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A
studio interior, from 1936, has the bright blues and violets
of Matisse, but the orange pigment
of a chest
of drawers bleeds past its contours, onto the
wall and the floor, prefiguring a combustible abstraction
of 1944, whose uncontainable splatters offered a new model
of creation.
Then you plunge into darkness and a series
of paintings hung against
walls painted in a somber color that suggests the atelier braun (
studio brown) that Oswald Spengler identified as the «metaphysical» tone
of great Rembrandt
interiors.
These are paintings composed
of paintings, setting up a further point made by Elderfield in the way the show is hung: from depictions
of the
studio as an
interior he zooms in on the many ways in which artists pick a
wall full of images (Diebenkorn's Studio Wall created in 1963 based on the scene in his studio in the Triangle Building in Berkel
wall full
of images (Diebenkorn's
Studio Wall created in 1963 based on the scene in his studio in the Triangle Building in Berkel
Wall created in 1963 based on the scene in his
studio in the Triangle Building in Berkeley).
The exhibition includes 17
wall panels, collectively equivalent to the exact
interior measurements
of her downtown L.A.
studio, which were built onsite in the exhibition space and then transferred to her
studio space.
Brussels
studio Label Architecture have transformed the
interior of a family house in Brussels, Belgium, by covering some
walls in rough, black - stained oriented strand board and painting others white.