Sentences with phrase «interesting story moments»

This will set up a lot of options for quests, and could lead to some very interesting story moments.

Not exact matches

This characterizes two of the most interesting marketing stories of the moment, the troubles facing Research In Motion, and the recent eruption of an alternative to Facebook, the clever new Google Plus.

Timothy Hockey says most of the people who have worked alongside Clark have an «Ed story,» a moment when the chief executive took a personal interest in their lives.

The other day at a trade show I learned the life stories of at least three people just by being genuinely interested and present in the moment.

There is different rumours / stories coming out of Dortmund at the moment, Person reasons and Flying to Africa to pick up an award are the main ones, but what makes things more interesting is the comments from some player's and directors at their club.

From partners accidentally tasting milk during intimate moments, to that one dad who was in the news for making cheese out of his wife's pumped breastmilk, there's no shortage of interesting stories about lactating moms and their significant others.

Learn, laugh, and smile at these interesting and inspirational birth stories from moms willing to share one of the most intimate moments of their lives.

Link Lovin» is a weekly Fashables feature where we take a moment to highlight stories that have stood out from other fashion blogs (within the last week) that you might find interesting.

Before you head out on your first date, take a moment to visit our dating advice site which gives you advice, top tips and interesting stories to help prepare you for meeting your match.

It was so interesting to see props and vehicles from iconic moments of films I'd watched as a child, there in real life, and fascinating to read the back - stories behind the vehicles.

With moments of pure fun and laughter, the story is not deep and you lose interest in the progress of the movie that ends in a very obvious way.A film to be seen only once.

Beauvois is less interested in the moment - to - moment thrills of the story than in the rippling effects that the characters» actions have in the long run.

There is never a moment telegraphed in the story... keeping me interested and attentive throughout its 2 hour runtime.

Ok, Stuck in Love can not be one of the best movies of this year, maybe has some mistakes, but the rest of the movies is really great, the development of the story is fantastic, and interesting, the cast does an excellent job, the screenplay has much cool moments.

Perhaps he is bored by it all by now, or perhaps he just realizes that all people want is to be creeped out, because, outside of the ominous atmospheric elements and moments of booga - booga, there is barely an effort made to string together a legitimate story or some workable plot to keep us interested.

With the exception of a second - act revelation that pushes the story in an interesting direction, «Table 19» is a largely ineffective Sundance wannabe that's unable to balance its pratfalls and dick jokes with the more serious moments.

I consider myself a director first and a writer second I guess and while I am writing a new story at the moment I am also interested in the possibility of directing someone else's material at some point.

The ancillary subplots aren't nearly as interesting this time around (particularly the stuff between Michael Kelly's Chief of Staff and Rachel Brosnahan's reformed call girl), and even the main story feels a bit stretched at times with the constant back and forth between Underwood and Raymond Tusk, but there's rarely a dull moment thanks to the excellent writing and performances.

One sequence quite late in the story features a rather blatant «return to the womb» moment which, while visually interesting in its depiction and thematically consistent with what's happening character-wise, comes off as a little cheesy and overdone.

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It has cinematic moments and an interesting story to tell.

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The problem is that these moments are rather few in what might have worked better as a character study, as the story at its core is not particularly new or interesting, and plods along to a predictable beat to its ultimate conclusion that feels too long in coming.

By focussing on the emotional bleakness in this story, writer - director Williams manages to find some interesting moments in a film that otherwise seems contrived to reach fans of heartwarming fare like The Best Exotic Marigold...

It's an unusually high number of flawed characters who come together in a story that features some familiar coming - of - age moments, yet still manages to keep our interest.

This is borne out by the film's relative lack of interest in anything that happens after Grant dies — the compelling story of the cell phone footage, the trial, the controversial verdict, and the unrest and memorialization that followed is told mostly through curt, pre-credit-roll titles.Yet the film also tries hard for a verite style, as opposed to something more allegorical, and so we have to conclude that we're supposed to accept its less believable moments at face value.

Once they return home, the domestic drama fares little better, as most of the stories proceed with very few moments of genuine insight, only commanding attention during certain scenes where something interesting develops.

As an action vehicle, Taxi has its moments when on the road, but without a good story or likeable characters, they provide little interest other than to admire the way they are put together.

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With a glimpse at a wider underworld and a few developments in the film's final moments, there are hints of other, more interesting chapters to come in the Young Han Solo story.

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To be fair though, there are still some nice comedy moments and there are many interesting components to the story but it lacks drive.

Also interesting to note, in what must be something of a watershed moment in the history of shortlist stories, 50 % of the actors in the mix for the part are openly gay.

Overall, the ten to fifteen hours of the story mode prove to be full of four or five memorable moments that are totally worth a once - through, if you have the patience to sit through an interesting but not original first person shooter.

While it may not be better than the first, it still has its moments where the tension rarely ever goes away and the interest - level within the story never lessens once it gets all big, bloated and action - packed.

Like any news story, authenticity is crucial for an earthy drama to work, and while there are certainly moments of interest and depth, Resurrecting the Champ feels too manufactured to strike a firmly resonant chord.

Pirate Radio is neither historically accurate enough (it can't even stick to its year of 1966 to provide its tunes, some of which came out a little after («Jumpin» Jack Flash» is from 1968, as is «So Long, Marianne» by Leonard Cohen, to name but two) to provide interest in a bit of pop culture history, nor is it consistent enough to sustain its good cheer without collapsing from the weight of its own cutesy manipulations in its characters for laughs, It's not so much a story as it is a collection of sitcom moments meant to induce laughter and mirth, mixing it with all of the best rock tunes of its era.

It's a big, sprawling, frequently messy movie that is not without some interesting moments, but which collapses entirely because Crowe has no idea how to tell a story.

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Ali is excellent, and it's too bad that he has such few moments where he is essentially the focus of the film... because I would have been more interested in seeing this story from his perspective.

We looked for the most important and interesting stories, and at the moment we have 29: The discovery of America, the construction of the Pyramids, the extinction of the dinosaurs, the trip to the moon, Marie Curie... We started developing applications for tablets.»

It was mentioned comments above, but this moment in time really reminds me of the dot com era... and the itunes rush... and the YouTube revolution... I heard an NPR story about ten years after the dot com bust and they said one of the most interesting things about the dot com bust was that it actually hadn't gone bust.

The book had moments of interest; however, the story has been underwhelming.

He says that the story «is a great one, filled with tense moments, interesting facts, ideas and the right amount of romance.

In that story Krigstein does interesting things with panel repetition or thinly slicing certain panels so you get a strobe effect as a subway car races by, or he slows down a moment of action, of someone falling on the subway tracks, by carving it into six or seven tiny vertical panels, and that's as much an inspiration for what we are doing as anything.

From that moment on, I became interested in stories of other pet owners who «experienced» their dearly beloved, departed animals.

While Echo has its interesting moments, I was overall just going through the motions by the halfway mark, and there's basically no story to what is happening in the current moment.

Every story beat captures your interest in one way or another, but no moment overstays its welcome.

This mechanic just worked for me, and I was interested in where this story could potentially go after just a few moments.

While the story could have provided some wacky, funny moments, none of the characters are that likeable or relatable, and I was already in a bad mood because of the poor gameplay to be interested in the story.