Sentences with phrase «international art cinema»

And one needn't take a stand on the validity of auteurism as a framework for discussing movies to acknowledge the way it continues to dominate discussions of current works of international art cinema; those of us invested in movies as art continue to latch on to the director as artist.

At this point in the history of film criticism, the auteur theory has become passé as a totalizing framework for understanding moviemaking as art, but Martel's three features (and this one in particular), in their distinctive, shared point - of - view and unique approach to mise - en - scène and sound, provide irrefutable evidence that international art cinema still serves as a showcase for singular directorial talents who are, indeed, the principal creative forces behind their films.

Not exact matches

Today's #GoogleDoodle marks the 104th birthday of Mexican actress Maria Félix, whose impact on film, art, music and fashion established her as an icon of international cinema → https://t.co/ILDpw7IELh pic.twitter.com / jyEcICaahi

I've decided Cannes needs to be rebranded as a place that celebrates the art of cinema rather then their current reputation as the heart of the international movie industry.

During the 1990s, when Kiarostami's reputation was growing, I was not that focused on international high - art cinema.

The Art Cinema Award is granted by the International Confederation of Art Cinemas (CICAE).

Called «the father of African cinema,» Sembene's Black Girl (1966) became an international art house hit.

2006 Time Out New York Best Documentary The Radio Times Best Documentary 2007 Rose d'Or Festival, Best of 2007 and Best Arts Documentary (Switzerland) Los Angeles Film, Festival Best International Feature (USA) 2008 Atlanta Film Festival, Audience Award (USA) Bergen International Film Festival, Audience Award (Norway) Warsaw International Film Festival Best Documentary (Poland) Paris Cinema International Film Festival, Jury Prize and Audience Award (France) Nashville Independent Film Festival Impact of Music Award (USA) Sydney Film Festival, Audience Award for Best Documentary (Australia) Los Angeles Film Festival, Humanitas Award for Best Documentary (USA) Ghent Film Festival, Audience Award (Belgium) The International Documentary Awards, Alan Ett Best Music Award (USA) The Festival D'Automne, Audience Award (France) Les Rencontres Cinématographiques de Dijon, Audience Award (France) 2009 Christopher Awards, Christopher Award for Film (USA) The Keswick Film Festival, Audience Award (England) DVD Critics, Best Non-Fiction Title (USA) AG Kino - Gilde German Art House Cinemas, Best Documentary (Germany)

The International Confederation of Art Cinemas is proud to announce that the ART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé ZhArt Cinemas is proud to announce that the ART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé ZhART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé Zhao.

Though he once described his screenplays as more craft than art, Stoppard's literate film adaptations of various works by major authors have matched him with some of the most esteemed directors in international cinema, beginning with Joseph Losey's The Romantic Englishwoman in 1975.

The selection of films incorporates some of the most significant (and most discussed) examples of international «art cinema» and off - Hollywood cult cinema from recent years, the bulk of them released between 2000 and 2006; examples include In the Mood for Love (Wong Kar - wai, 2000), Memento (Christopher Nolan, 2000), Mulholland Drive (David Lynch, 2001), Irreversible (Gaspar Noé, 2002), Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004), and Caché (Michael Haneke, 2005).

With all eyes on the current escalating international crisis and flexing of nuclear arms, this film is compelling in its relevance to our present reality, and uses it as a platform to raise some appropriate questions about the boundaries of art and the role of cinema.

Attendees were then invited to stay for the sixth St. Petersburg International Cultural Forum, which embraces many arts besides cinema.

Nathalie has lectured on costume design (in which she takes a special interest) and the early history of cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.

Despite tough censorship and the repression of leading film makers, Iranian art cinema has earned international acclaim over the past 20 years.

But the possibilities of international exchange continue to be challenging, because of changes in distribution patterns and methods of delivery: the shrinking number of «art houses» poses a threat to the continuity of theatrical release, but streaming services may prove to be the way in which we see any sort of «alternative» (be it independent, avant - garde, or foreign) cinema.

SAMSON KAMBALU: NYAU CINEMA This is the first United States solo museum exhibition for the Malawi - born, London - based filmmaker Samson Kambalu, a steady presence on the international scene who has shown at the Venice, Liverpool and Dakar Biennials; he uses humor to challenge official histories, art and religions.

Screening: «Ed Atkins» at the BAM Rose Cinemas Presented as part of BAM's «Migrating Forms» program, a series that shows videos and films from the international art world, this screening offers a selection of high - definition videos by British artist Ed Atkins, whose work has been celebrated in solo shows at Tate Britain and MoMA PS1.

Since our first audiovisual performances and video projections as Celestial Twins (a collective of experimental cinema and avant - garde music platform), my mission as an independent curator has been to create space that reclaims and reflects on the poetic, political and erotic, and to support greater female representation as a dynamic force in the international scene, encouraging subversions to audiovisual language, abstractions and occult art.

The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.

The film Reflecting Memory by Kader Attia - presented in the occasion of Contemporary Locus 12 / Alvin Curran, Kader Attia - Ex Albergo Diurno in 2017 - is the second step of ART MOVIE, a new international project by Contemporary Locus and Lab 80 film born with the aim of exploring the relation between contemporary art and cineART MOVIE, a new international project by Contemporary Locus and Lab 80 film born with the aim of exploring the relation between contemporary art and cineart and cinema.

2007 LA CASA ENCENDIDA, CENTRE FOR CONTEMPORARY ARTS screening - retrospective various works, every Tuesday in September 2007, Madrid CINEMATEXAS, Austin, Texas Return of the Black Tower THE HORSE HOSPITAL, Bloomsbury, London Return of the Black Tower screened at the Book Launch of Subversion — the definitive history of underground Cinema CUBE CINEMA Double Dummy & Return of the Black Tower screened as part of OMSK IMAGES 20TH INTERNATIONAL MEDIA FESTIVAL TORONTO, Because of the War NEW YORK UNDERGROUND FILM FESTIVAL, Anthology Film Archives, The Truth and the Pleasure ANN ARBOUR 23RD INTERNATIONAL FILM FESTIVAL screens Because of the War and Sharony!

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US

Prize recipients will be professionals with an emerging international profile, active in a discipline represented by one of the academic units within the Meadows School: advertising, art, art history, arts administration, cinema - television, corporate communications, dance, journalism, music and theatre.

BOOKS by Jerry Schatzberg «Women Then: Photographs 1954 - 1969» [Hardcover] by Julia Morton (Author), Jerry Schatzberg (Photographer), Gail Buckland (Preface) published by Rizzoli, 1st edition (October 12, 2010) «Paris 1962: Yves Saint Laurent and Dior, Christian Dior, The Early Collections» [Hardcover] Jerry Schatzberg (Author), Julia Morton (Author), Patricia Bosworth (Introduction) published by Rizzoli, 1st edition (April 29, 2008) «Thin Wild Mercury: Touching Dylan's Edge» [Hardcover] Jerry Schatzberg (photographer) published by Genesis Editions, collector & deluxe edition (2006) EXHIBITIONS: Solo & Retrospectives (selected) 2013 ART BASEL MIAMI, Nikola Rukaj Gallery 2013 ART SOUTHHAMPTON, N.Y., Nikola Rukaj Gallery 2013 CONTACT Photography Festival, Toronto, «Schatzberg» 2013 AIPAD, Steven Kasher Gallery, N.Y. 2011 MUSEE MAILLOL, Banyuls Sur Mer, France, «Bob Dylan» 2009 INSTITUT LUMIERE, Lyon Film Festival, Lyon, France 2008 PROUD GALLERY, London, U.K., «Bob Dylan» 2006 LE GRAND PALAIS, Paris, France, «Bob Dylan» 2006 GALLERIE LUC BELLIER, Paris, France, «Bob Dylan» 2006 ATLAS GALLERY, London, U.K., «Jerry Schatzberg: Photographs» Retrospective 2004 SOFIA FILM FESTIVAL BULGARIA, Sredetz Gallery 2003 JANOS GAT GALLERY, N.Y., «Behind the Scene, a Collection» 2003 STALEY / WISE, N.Y., «Homonym» 2002 HELLENIC AMERICAN UNION Athens, Greece, Retrospective 2002 MUSEUM OF CINEMA, Torino, Italy, Retrospective 2002 ALBA INTERNATIONAL FILM FESTIVAL, Retrospective 2001 INTERNATIONAL THESSALONIKI FILM FESTIVAL, Greece 2000 DINA VIERNY, Paris, France, Retrospective 1999 PAMUKBANK FOTOGRAF GALERISI, Istanbul, Turkey 1996 STALEY / WISE N.Y., Retrospective 1985 ALLIANCE FRANCAIS N.Y., «Behind The Scene, a Collection» 1983 CENTRE POMPIDOU, Paris, France, Retrospective

Today there are art galleries, collaborative work spaces, cinemas, and a creative and eclectic mix of people on the street — international tourists and homecoming - revolution expats, business people, students and artists.