist's body of work.

I think he is one of the most interesting artists of his generation and I am very proud to be able to present the first exhibition of his work in the Netherlands.

The exhibition presented the work of students who participated in the 2013 - 2014 session of Art Ready, Smack Mellon's arts mentorship program for high school students interested in pursuing a career in the visual arts.

Bartha Contemporary is gonna present the most interesting sounding exhibition of 2018 so far REFLEX II: The Brain Closer Than The Eye

Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.

The AAM is looking for interested people to participate in New York — based artist Cheryl Donegan's fashion show, being presented on July 2, 2018, as part of her summer exhibition GRLZ + VEILS at the museum.

Those interested in Brooklyn history might want to check out Pioneers of Bushwick, a photography exhibition by Daryl - Ann Saunders, and Defying Devastation: Bushwick Then & Now, which examines Bushwick's past and present through Meryl Meisler's photos and Vanessa Mártir's stories, alongside art from contributors who range in age from eight to 101 years old.

State of Concept is happy to present a solo exhibition of the work of one of the most interesting artists of the contemporary greek art scene, Loukia Alavanou, that opens on the 2nd of March at 19:00.

Highgate Contemporary Art presents «Farrago»... These are words that sum up the diverse and interesting collection of artists» work in our Summer Exhibition.

Put in context, in the year following the historic 1913 Armory Show that had so dramatically introduced the ideas of the European avant - garde to an American audience, Stieglitz presented to this same audience the first exhibition of African sculpture to focus on its aesthetic rather than ethnographic interest.

Recently, exhibitions have tended towards the ludic quality of Klee's oeuvre: last year, «Bauhaus: Art as Life» at the Barbican presented an array of Klee's extraordinary puppets, while BOZAR's 2008 exhibition «Paul Klee: Theatre Here, There and Everywhere» explored Klee's colour harmonies based on musical notation, as well as his interest in dance, circus and masks.

For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed of hundreds of acrylic cubes in seven colors of the light spectrum, a reductive representation of a rainbow captured at a specific moment in time, 3:37 p.m. Fernández's work is characterized by an interest in perception and the psychology of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which in turn become part of the meaning behind the work.

For this exhibition, Ore - Giron presents a series of music - based performances that activate and interact with his sculptures, furthering the artist's continued interest in mash - ups of music and contemporary art.

This second exhibition of Wynne's work at the gallery presents new mirrored - glass words and revisits early mixed - media pieces that contextualize his long - standing interest in, and engagement with text.

It was first shown publicly in 1970, when it was presented as one of Rauschenberg's earliest prints in exhibitions organized by the Institute of Contemporary Art, Philadelphia, and the Minneapolis Institute of Arts. 8 Though it has continued to be referred to as a monoprint, 9 the work's status as a print has fallen into the background over time, with scholarly interest instead focused on Rauschenberg's use of the direct imprint or indexical mark.

There's a persistent interest, I think, in giving a context for this material, as when Lynne did this exhibition with Rosemarie Trockel that came to the New Museum here, where it was juxtaposed with the work of someone like Judith Scott, who I presented here at White Columns before I co-curated her retrospective at the Brooklyn Museum.

Alongside these pioneering figures, the exhibition also showcases works by a younger generation, including Anne Collier, Roe Ethridge and Steven Shearer, whose interests reflect those of their predecessors, whilst also presenting their own unique take on appropriation.

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

One of the most interesting exhibitions this spring will be presented at Christie's in London.

History Established in June 1991, Intuit is a nonprofit 501 (c)(3) organization dedicated to presenting intuitive and outsider art — with world class exhibitions; resources for scholars and students; a Permanent Collection with holdings of nearly 1,100 works of art; the Henry Darger Room Collection, a permanent installation; the Robert A. Roth Study Center, a non-circulating collection with a primary focus in the fields of outsider and contemporary self - taught art; and educational programming for people of all interest levels and backgrounds.

The exhibition presents a mapping of the entire collection — developed in collaboration with Paris - based Brazilian artists Angela Detanico and Rafael Lain — in an attempt to open up, to an interested audience, the idea of the collection as a system with variable entrances.

Ben Brown Fine Arts is delighted to present an exhibition of new paintings by Jiri Georg Dokoupil, one of the most creative and interesting artists of his generation.

However, the recent exhibition of Jess Jones» and Lillian Blades» work at Atlanta's Swan Coach House Gallery tosses all that patriarchal competitive comparison out the door by presenting the strength of their individual practices, as well as their shared interest in the history and procedures of craft.

The exhibition presents a mapping of the entire collection — developed in collaboration with Paris - based Brazilian artists Angela Detanico and Rafael Lain — in an attempt to open up, to an interested audience, variable ways of entering it.

Alongside these artists, the exhibition also showcases works by a younger generation, including Anne Collier, Roe Ethridge, Collier Schorr and Steven Shearer, whose interests reflect those of their predecessors, whilst also presenting their own unique take on appropriation.

For his exhibition at CAM, Faught will present a new body of work that explores his interests in both structural and emotional support and the passage of time.

In addition to the 85 sculptural works, the exhibition presents a number of drawings, paintings and photographs that substantiate the surrealists» interest in working in three dimensions.

ED: «Jasper was very interested in how we were going to present the exhibition, and he became quite involved in its preparation, which of course is what we wanted.

As the Royal Academy presents the first major British survey of Johns» work in 40 years, its co-curator Edith Devaney discusses the genesis of the exhibition, the new painting prepared for the show by the 87 - year - old artist, and the UK's renewed interest in post-war American art

«We are thrilled to present Winslow Homer and the Camera this June,» said Frank Goodyear, co-director and organizer of the exhibition, «Since the generous gift of Homer's camera and photographs, my colleague Dana Byrd and I have been deeply engaged in understanding how Homer's interest in photography influenced his own artistic identity.

An examination of the interests and sensibilities that inspire and guide photography collections, Collected presents each selection of photographs individually, with the manner of display varying throughout the exhibition to accommodate the particularities of each collection.

In this exhibition, Andrews will present a site - specific arrangement of works made between 1998 - 2012, collectively pointing towards his ongoing interest in the (seemingly distant yet re-occurring) forms of Non-Objectivity and Constructivism.

«I've been very interested in how space, defined as two - dimensional (a plane, like a painting), can move into form, three dimensions,» Richard Tuttle states in the catalogue for 26, an exhibition presented at Pace New York in 2016 that spanned fifty years of the artist's career.

Presenting over one hundred works that underscore the great scope of the Morgan's collecting interests, the exhibition includes old - master and modern drawings, literary and musical manuscripts, illuminated texts, and rare printed books and bindings.

As part of its 45th anniversary celebration, the Palo Alto Art Center presents Spectral Hues: Artists + Color, an exhibition featuring the work of more than 20 artists who share an interest in the power of color, and employ strategic choices about the use of color, in their works.

Aside from the more than 200 galleries showing Modern and Contemporary art from around the globe, Art Basel Miami Beach presents an interesting program of curated and alternative platforms for exhibition including:

The Learning Team welcomes proposals from creative individuals and groups to present either new or existing work, and is particularly interested in ideas that connect or engage with MK Gallery's core exhibition and learning programmes, its audiences and with Milton Keynes as a distinct urban setting.

By presenting such experiences, the exhibition reveals different interesting approaches to creative production.

The SCAD Museum of Art presents «Journey Elsewhere: Musings from a Boundless Zoo,» a multi-venue exhibition by SCAD alumnus Lavar Munroe (B.F.A. illustration) with recent works that explore his ongoing interest in the phenomena of the «human zoo» in place during colonial times, and its impact on the politics of representation in the present.