Sentences with phrase «interior shots in»

Interior shots in natural light tended to register warmer on the spectrum than snaps from the Google Pixel and iPhone 7, a problem most most obvious on skin.

It also appeared to me that the interior shots in the videos showed substantially more glazing than the 6 % -8 % of floor space recommended today.

There are long shots of Beijing and the mass of humanity, and long interior shots in which little is said or done, but in which violent emotions are on display.

Bye for now loves xx * Big thanks to my gorgeous girl Rachel for taking the interior shots in this post.

He does not use artificial lighting, even in dusky interiors shot in

Not exact matches

Photographer Matt Hurst, who is well - versed in shooting abandoned spaces, documented the interior of the hotel for the first time in 2007, and then again in 2010, to see what was left of the historic landmark.

However, the rest of the Getty scenes in the movie are clearly of Plummer, which Scott could pull off as they are mostly scenes shot in one exterior location or interiors, which could all have been filmed on studio sets.

I'd also be fine gambling on a project like Bamba even if he never scores in double digits (I see him turning into a 70 + % interior shot taker, like 100 + dunks a year type offensive game) because he just feasts on interior shots.

In the past few months he has received the Outland Trophy as the nation's top interior lineman, wowed talent evaluators at the NFL's scouting combine and won the shot put title at the NCAA's indoor championships, thereby qualifying for the Olympic track and field trials to be held June 14 - 23.

He has them running would - be shooters off the arc and toward an interior defense that, through the team's first 20 games, led the country in two - point field goal percentage allowed, at 34.5 %, and percentage of shots blocked, at 20.9.

While he was gone I played $ 500 freeze - out with Mexican Tommy — he's an interior decorator who has the most beautiful shot in shuffleboard, it's poetry in motion — and K. C. Kid, who's also known as K. C. Chuck.

While most of the college basketball - consuming public was getting caught up in Trae Young mania, Ayton was regularly terrorizing Pac - 12 frontcourts with his interior scoring and voracious glass - cleaning — including when he dropped 28 points on 11 - of - 15 shooting with 18 rebounds and four blocks at Oregon the day after a report tied him to a six - figure payment to secure his signing with Arizona.

The money, Cuomo said, would pay for security cameras, interior and exterior lighting, and gunfire detection technology, that could help protect residents like those who live in the East River Houses, where Tyrone Howard, the man suspected of shooting the police officer, Randolph Holder, lived and sold drugs.

Here's an interior shot of the bridge of the USS Enterprise proposed convention center adjacent to the Aqueduct Racetrack in Queens.

Disapprove Alaska Predator Control Rule — Vote Passed (225 - 193, 12 Not Voting) The joint resolution would disapprove the rule issued by the Interior Department on Aug. 5, 2016, that prohibits certain predator control practices in national wildlife refuges in Alaska (such as the taking of mother bears and their cubs, the killing of wolves and their pups at den sites, and aerial shooting).

Sonoluminescence, the puzzling glow emitted by a bubble in a field of high - pitched sound waves, may be caused by a tiny jet of liquid that shoots across the interior of the bubble at supersonic speed and slams into the opposite side, a Johns Hopkins researcher has proposed.

With the artists misting the interior three or four times a day — a process shown in the ethereal, chiaroscuro image seen here — the shoots emerge into a blanket of greenery.

I didn't want to shoot in any indoor location, so I opted for the Bikini Berlin, since it not only has a really cool interior, but it is a place all about fashion, food and design with a lot of stylish pop - up stores.

So basically, this lens wasn't very practical for interior shots because it was pretty «zoomed» in.

And though, in truth, I know a home full of black and gold is probably a bit too dark for my taste, these shots of black and gold interiors have me... Read the Post

We're hanging in Connecticut this weekend and hoping to get some projects done around the house so I can start shooting a few new interiors posts for the blog.

Contrasting the breathtaking vistas of the Jersey exteriors with the conservative confines of Moll's home - life interiors (the latter were shot in Surrey), Pearce and cinematographer Benjamin Kračun conjure an archetypal landscape in which disparate worlds collide.

The camerawork by New Hollywood DP John A. Alonzo (Chinatown), who shot documentaries with Friedkin when they both worked for David Wolper in the mid-1960s, is a sterling example of late -»80s cinematography (for better and worse), featuring lots of blue and an aggressive use of shadows to add expressionist texture to interiors, along with appropriately bizarre lighting effects in the wooded scenery outdoors.

It's such a psychological high - wire act, unfolding with such austere formal commitment (usually in claustrophobic, locked - off medium - shot interiors) as to become almost unbearable, but if Chastain's is the titanic performance, Farrell's is the iceberg on which Julie wrecks herself — all the more lethal for how much is concealed.

Sharpness usually satisfied, with only a smattering of soft shots in a few interiors.

The appeal of the film is manifold - its serenity as The American meticulously goes about his craft; the paucity of dialogue that heightens its few action sequences when they do occur; a superb ensemble of actors led by Clooney that also includes Violante Placido (Clara), Thekla Reuten (assassin), Johan Leysen (controller), and Paolo Bonacelli (as a local town priest); the artistic framing of the film by director Anton Corbijn both in its interiors and the long shots of the Italian settings; and simply the story's uncertainty that grips one from its very beginning.

Within the spaceship's passenger area, where the spinning sphere or centrifuge creates a zone of artificial gravity, astronaut - executive officer Frank Poole (Gary Lockwood) endlessly jogs and shadow - boxes around the interior treadmill in a memorable image - he seems to circle a complete 360 degrees without going anywhere in a single - take shot of 38 seconds duration.

In Parliament, he shoots from drastic angles, adding dramatic shafts of light to give his interior compositions added dimension.

Shot in black - and - white, with a spare, minimal production design making it an expressionist piece projecting the barren interiors of its broken characters, Nebraska, though not the adaptation of the identically - named collection of Ron Hansen short stories I initially hoped it was, at least possesses the same wintry, intellectual mien.

THE BLU - RAY DISC Warner brings Soylent Green to Blu - ray in a 2.40:1, 1080p transfer that is, considering the anamorphic cinematography, adequately sharp — particularly in interiors — and colourful, with the apartment set and a certain wide shot of Heston atop a trash truck exhibiting a gratifying level of detail.

Interiors were often yellow - orange to complement the landscape, but unlike the bleached look of «No Country for Old Men,» Deakins embraced a more colorful landscape, set on the Mexican border and shot in Albuquerque and Mexico City.

Much talk about how many people will die should the tower fall shares time with a few brief shots of the interior of the human utopia that do nothing to advance the brilliant idea of setting Dawn of the Dead in a shopping mall.

Naturally, Gerwig would have preferred to film all of Lady Bird in Sacramento — just like she and Levy, also the cinematographer for this movie, talked about doing back in the day — but proved her budget savvy by shooting, for instance, the interior of the McPherson home in L.A.'s San Fernando Valley.

Generally speaking, the image still looks soft, though some shots do boast an uptick in clarity, especially in the more composed, interior scenes.

The pointless 3D doesn't help, but CG this obvious has a bad habit of taking you right out of the film, even in such excellently crafted and executed moments like a minutes - long shot that pans around the interior of a speeding car.

The film is shot wholly inside the interior of Ivan's car and takes place in one night (as these types of stories do).

In reality: The exterior shots (only) were of North Beach's Vesuvio Café, at Jack Kerouac Alley and Columbus Ave.. The interior filming was done elsewhere.

For United 93, Paul Greengrass shot much of the interior plane footage in a 50 - foot section of an airline cabin.

With this horror masterpiece, director Tobe Hooper sidestepped all the horror gimmicks audiences had grown accustomed to — a spooky score that let you know when to grow tense, shadowy interiors that predicted oncoming scares — and instead shot guerilla - style in broad daylight, outdoors, with no score at all.

And when Siri shares in Fincher's delight at carefully mapping out his film's interior spaces, he accomplishes this not with elaborate, CG - enhanced dolly shots, but with the same crisp, angular, deep - space compositions he employs throughout the rest of the film.

Aside from the aforementioned instances of blatant depth manipulation, Walsh keenly seizes the more pragmatic uses of the illusory optics, in the form of interior staging, with tables and bottles and barrels serving as prominent parts of a scene's foreground design, and in a wonderfully mounted gunfight, shooting through doors, windows, and fences.

The challenge facing Lenny Abrahamson in directing «Room» is embedded in the film's title: How do you shoot a full - fledged story inside a tiny interior?

Hooper (The King's Speech) likes distressed chic interiors and extreme wide - angle lens master shots, which makes every room look like a fishbowl with peeling wallpaper, and he sprinkles in an art history reference here and there (including a few direct lifts from Hammershøi) to no effect.

Even interior shots of the Treadstone training rooms exist in their world, with CFL lamps showing off dull colors and details which are really vivid.

As the title implies, most of the film is shot at night or in dimly lit interiors.

The Claim is cold and sterile — even the interiors are shot in drab and over-warm browns as impersonal in their way as the blighted exteriors.

In honor of See It Big: Gordon Willis, the Museum of the Moving Image screening series co-curated by Reverse Shot, Michael Koresky and Jeff Reichert here pay homage to the great cinematographer by focusing specifically on his work in Woody Allen's 1978 drama InteriorIn honor of See It Big: Gordon Willis, the Museum of the Moving Image screening series co-curated by Reverse Shot, Michael Koresky and Jeff Reichert here pay homage to the great cinematographer by focusing specifically on his work in Woody Allen's 1978 drama Interiorin Woody Allen's 1978 drama Interiors.

The show excels at sharing the same emotional perspective as its leads, something that's evident from director Mike (Broadchurch) Barker's gorgeous establishing shots flying over the countryside at the start — revelling in the freedom of the open air after the interiors of France and, in particular, Episode 7's trauma.

It doesn't help that some of the clumsiest camerawork takes place right at the start, in which a conversation between Alexandra and her best friend and colleague, Sin - Dee (Kitana Kiki Rodriguez), is chopped into an awkward, shot - reverse - shot sequence (the widescreen lens isn't helpful in the interior scenes).

The film is dead simple in its visual execution, except for some symbolic flourishes that will either jar with you or make you feel there's a mysterious resonance you can't quite pinpoint — like a lingering shot of the dark interior of a sauna locker, this film's equivalent of that black sun of an air extractor in Apichatpong's Syndromes and a Century.