Sentences with phrase «international art movements including»

The collection brought together significant works from important international art movements including Surrealism, Futurism and Abstract Art.

Not exact matches

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

More recently, Bayrle's work was included in the Philadelphia Museum of Art's International Pop exhibition, a group show that chronicled the emergence of Pop Art as an internatioInternational Pop exhibition, a group show that chronicled the emergence of Pop Art as an internationalinternational movement.

A key figure in the art world since the late 1940s, Latham has been associated with several national and international artistic movements, including the first phase of conceptual art in the 1960s.

In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqart exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.&raqArt, 1912 to Today.»

The Hessel Collection is international in scope, encompassing a wide range of media from the 1960s to the present, with representative works of major contemporary art movements including Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

This major international exhibition including artists such as Romare Beardon, Ed Love, Aubrey Williams, Faith Ringold, David Hammons, Barkley L. Hendricks, and Betye Saar documenting their contribution to the black arts movement and its influence on the black racial imaginary.

«Modern art» witnessed many of the great international art movements, and also gave birth to entirely new forms of creative expression, including: skyscraper architecture (1880s); chromolithographic poster art (1880s / 90s); animation art (from the first cartoon film in 1906); collage (from 1912); performance art (from Dada onwards); assemblages (from 1953); land art (fl. 1960s).

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

Camille Leherpeur has been an active part of the International Printmaking Union — a joint movement, started in 2013 by the printmaking department of La Cambre, which gathered institutions related to print, including the Royal College of Arts, Central Saint Martins and the Royal Academy of Antwerp.

At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photograpart as well as paintings, drawings and photography.

The first international modern art movement to come out of America (it is sometimes referred to as The New York School - see also American art), it was a predominantly abstract style of painting which followed an expressionist colour - driven direction, rather than a Cubist idiom, although it also includes a number of other styles, making it more of a general movement.

Several of the city's cultural institutions will also showcase art there, including the New York Academy of Art, which will feature figurative work by its international students, and El Museo del Barrio, which presents an exhibition of modernist abstractions related to optical and kinetic art movemenart there, including the New York Academy of Art, which will feature figurative work by its international students, and El Museo del Barrio, which presents an exhibition of modernist abstractions related to optical and kinetic art movemenArt, which will feature figurative work by its international students, and El Museo del Barrio, which presents an exhibition of modernist abstractions related to optical and kinetic art movemenart movements.

He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbach Haus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit, Art Institute of Chicago.

Her works about transformation, questions of translation, resistance, movement (both forced and voluntary), exchange, and silenced historical narratives have been exhibited in major international group exhibitions since 1994, including at the Museum of Modern Art, San Francisco Museum of Modern Art, and Fondazione Sandretto Re Rebaudengo.

Several years later, his work was included in the seminal exhibition Nouvelle Tendance: Propositions visuelles du movement international at the Musée des Arts Décoratifs in Paris, France in 1964.

The international context included Abstract Expressionism, Art Informel, Gruppe Zero, Happenings, and environment art»» all movements with which Gutai intersected both at home and abroArt Informel, Gruppe Zero, Happenings, and environment art»» all movements with which Gutai intersected both at home and abroart»» all movements with which Gutai intersected both at home and abroad.

Mr. Kentridge again conflates a variety of international dances, including South African traditional movement, Western ballet, brass band dances, African protest marches and martial arts, for this rapturous endeavor, which was beautifully orchestrated by the South African choreographer and longtime Kentridge collaborator Dada Masilo and her troupe.

Constructivism International Abstract art movement founded in post-revolutionary Russia by artists including Vladimir Tatlin, Alexandr Rodchenko, Antoine Pevsner and Naum Gabo, among others.

Among the beneficiaries have been several members of the Young British Artists (YBA) movement, which includes Damien Hirst, Rachel Whiteread, and Tracey Emin, who rose to prominence after the Freeze exhibition of 1988, with the backing of Charles Saatchi and achieved international recognition with their version of conceptual art.

Influenced by European art movements of the early twentieth century, American Modernists including the Precisionist Charles Sheeler and Abstract Expressionist Adolph Gottlieb emphasize the industrial, the international, or the psychological through gesture, texture, surface, geometry, shape, form and color.

Tadasky was part of the international Op art movement, which included artists in Europe, North America, and South America.

This exhibition, curated by Guy Schraenen, is devoted to the outstanding originality of this series of grey cardboard boxes, with which Johannes Cladders provided an unconventional and pertinent overview of the international vanguard art of the period, including seminal movements such as Conceptual Art, Fluxus, Arte Povera, Pop Art, etart of the period, including seminal movements such as Conceptual Art, Fluxus, Arte Povera, Pop Art, etArt, Fluxus, Arte Povera, Pop Art, etArt, etc..

Since he started exhibiting in the late 1940s, Latham has been associated with several national and international artistic movements, including the first phase of conceptual art in the 1960s.