Sentences with phrase «interior walls of the gallery»

In Reconstitution, a group exhibition at LAXART in Los Angeles, the U.S. Constitution is painted on the façade and the interior walls of the gallery in the artist's native language, Farsi.

Not exact matches

So it's no surprise that interior designer Michel Smith Boyd's unique gallery walls caught the eye of our editors.

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The glass - walled, gallery - like interiors of this luxury property take full advantage of the gorgeous views.

Designed to maximize natural light and encourage the flow of cool breezes, the villa's interiors feature wide glass doors, gallery - like white walls and clean - lined furnishings.

A collection of indigenous art including paintings and didgeridoos is located in the on - site gallery and are displayed on the lobby and interior walls.

Long stuffed with uranium magnate Joseph Hirshhorn's tabletop bronzes, the Brutalist doughnut's interior corridor gallery is now the site of large - scale, long - term wall works.

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

The interior walls have been removed at Tate Britain to create a single gallery the size of an aircraft hangar.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Secondly, we needed to remove about 40 linear feet of interior wall, and lastly, we were required to build approximately 350 linear feet of wall 12 foot tall throughout the galleries.

From February 26 through May 14, 2016, the Whitney Museum of American Art will present Open Plan, an experimental five - part exhibition using the Museum's dramatic fifth - floor as a single open gallery, unobstructed by interior walls.

As construction of the Whitney Museum's future home enters its final year, focus is shifting from structural components to interiors, with work beginning on the gallery walls, staff offices, and the enclosure of the lobby.

A continuous wall of plywood starts outside the fourth - floor entrance of the gallery, against the building's neo-classical interior.

We encounter lovers lifted from an Indian temple sculpture; monkeys and lion dogs borrowed from Chinese art; a grape - eating goat surrounded by lovely leaves (some made of felt), suggestive of folk art; and seemingly abstract planes of color that turn out to depict gallery walls, urban skyscrapers or a sendup of a suave brown Hollywood interior.

2008 Wall Rockets: Contemporary Artists and Ed Ruscha, The FLAG Art Foundation, New York, USA New Prints 2008 / Spring, International Print Center, New York School of Interior Design Gallery, New York, USA

Where the hush of Paula Cooper gallery's cavernous interior, pristine walls, and pointed ceiling threatens to overwhelm any art, Maya Lin allows SculptureCenter to resemble at any moment a warehouse, a factory, a cathedral, or a scrappy display space, with none of these privileged above the others.

Hanging from the gallery walls, and existing at an ambiguous point between painting and sculpture, Dordoy's «skins» are made by using liquid silicon to cast the interiors of old photocopiers.

The Gallery's grand double staircase framing views of formal gardens will become the location for a site - specific scenic - painting intervention, transforming the central interior wall of the mansion into a sort of enormous, fragmented sky.

In one particularly staggering section, «Visions and Myths of a Nation,» a gallery devoted to the 19th century features an elaborate gilded mantelpiece by the Herter Brothers, the robber barons» interior decorators of choice, on the same wall as an 1801 silver peace medal by John Matthias Reich bearing the word «friendship.»

Extending this line of thought, «Home / Museum Arranged for Living and Viewing,» Lawler's 1984 exhibition at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, transformed a gallery into a genteel domestic interior, complete with a grandfather clock and lemon yellow walls.

Like so much at the South London Gallery, the overall simplicity of the space hides some surprise; the west wall pivots to open a continuous field between the back garden and the interior.

Sharing the title of the exhibition, a digitally modified 2018 video of Turner's oleaginous sea is projected onto the outer walls of the gallery interior.

Meanwhile, an interior wall dividing Williams» half of the gallery from Cyrus», has sacs that appear to be in a state of suspended flow.

For her Studio Voltaire commission, Kruglyanskaya has worked on a production residency in the gallery creating an interior wall - mural and a series of large - scale oil paintings depicting women engaged in labour and work: «grooming, brooming, and bricklaying», her exuberant and cartoon - like paintings running onto the gallery walls.

For House Work, Chapline has painted the interior gallery walls electric indigo, a color dominating the background space of many of his paintings.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the BiGallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Bigallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

Luke Diiorio, b. 1983, lives in New York Last summer, RCA grad Diiorio unveiled a much - talked - about solo exhibition at Robert Blumenthal Gallery, titled after a hardware store's branding slogan («Never Stop Improving») where framed pieces of interior walls challenged American DIY aspirations.

Artist and co-founder of New York's Tomorrow Gallery, Aleksander Hardashnakov shows several small drawings pasted to the walls and interior piping, Adam Shiu - Yang Shaw's «Yucca Rose» and «Beyond Quartzite» are also on the walls, coming out like small cliffs on a bigger cliff face.

Last December 12th, AF walked into two massive works of pounce wall drawings in the interiors of James Cohan Gallery.

The weed whacker piece shares space in the gallery with a pristine tower of variously sized and shaped stacked jars, each jar holding a small, dayglow rubber ball; a grid of cement sculptures formed from the interiors of plastic cups; and an airy circle of blue painters» tape applied directly to the wall.

Owen Drysdale's moody, interior - focused paintings (including a site - specific wall painting) are on view in the front gallery, center of photo; while paintings by the well - established Los Angeles artist Martin Durazo fill the gallery's big back room with vibrant layers of color.

Art is fast becoming recognised as an essential component of a modern home, with influencers and interior designers singing the praises of gallery walls and the like

Martin also refuses to assume that paintings must hang on interior walls; he will install several works «in» this show in light boxes affixed to the exterior of the gallery, where they are exposed to the elements as well as the gazes of passersby.

So as not to interfere with the presentation of the art objects, the interior design of the gallery — the floor, walls, and ceiling — is muted in terms of expression and assertion.

While the interior of the gallery space will be dressed in a large scale spatial installation, a great mural will be running from the outside wall of the gallery Eldridge Street Project Space.

Throughout this period, Bell produced interior wall environments, such as The Black Room for both the Museum of Modern Art, New York (1969) and the Tate Gallery (1970).

Mailed to friends in New York and unfolded on the gallery walls, these photographs trace the passage of time, showing graves and tombstones, clocks, coffee cups, maps, tabletops, and interiors.

Everything about Auerbach's first solo exhibition in the UK feels fittingly balanced, from the building's classical façade to the gallery interior, with its wall of repetitive louvres.

That probably describes most works of art, but when expressed with an elaborate environment that takes over interior surfaces of a brownstone gallery — that's walls, ceiling and floors on two and a half floors, including stairs and hallways — and dazzles at every turn, it gains force.