More
interesting than the actual film is the timing of the film just before the start of the Second World War.
Not exact matches
It's not so
interesting so as to warrant a viewing by those who aren't fans of the movie in the first place, but I did find it significantly less tiring
than the
actual film.
The strong supporting cast also tries, but even the great John Carradine (easily the best thing about the
film) and Anthony Quinn (who seriously out - swaggers Power here) can't change the fact that the bloated script slows the scenes to a trot, and Mamoulian appears far more
interested in directing the light of shadow across the faces of his actors
than in the
actual actors.
As previously stated, I am already fascinated by the subject matter but seeing an
actual film about this story rather
than a documentary should be
interesting especially because I am seeing both
films and can compare the story to each
film.
«The Making of the Counterfeiters» (10:02) is an odd making - of featurette, as it's more
interested in the true story behind the
film than it is in the
actual production.
Philippe Parreno (born 1964) is
interested more in the dynamics of how a work of art is shown to the public
than in its
actual production, and in his
films, installations, performances and texts, he subverts the codes normally applied to exhibition spaces.