Sentences with phrase «interesting part of the exhibition»

The old maps that show how often the borders have changed are the most interesting part of the exhibition.

Not exact matches

Mr. Ahmed also met with Mr. Shi Zengchai of Ningbo Jinsheng Star Limited, who led the team to the 18th China CEEC Trade Fair which featured exhibitions from China, other parts of Asia, where the governor showed interest in processing equipment, diagnostic tools, and aviation training equipment stands and exchanged ideas with the exhibitors.

Reed Travel Exhibitions Chairman World Travel Market Fiona Jeffery said: «Mobile apps are part and parcel of most peoples» everyday lives, and the travel industry's interest in apps reflects this.

Drawing on work included in the exhibition Human Interest: Portraits from the Whitney's Collection, this two - part course offers new perspectives on the genre of portraiture.

The part of the exhibition dedicated to the sculptures in bronze is very interesting.

Both parts of this exhibition of fifteen small paintings by Eilshemius and twenty - two by Thompson are very interesting.

Borrowing its title from the eponymous work by Carrie Mae Weems (American, b. 1953), the exhibition presents the history of the medium in three parts, emphasizing the strengths of Menschel's collection and mirroring his equal interest in historical, modern, and contemporary photography.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

The last two decades have witnessed a resurgent interest in Stone's art, which has been a part of several group exhibitions in New York City and was the subject of two solo shows at the Michael Rosenfeld Gallery (2002 and 2006).

The AAM is looking for interested people to participate in New York — based artist Cheryl Donegan's fashion show, being presented on July 2, 2018, as part of her summer exhibition GRLZ + VEILS at the museum.

Because she feels there is so much interesting and exciting work being done today in photography and because part of Viridian's mission is to give exposure to outstanding under - known artists, the gallery's director, Vernita Nemec, selected the images of twenty - five photographers not selected by Blessing to be shown in an ongoing Power Point presentation during the exhibition.

Inspired by projects like Gambia Castle, Y3k and CBD Gallery, and expanding with a collaboration with now - defunct Sydney art space Minerva, the integrative element of the project peaked at a solo exhibition by O'Shea called Thank you for your email and your interest, but this won't be possible and a group exhibition called We Remember It For You Wholesale (Part Two) in 2017.

For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed of hundreds of acrylic cubes in seven colors of the light spectrum, a reductive representation of a rainbow captured at a specific moment in time, 3:37 p.m. Fernández's work is characterized by an interest in perception and the psychology of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which in turn become part of the meaning behind the work.

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

Mia previously worked as a curatorial assistant at the Whitney Museum, where she was part of the curatorial team that organized America Is Hard to See, the inaugural exhibition in the Whitney's new building, and Human Interest: Portraits from the Whitney's Collection.

Since his death in 2007, interest in Harper's artistic career has spread steadily, due in larger part to the release of Todd Oldham's excellent publication Charley Harper: An Illustrated Life (2007) and a retrospective exhibition held in his hometown of Cincinnati.

More often than not Sam Lewitt's artworks result from an interest in technological thought processes and complex machinery, and his fourth exhibition at Galerie Buchholz will continue this part of his practice.

One more interesting series, first shown at the Guggenheim Museum in New York in 2008 as the part of the exhibition theanyspacewhatever, was an electronic simulation of the night sky.

This two - part lecture program taught by teaching fellow Elizabeth Buhe provides context and background to enrich independent exploration of the Whitney's spring and summer exhibitions Human Interest: Portraits from the Whitney's Collection, Stuart Davis: In Full Swing, and Danny Lyon: Message to the Future.

As part of its 45th anniversary celebration, the Palo Alto Art Center presents Spectral Hues: Artists + Color, an exhibition featuring the work of more than 20 artists who share an interest in the power of color, and employ strategic choices about the use of color, in their works.

To some extent, this new interest in Graves is part of a wave of art - world engagement with avant - garde jazz, evident in exhibitions such as «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» at the Museum of Contemporary Art Chicago in 2015; Matana Roberts's and Cecil Taylor's recent residencies at the Whitney Museum of American Art, New York (in 2015 and 2016, respectively); and Kamasi Washington's project for the 2017 Whitney Biennial.

Both are very striking and interesting works and similar to one included in the current exhibition at the Whitney Museum of American Art, «The American Century, Part 2.»

No matter how casual, her pictures almost always feature rock - solid axial structures... At a time of renewed interest in an era that was formative for Gross — explored in books like Judith Stein's biography of dealer Richard Bellamy, Eye of the Sixties (2016), and the exhibition «Inventing Downtown: Artist - Run Galleries in New York City, 1952 — 1965,» now at New York University's Grey Art Gallery — it's worth looking back at an artist who witnessed much and made vital work, but received very little recognition, due in part to the all - too - common combination of art world trends and sexism.»

These interests are evident in two of her best - known projects, both from 2011: a book, The Pocho Research Society Field Guide to L.A.: Monuments and Murals of Erased and Invisible Histories, and experimental videos presented in «Mural Remix,» a solo exhibition at LACMA and part of the first Pacific Standard Time.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

It was hanging at the Whitney Museum of American Art as part of the yearlong exhibition, Human Interest: Portraits from the Whitney's Collection, in a section called «Cracked Mirror,» which featured portraiture from the years before, during and immediately after World War II.

The centerpiece of the exhibition is the floor sculpture 3D 1 72 (1972) made up of 13 parts fitting along the contours of a distorted grid and encapsulating Moon's interest in movement and his desire to expand painting into architecture.

«it is this flash itself that seduces» is an exhibition part of Friends with Books Programmes, the artists» works all elicit a shared interest in books and publications and the differing forms of «pleasure» they may evoke, such as voyeurism, the desire for knowledge, escape, and material possession.

In Big Woman Statue the unidentified hand suggests a void or an unavailability, leaving room for imagination of whether or not there is another human figure, reinforcing the exhibition project's overall interest in the absence and presence of bodies as well as the tension between the whole body and its parts.

As part of the interest in exhibition history, the «remembering exhibition,» the term introduced by art historian Reesa Greenberg, has a special place.8 In the past five years alone, remembering exhibitions have been organized in the Stedelijk Museum Amsterdam reflecting on Bewogen Beweging (Moving Movement)(1961) and Op losse Schroeven.

How they presented themselves was so interesting that part of the exhibition is devoted to their answers.

The award recognises the artist that produces the most outstanding exhibition, as determined by the award's jury, which will consider interest shown in the artist's work, the number of gallery visitors it attracts and the number of likes it gets on Instagram, as part of its deliberations.

If you are interested in being a part of this exhibition, please submit the following electronically in ONE EMAIL (text in one attached word document — no PDF's please):

Kafre's solo exhibition Things, Mereology and Schemes is a new body of work focused on three main topics of particular interest to the artist: (1) Things — the distinction between the natural things, non-natural things and the artifacts that occur between them; (2) Mereology — the philosophical and mathematical study of parts and the wholes they form, and (3) Schemes — a scheme consists of a table's structure, which physical constitution is mainly due to columns, names and variables and the relation between them; used to map out something, or to design the internal of a logical system; the main points of an argument or theory, etcetera.

One finds postcards of paintings, maps of the museum, photographs of the exhibitions, slide shows and display cases.Untitled (General with cigar)(1970), features a found thrift - shop painting of General Philippe Pétain (treasonous Chief of State in Vichy France) with a cigar stuck in his mouth, part of Broodthaers's recurring interest in smoking and its prohibition as poetic and bureaucratic propositions.

At the end of the last century, as part of a series of events on its history and collection, New York's Museum of Modern Art hosted an exhibition that first interested me in Storr.

The title of her first solo exhibition in eight years at Tokyo's Kaikai Kiki Gallery, and its central work, May All Things Dissolve in the Ocean of Bliss, represent the artist's renewed interest in Indian philosophy and the idea that everything we see is part of a collective unconscious.

It's LIQUID Group, in collaboration with International ArtExpo is selecting all interesting photo works, experimental video - art works, paintings, installations and performance art works to include in the next 2015 exhibition: LIQUID IDENTITIES PARIS, international festival of photography, video art, installation, painting and performance art, will be part of ART ÉLYSÉES, MODERN & CONTEMPORARY ART FAIR -LSB-...]

This series also focused on the much ignored but very interesting part of Hong Kong culture, the popular culture, exhibitions such as The Art of Kwan Wai Lung, Yau Leung Retrospective and Hong Kong Sixties: Designing Identity were organised respectively.

She was hoping to organize an exhibition of East and West coast Abstract Expressionism, and invited me to take part in a preliminary study session, talking about Hofmann in Berkeley, a topic of mutual interest.