Sentences with phrase «international fluxus»

He was also instrumental in securing the Gilbert and Lila Silverman Fluxus Collection, considered the largest and most important of its kind, which documents the founding and development of the international Fluxus movement.

Allan Kaprow had a huge influence in the next movements: «Kaprow's happenings paved the way for the international Fluxus groups» actions and the general performance art movement in the late 1960s and 1970s, and also set a standard of interactivity, multimedia, and an art of everyday life that was a huge influence for later contemporary art.»

The word - based art and performances crafted by world - renowned artist Alison Knowles (b. 1933) are central to the 1960s international Fluxus movement and its enduring legacy.

Early on, the artist became involved in the international Fluxus movement, which lacks its own stylistic profile, but is viewed as a rebirth of Dadaism.

The Hood Museum of Art is home to the George Maciunas Memorial Collection, established by then — museum director Jan van der Marck in 1978 to honor Maciunas, the Lithuanian - born organizer of the international Fluxus movement who had died that year.

A prominent member of the international Fluxus art movement of the 1960s, Shigeko Kubota was invited to move to New York from Tokyo in 1964 by the movement's unofficial leader, George Maciunas.

Not exact matches

Working in Recife, Brazil, Santiago was a key participant in the international mail art movement and was also associated with Fluxus.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme.

The Hood's holdings, which now reach beyond that original collection, includes over five hundred works by the international consortium of artists who were affiliated with the Fluxus movement in the 1960s and 1970s.

He also applauds Mr. Karpman, describing him as «an avid, astute and passionate collector of advanced post-war international contemporary art: Mr. Karpman has broad - ranging interests in the art of recent times that encompass a divergent melange of international and Canadian artists of consequence, such as Anish Kapoor, Joseph Beuys and the Fluxus movement, the challenging, ground - breaking work of Feminist legend, Carolee Sncheemann, American Joan Jonas, the minimalist art of Richard Serra, pop artist Robert Rauschenberg and generations of Canadian artists.

One of the first and the most famous of these collectives was, of course, Fluxus - an international community of artists, architects, composers, and designers organised by Lithuanian - American artist George Maciunas, and including Joseph Beuys, Dick Higgins, Nam June Paik and Yoko Ono.

An indispensable instrument in understanding video art, this volume offers a panoramic view of the history of this medium and the major artists in the collection active on the international scene, including Joseph Beuys, Fluxus, Bruce Nauman, William Kentridge, Tony Oursler, Martha Rosler, Sophie Calle, Bill Viola, Robert Wilson, to name a few.

The exhibition «Fluxus and Friends — A selection from the Maria and Walter Schnepel Cultural Foundation / Collection» at Ludwig Museum — Museum of Contemporary Art presents hundreds of works selected from the collection of Maria and Walter Schnepel Cultural Foundation represent a broad palette of Fluxus through works by the most famous international and Hungarian artists.

Later, in the 1960s, the international artistic network Fluxus formed innumerable close links between visual art and the written word.

A precursor to Arte Povera, Fluxus and Punk, the Situationist International has bequeathed a uniquely complex and conflicted legacy to contemporary art - making.

The show begins with examples dating from Fluxus — a loose international network of artists from the 1960s and»70s — and Conceptual art of the same period, and continues up to the present day.

Regarded as a European form of American Pop Art - although its members» activities predate most of Roy Lichtenstein's pictures and Andy Warhol's pop art - New Realism is closer in spirit to European avant - garde art of 1960, such as Fluxus, new forms of Assemblage art like and Situationist International.

George Brecht, a core member of Fluxus, the loosely affiliated international group of playful Conceptual artists that emerged in the early 1960s, died on Dec. 5 in Cologne, Germany.

Unlike those in many other «non-Western» countries, artists in Japan have been involved in virtually every international artistic movement since World War II: the Informal movement (Gutai group), Op Art (Soto), Fluxus (Yoko Ono), Conceptualism (On Kawara), performance art (Yayoi Kusama) and Postmodernism (Murakami).

Keep Walking Intently: The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus

Fluxus Name of an international art movement, established in 1962, which aimed to unite Europe's avant - garde.

Inspired by the traditions of Dada and its activists like Tristan Tzara, and related to other contemporary art movements and genres such as Mail Art, Lettrism, Funk Art, Nouveau Realisme, as well as Neo-Dada, and the Situationist International, Fluxus was firmly opposed to conventional art, which it saw as elitist and remote.

Before 1989 he was part of the international mail - art network, an alternative art movement rooted in the aesthetics of the Fluxus group.

Happenings were also a part of the international avant - garde group Fluxus.

This exhibition, curated by Guy Schraenen, is devoted to the outstanding originality of this series of grey cardboard boxes, with which Johannes Cladders provided an unconventional and pertinent overview of the international vanguard art of the period, including seminal movements such as Conceptual Art, Fluxus, Arte Povera, Pop Art, etc..

Her work has been featured in major international exhibitions including the 2nd Athens Biennal, Athens, Greece (2009); Whitney Biennial, Whitney Museum of American Art, New York (2006); Berlin Biennial for Contemporary Art, Berlin, Germany (2005); Friends of Fluxus Exhibition, collaterial event to the 48th Venice Biennale, Venice, Italy (1999); and Daniel Spoerri, Moulin des Jouissances, collaterial event to the 37th Venice Biennale, Venice, Italy (1976).

Nam June Paik was known as a composer, performance artist and member of the legendary sixties neo-Dada international avant - garde Fluxus movement.

Richter had long been a prominent figure within the international art world, but the exhibition, curated by Robert Storr, was something of a corrective to the voluminous interpretations — and, in Storr's view, misinterpretations — that had long beset the artist's work: He had been aligned with neo-Expressionism, with Fluxus, with postmodernist critiques of the validity and value of painting, and with political agendas of all hues.