Sentences with phrase «interesting figures formed»

Not exact matches

«The biggest thing,» Sanwal said, «is, no matter what type of content you put out — longer - form or more snackable pieces — is to figure out what's trending and interesting to the market and apply their data to create something interesting.»

«disposable personal income», as reported by the BEA, is a total national figure for personal income after taxes, so comparing how individuals might spend that income in different parts of the country is not even considered by this report... the phrase may be poorly chosen, as might the phrase «personal income» itself, which includes not just wages and salaries, but also passive income from dividends, interest and rent, proprietor's income, and transfer payments such as social security... take all those forms of payments going to individuals, subtract out what's paid nationally in personal income taxes, and you have a national figure for «disposable personal income»

The 21 - year - 0ld has developed into a pivotal figure for Mauricio Pochettino in a short space of time, with his form undoubtedly attracting interest from some of Europe's giants.

Before an election, all interest groups, both in the private and public sector, want to understand the policies and the key figures of the party likely to form the government.

NC State physicist Dean Lee and collaborators are interested in figuring out exactly how protons and neutrons bind to form nuclei.

Interesting, Schmeisser et al. have recently demonstrated that not only NAM can restored NAD + but also a methylated form of NAM, 1 - methylnicotamide (MNA)(Figure 1).

Hands down, this is one of the best papers I've read this year — interesting subject matter, elegant experiments, and beautiful presentation (in the form of several color figures).

If it doesn't come in figure - hugging form, then Erin Holland just isn't interested.

Where the film gauges more interest and earns its stripes as a coming - of - age picture are with the dynamics between Eric and his would - be authority figures, namely Rupert Friend's amiable psychoanalyst Oliver, Sian Breckin's cruel warden and Ben Medelsohn on typical terrifying form as head - con Neville who also transpires to be Eric's estranged father.

The film focuses on their relationship, with her seeing him as a sort of uncle and him interested in a bit more than that, until he figures out she and his young apprentice have formed an attraction for each other.

The third side of the triangle is formed by the government agencies that produce goods, regulations, and services of interest to the producer group (figure 1 - 1).

Use Form 8815 to figure the interest income you can exclude from income.

This monthly figure is then added to your principle and interest payment to form your new monthly payment.

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Freud's adherence to realism and focus on the human figure, when abstraction and other progressive forms of practice were more prolific, moved him in and out of the spotlight until the 1980's when renewed international interest in painting and figuration gave his work a new significance.

Skylar Fein's work is inspired by his interest in various forms of social revolution that range from political figures and music to fringe cultures.

David (Figure 1) placed his own head on the guillotine in the interest of public safety, it was characterized by form, proportions, and utter lack of humor.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Pensato is less interested in the cartoons and comics these figures emerge from than the way these characters are drawn, and her depictions expand and exaggerate the most basic marks of figural form: here, the eyes of Felix the Cat loom large, disembodied and delineated in thick, brushy strokes.

As a subject that has long fascinated the artist, the ubiquitous figure of the Madonna, with its repeating colors and forms, represents Bayrle's interest in seriality and mass - production while simultaneously reflecting wonder and total singularity in the eyes of those who experience it.

Oddly humorous, the figure illustrates Abbas's interest in re-contextualizing kitsch to form instances of melancholic identification.

All of the drawings included in this exhibition depict the human figure, and while each artist has his or her own distinctive style, the works share a common sensibility: an intense interest in capturing the human form and spirit.

Plus One Gallery artist Paul Day has spent over twenty years developing a highly personal approach to figurative sculpture with a particular interest in representing the figure in architectural space using high - relief, an art form that combines drawn composition and fully rounded sculpture.

The three human - sized «figures» manifest Byars's interest in presenting the human form as a simplified icon, while at the same time symbolizing «question» as an aesthetic belief.

«Seated Figure» still retains vestiges of primitivism, but displays a growing interest in abstract organic forms.

MacKeown is equally contemplative in his own paintings and is interested in the behaviour of light in quiet domestic interiors or cafes, he is also interested in structure and form of objects and figures.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

Though the works appear abstract at first glance, upon closer inspection they reveal an interest in representational imagery, with geometric forms giving way to human - like figures.

Drawing the figure in charcoal is a recurring interest for me, creating an organic form that changes continually.

Interested in issues relating to power, Golub displays figures engaged in some form of struggle in these large - scale works; he used a technique of scraping paint on the canvas to create a rough, almost three - dimensional effect.

But I definitely started to draw from it in my own way with more flattened forms, but still interested in the figure and the object.

Fifty years after Omali Yeshitela tore down a mural at city hall in St. Petersburg, Fla., depicting black figures playing the banjo and eating watermelon, the 74 - year - old founder of the Uhuru Movement stood his ground and announced he wants to form a committee to ensure that whatever replaces it considers the interests of the African American community.

The art work, along with two other golden totemic sculptures on view (The Figure of the Question of Death and The Figure of the Interrogative Philosophy), illuminate Byars» interest in the transient experience of beauty and evoke simplified versions of the human form and the physical manifestation of «question.»

While some are fully colored and others in value tones, the pictures have come to represent Shemesh's «interest in compression and expansion of space, shifting points of view, and in the current work, the dissolution of form, as the figure melts into its refraction,» the gallery writes.

Graham also encouraged interest in so - called «primitive» archetypal forms, and Pousette - Dart produced canvases with complex, interlocking biomorphic and geometric imagery, as well as hundreds of stylized, abstracted drawings of figures, heads, and animals.

In the 1960's, Chadwick became interested in both the abstract form (back to basic principles) and looking at the human form — and later looking in detail at how a figure moves and the stances they might take.

It was interesting to me that this figure could be replicated many times over by machine, but there is something quite violent about human form made by machine, something extremely vulnerable.»

An interesting feature of the tight correlation present in figure 2a is the curvature, which is due to the functional form of CO2 forcing.

Use Schedule A (Form 1040) to figure itemized deductions, which include a part of medical and dental expenses and unreimbursed employee business expenses, and amounts paid for certain taxes, interest, contributions, certain casualty and theft losses, and miscellaneous expenses.