Not exact matches
Robinson, Grant, McGann and other principals recount insightful and amusing anecdotes about the making
of the film (most
interesting of all: Grant had never gotten drunk before playing his hard drinking character), and diehard Withnail fans weigh in with their favorite characters, moments, and lines; not being a fan
of the film, it was particularly
interesting to find out what scenes and
pieces of dialogue are especially notable for fans.
Or I'd have an
interesting line
of dialogue, and I'd write a
piece around that.
As we continue our
dialogue about saving the last 10 %
of savable dogs still dying at Austin's city shelter, there is an
interesting piece of this puzzle that bears mentioning.
Paintings by the early Australian modernist Roy De Maistre, for example, share a space with a series
of pieces by the young Dutch artist Riet Wijnen, whose
interest in «the impossibility»
of pure abstraction has led her to create a fictional
dialogue between Grace Crowley (also a pioneering early Australian modernist), and the British constructivist Marlow Moss.
The studio space addresses our
interest in and the necessity
of the work between events and
pieces; its open - plan layout across two floors encouraging
dialogue between works and people.