Sentences with phrase «international art world today»

The 10th edition of Zona Maco Mexico Arte Contemporaneo will become a necessary destination to experience what is happening in the international art world today.

Our labour will be truly valued only when we kick the addiction to obscene wealth that characterises the American and international art world today.»

Not exact matches

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

Fairmont Sanur Beach Bali is a world - class all - suite - and - villa resort set amidst four hectares of lush tropical gardens.Only 25 minutes from the Ngurah Rai International Airport, the property is located along 200m of golden beach in the Sanur district in southeast Bali.Once a fishing village, Sanur is today full of historical charm and a hub for Balinese art, culture and tradition well away from the hustle and bustle of the rest of the island.

The museum describes Edwards thus: «A truly international artist well before the advent of today's global art world, Edwards has brought his experiences of other cultures and languages, particularly those of Africa, into his work, to explore the varied ways that art can forge bonds of connection and kinship.»

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

The Apollo Theater today announced its 2015 — 2016 season, encompassing world premieres, commissions, and collaborations with world - class performing arts institutions and international artists working across a range of disciplines and genres — from dance and theater to jazz, soul, and opera.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratart», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Report, Jan / Feb 2000, p. 52, illustration

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

«Harking to the pioneering social study done here in the early 20th century, this «Pittsburgh Survey» will define what «international» means in the art world on a local level today.»

Today (September 30th, 2014) is the launch of GalleriesNow.net, «A revolutionary guide to the international world of contemporary art.»

The New York - based Tagore Foundation International seems to wish away national borders altogether in «Frontiers Reimagined» — a presentation of 44 artists from across the globe, championing «the intellectual and aesthetic richness that can emerge in today's globalised art world».

Over the past few years, some of them have become more and more influential, and today occupy a landmark position in both New York and the international art world.

The tension between old and new, past and present that is at the center of the drama of My Name Is Red is, to a large extent, still being played out today as artists from the Islamic world confront the challenge of making contemporary art for an international audience grounded in European values and ideas.

Para Site Art Space — Hong Kong Jockey Club Curatorial Training Programme is a seven - month course, which introduces the participants to the state of today's international contemporary art, enabling them to navigate the art world confidently and realize exciting and high quality exhibitions in the futuArt Space — Hong Kong Jockey Club Curatorial Training Programme is a seven - month course, which introduces the participants to the state of today's international contemporary art, enabling them to navigate the art world confidently and realize exciting and high quality exhibitions in the futuart, enabling them to navigate the art world confidently and realize exciting and high quality exhibitions in the futuart world confidently and realize exciting and high quality exhibitions in the future.

Today it is one of the world's most important exhibitions of international contemporary art.

The international contemporary art fair, Frieze New York, returns to Manhattan today with a selection of dynamic presentations from 190 of the world's leading galleries.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Not only does the Garage Museum of Contemporary Art feature some of the world's most famous international artists, but it creates strong ties within the local community as well, providing an archive for Russian contemporary artworks created between the 50s and today.

Today, as numerous international art events are held throughout the world, the Yokohama Triennal, since its inauguration in 2001 has addr ssed the relationship between Japan and the world, and theindividual and society, and reexamined the social role of art from a variety of perspectives, in response to a world in constant flux.

«Art & Religion in the 21st Century» by Aaron Rosen, is the first in - depth study to survey an international roster of artists who use their work to explore religion's cultural, social, political, and psychological impact on today's world.

He has participated in many international group and solo exhibitions at such institutions as Museum Beeldenaan Zee, The Hague, The Netherlands; Today Art Museum, Beijing, China; Museum of Contemporary Art, Taipei, Taiwan; Metropolitan Museum of Manila, Manila, The Philippines; as well as the 2010 World Expo, Shanghai, China.

He was a rarity in today's international art world, and is deeply missed.

«Homelands,» which features more than 49 works by 20 of the world's leading British contemporary artists from the British Council Collection, now being showcased in Sri Lanka will conclude today, as part of the Colombo Art Biennale 2014, Colombo's cutting edge festival of international and local contemporary visual arts.

Considering an international array of video, sculpture, installation, photography, and web - based projects, To See Without Being Seen: Contemporary Art and Drone Warfare reveals the unique potential of art to further our understanding of — and give visual form to — drone warfare and digital surveillance in today's worArt and Drone Warfare reveals the unique potential of art to further our understanding of — and give visual form to — drone warfare and digital surveillance in today's worart to further our understanding of — and give visual form to — drone warfare and digital surveillance in today's world.

Today, art world insiders are more attuned to blue - chip galleries and international art fairs; MFA - trained artists rarely give the exhibit a second thought.

«Today, in a world full of conflicts and shocks... art is the ultimate ground for reflection, individual expression, freedom, and for fundamental questions,» declares Christine Macel, the curator of 2017's International Art Exhibitiart is the ultimate ground for reflection, individual expression, freedom, and for fundamental questions,» declares Christine Macel, the curator of 2017's International Art ExhibitiArt Exhibition.

1963 Sculpture in the Open Air (London County Council exhibition), Battersea Park, London, UK 7th Japan International Art Exhibition (Tokyo Biennial): National Museum of Modern Art, Tokyo, JP; Sogo Department Store, Osaka, JP; City Museum of Art, Takamatsu, JP; Yawata Museum of Art, Kita - Kyushu, JP; City Museum of Art, Kagoshima, JP; Daimaru Department Store, Fukuoka, JP; Central Civil House of City, Sasebo, JP; Tsuruya Department Store, Kumamoto, JP; Nakamura Oriental Department Store, Nagoya, JP; Fujisaki Department Store, Sendai, JP Creatura, Museum am Ostwall, Dortmund, DE Zeugnisse der Angst in der Modernen Kunst, Mathildenhöhe, Darmstadt, DE Skulptur: Bo Boustedts Samling, Göteborgs Konstmuseum, Göteborg, SE; Moderna Museet, Stockholm, SE Moore, Zajac, and Chadwick, M. Knoedler Gallery, New York, US 1962 Collectors» Choice XI, Gimpel Fils, London, UK Arte Britanica no seculo XX (organised by the British Council), Gulbenkian, Kent, UK; Foundation, Lisbon, PT; Coimbra, PT; Oporto, PT VII Esposizione Internazionale di Bianco e Nero, Lugano, CH Festival of Two Worlds, Music and Sculpture, Spoleto, IT Sculpture at the Keukenhof, Lisse, NL 3 Premio Carrara, Biennale Internazionale di Scultura, Carrara, IT 19 Young Sculptors (organised by Gloucester City Council), Hillfield Gardens, Gloucester, UK British Art Today, San Francisco Museum of Art, California, US; Dallas Museum for Contemporary Arts, Texas, US; Santa Barbara Museum of Art, California, US 1961 James Thrall Soby Collection (exhibition organised by the Museum of Modern Art, New York), M.Knoedler Gallery, New York, US 19th and 20th Century Drawings, Watercolours and Sculpture, Marlborough Fine Art, London, UK The Maremont Collection at the Institute of Design, Illinois Institute of Technology, Chicago, Illinois, US 2éme Exposition Internationale de Sculpture Contemporaine, Musée Rodin, Paris, FR Some Aspects of 20th Century Art, Marlborough Fine Art, London, UK 6e Biennale voor Beeldhouwkunst, Middelheim Park, Antwerp, BE De Rodin a Nuestros Días, Fundación Eugenio Mendoza, Madrid, ES IV Concorso Internazionale del Bronzetto, Sala della Ragione, Padua, IT Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, Pennsylvania, US Recent British Sculpture (British Council touring exhibition National Gallery of Canada, in New Zealand by the Auckland City Art Gallery, in Australia by the State Galleries of Australia); Gallery of Canada, Ottawa, CA; Montreal Museum of Fine Arts, Montreal, CA; Winnipeg Art Gallery, Winnipeg, CA; Norman McKenzie Art Gallery, Regina College, Regina, CA; Art Gallery of Toronto, Toronto, CA; Public Library and Art Museum, London, Ontario, CA; Vancouver Art Gallery, Vancouver, CA; City Art Gallery, Auckland, NZ; Dominion Museum, Wellington, NZ; Otago Museum, Dunedin, NZ; Canterbury Museum, Christchurch, NZ; National Gallery of Western Australia, Perth, AU; National Gallery of Southern Australia, Adelaide AU; National Gallery of Tasmania, Hobart, AU; National Gallery of Victoria, Melbourne, AU; National Gallery of New South Wales, Sydney, AU; National Gallery of Queensland, Brisbane, AU; Newcastle Art Gallery, Newcastle (New South Wales), AU; Canberra, AU; Bridgestone Gallery, Tokyo, JP; National Museum of Modern Art, Kyoto, JP; City Hall, Hong Kong, CH

Recognizing the position of P. 3 as a biennial - type exhibition for the United States — passionately committed to being international in scope and weary of geographic location as something that is increasingly interchangeable in today's world of contemporary art — Prospect.3 is, in the mode of past Prospect projects, vitally committed to the city of New Orleans.