Not exact matches
Every morning, I struggle with what to send my two boys for lunch at their downtown public schools — something healthy and
interesting that can be packed
in a
small bag (and eaten
in about 10 minutes).
Luckily she's not
interested in this
bag as it's far too
small for her, but it was a little piece of fun for our photo shoot — taken up north at Taipa Bay.
Smaller bags you can opt to carry
in hand or larger more structured
bags also do well
in drawing visual
interest to your hands and the skinniest part of your body.
Have a Nice Day Liu Jian's Chinese animated noir about a
bag of stolen money and the lowlifes drawn into its orbit is visually
interesting in its depiction of a
small industrialized town and its hardscrabble citizens, but it's slow moving with a paper - thin screenplay.
Supporting Actor (I really try, but don't always succeed, to focus on the
SMALLER parts that blow me away): Christina Bale — The Fighter — amazingly appealing and
interesting as a real scum
bag — he makes him fascinating, understandable, and sympathetic AND he does so with flair and power Andrew Garfield — Never Let Me Go — I know, I'm supposed to prefer him
in Social Network, but I didn't —
in fact, he sort of didn't do it for me
in that film but
in Never Let Me Go he was moving and had a lost, hopeless but yearning aura about him that I found very haunting Mark Ruffalo — Kids Are All Right — very joyous, very charming, very sexy, and totally believable — he made me want to sleep with him and then have a nice long heart to heart with him too!
Have a Nice Day Liu Jian's Chinese animated noir about a
bag of stolen money and the lowlifes drawn into its orbit is visually
interesting in its depiction of a
small industrialized town and its hardscrabble citizens, but it's slow - moving with a paper - thin screenplay.
Have a Nice Day Liu Jian's Chinese animated noir about a
bag of stolen money and the lowlifes drawn into its orbit is visually
interesting in its depiction of a
small industrialized town and its hard - scrabble citizens, but it's slow moving with a paper - thin screenplay.
It is
small, fierce as a
bag of marshmallows, willing to live above a garage or
in a basement with its owner,
interested in going to work and lay around all day while the owner takes a nap or works on the computer, doesn't eat a lot so the owner doesn't have to worry about expenses, and if the slacker is not willing to spend the time on grooming he can give the dog a «puppy cut» and only brush the little beast as often as he is
in the mood.
Some manufacturers of pick - up goods are
interested in taking business beyond the standard
bag used to dispose of pet waste by creating products that afford the ease of carrying many supplies, while remaining
small enough to be convenient.
From the gas blow torch involved
in Bleckner's recent works; to the cement on Yektai's canvases; to the graphite at play
in Matsutani's
small and intimate Wave on panel; to the Puerto Rican coffee bean
bags used
in Bernhardt's paintings; each artist presents a use of material void of color and infused with a new
interest and comfort of expression.