Not exact matches
In some respects I write as a kind of middle man between the seminary and the pew, but I'm also
interested in examining ideas and experiences in the forms of
nonfiction stories and am moving toward fiction.
Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming
interested in crime
stories, the visual ideas he had for the film, the
nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.
Tenth - grade world history students interview Chinese immigrants and record their
stories; ninth - grade physical science students design and strength - test mock airplane wings; junior English students research, write, and illustrate children's
nonfiction picture books; algebra students of all grades investigate a public - transit problem and propose solutions to city officials; sophomore geometry students build scale models of museums they've designed; students across the grades in an environmental - stewardship class raise public awareness of a polluted river — all are examples of academically challenging projects that also manage to engage the minds, hands, and hearts of most high school students across a wide range of abilities and
interests.
I love the
nonfiction aspect and often we see
stories that
interest him.
Whether people agree with the premise or not, it is an
interesting read as a
nonfiction book or a crime novel, either way, it makes for a good
story.
It's
interesting for me because I've written things of varying levels of «true» to me: a poetry memoir, the same memoir remixed with myth,
stories that were essentially creative
nonfiction,
stories that were essentially me in fictional scenarios, vice-versa, and
stories that had little to do with me at all.
Amy's
story has relevance to not only authors
interested in writing about psychology and personal growth topics, but other types of
nonfiction books.
Margret is
interested in a wide range of commercial fiction and
nonfiction, especially historical fiction, medical suspense, legal thrillers, and
stories featuring strong female protagonists.
As Brian Doyle defines it in this volume, creative
nonfiction is «true
stories about people and the world... small true odd
interesting unusual voice - laden funny poignant detailed musical sweet sad
stories.»
For those
interested in running, a good
story, or writing
nonfiction, Born to Run is a worthwhile read.