Sentences with phrase «interesting young galleries»

Victoria Siddall, director of Frieze Fairs, has said, «This year's exhibitor list combines the strongest galleries in the world with the most interesting young galleries from New York and beyond, so Frieze New York promises a diverse range of work from the blue - chip to new discoveries.»

Focus has seen increasingly ambitious presentations over the years and is a destination for curators and collectors looking for the most interesting young galleries and emerging artists from around the world.

Not exact matches

When the author recalls the long gallery of persons whom, in the course of this inquiry, he has come to know with the impetuous but temporary intimacy of the stranger — sharecroppers and plantation owners, workers and employers, merchants and bankers, intellectuals, preachers, organization leaders, political bosses, gangsters, black and white, men and women, young and old, Southerners and Northerners — the general observation retained is the following: Behind all outward dissimilarities, behind their contradictory valuations, rationalizations, vested interests, group allegiances and animosities, behind fears and defense constructions, behind the role they play in life and the mask they wear, people are all much alike on a fundamental level And they are all good people.

The website offers interesting and very useful dating tools for all young and middle - aged singles, among them one can find email, live chat, picture voting, virtual flirts, video profiles, photo uploads, and photo gallery, hot lists, friends list, message boards.

Some of my clients have their own collection that we have to incorporate, but a lot of them, because they're younger, are interested in being educated on it, so we go through the process of learning about different galleries and different artists to find what they like and what fits their budget.

One of the best fairs for emerging art during Miami's Art Week, Aqua has consistently earned critical recognition for presenting vibrant and noteworthy international art programs with a particular interest in supporting young and established galleries with strong emerging and mid-career artists.

It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.

This is the story of how a talented young high school student discovers art, and via his uncomplicated enthusiasm broadens his interest to become one of the most influential art consultants and gallery directors in the world.

LISTE» the young art fair» show galleries less than 5 years old and artists under 40 London based galleries that are showing here are Ancient and Modern, Hotel, Carl Freedman, Limoncello, Herald street, Jonathan Viner all galleries that put on challenging and interesting work so I look forward to reporting on this fair also.

Josh Lilley have a strong stable of young painters and sculptors in an interesting space that is much larger underground than its street level gallery suggests.

Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.

In the Edition section, Matthias Kunz of Munich's Sabine Knust Gallery reported to A.i.A. strong interest from young collectors but also institutions, as well as established collectors who are slowly starting to appreciate prints as artworks in their own right.

On November 3rd, Valencia based gallery PlasticMurs, opened an interesting group show entitled LUGARES COMUNES, showing works by five young Spanish artists like AARON DUVAL, IÑIGO SESMA, JOSE

Gallery co-owner David Eichholtz says, «The main thing that's driving my interest is not a celebration per se of the historical effect of «The Responsive Eye» but the desire to contextualize a couple of things — that these artists really pursued visual perception seriously as a lifelong ambition, and that younger artists continue to find hard - edge geometric are compelling and imbue it with content.»

The less magnificent tiled basement houses the younger galleries and project spaces in a refreshing reminder of how interesting displays and approaches can still exist within the art fair economy.

SO What interests me about the show you had last year at Lennon, Weinberg Gallery, and what attracted me to Stella's current work is that they're both desperate; I don't see that in younger painters» work — this incredible desperation to get it all in there, to load up the work and cover all bases.

What is really interesting this year at Art Rotterdam is the increase in German and English participation with their most interesting / cuting edge young galleries presenting their artists.

At the time Wells Street Gallery opened, few galleries in Chicago or elsewhere for that matter were interested in the work of young unknown abstract artists.

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

«This extraordinarily serious young man came into my gallery endeavouring to interest me in a print.

Our interest in Letha Wilson — on show thanks to San Francisco's Romer Young Gallery — has grown over the past several years from watching her skillfully cut, fold and paint otherwise banal photographs of nature, to her current use of concrete which heavily transforms her photos into three - dimensional objects.

Aqua has consistently earned critical recognition for presenting vibrant and noteworthy international art programs with a particular interest in supporting young and established galleries with strong emerging and mid-career artists.

Many galleries and museums will exhibit their program mainly focused on young artist, as well as certain academic strongholds such as De Rijksakademie and De Ateliers that will open doors to public, offering the post-graduate programs to ones interested.

Interesting additions to this year's sector with the youngest (and often hippest or most promising) galleries includes Peres Projects from Berlin at booth N3 with works by Dorothy Iannone and Mike Bouchet.

(Johnson, who didn't know many dealers — let alone young white dealers — who were interested in Gilliam's work, was impressed, and agreed to join Kordansky's gallery himself.)

Galleria Raffaella Cortese was the first gallery to show the works of a number of critically acclaimed American and Latin American women artists in Italy, and has continued collaborating with many of its artists over the years, supporting the work of younger artists alongside that of older ones, with special interest for pioneering artists who defy facile and fashionable trends.

Mexico has received impressive attention in past years, as a growing body of young Latin artists and American expats seeking a community atmosphere and supportive gallery system have settled in the capital, in turn drawing an increasingly interested group of galleries seeking what could be the next great talent.

An art critic remarks to a young expatriate American painter enjoying his gallery debut of thinly painted abstractions, «I see you're not very interested in matière.»

As the recent re-hanging at the renovated East Building of the National Gallery of Art makes amply evident, there were a lot of artists interested in the expressive possibilities of color who lived and worked in Washington DC between the late 1950s and the late «70s but were not included in Nordland's landmark exhibition: Anne Truitt, Sam Gilliam, Kenneth Young, and Alma Thomas, for example.