Sentences with phrase «international contemporary art biennale»

The same year, he also co-curated and contributed an essay for the 7th Sharjah Biennial [31] in The Emirate of Sharjah, United Arab Emirates, the largest international contemporary art biennale in the Middle East.

Under the helm of previous curators — including Massimiliano Gioni, Kerry Brougher, Sukwon Chang, Okwui Enwezor, Charles Esche, Hou Hanru, Honghee Kim, Yongwoo Lee, Youngchul Lee, Kwangsoo Oh, Wankyoung Sung, and Harald Szeemann — the Gwangju Biennale has established itself as a highlight of the international contemporary art biennale circuit.

2015 Phlogiston, Museum of Fine Arts, Split, HR To be part of Universe, 7th International Contemporary Art Biennale of Melle, Melle, FR Leonardo da Vinci's Leicester Codex and the Power of Observation, Steele Gallery, Phoenix Art Museum, Phoenix, AZ; Minneapolis Institute of Arts, Minnesota, US The Line, The House Mill, London, UK Heartbreak Hotel, Vanhaerents Art Collection at the Zuecca Project Space, Venice, IT Proportio, Axel & May Vervoodt Foundation, Palazzo Fortuny, Venice, IT Silent Life (1979), Laurre Roynette Gallery, Paris, FR Swimming Pool, Espace Croix - Baragnon, Toulouse, FR Legacy, Nobel Museum, Stockholm, Sweden, SE Masterpiece, De Nieuwe Kerk, Amsterdam, NL Mixed Emotions / Gemengde Gevoelens, AGB MAC, Cultureel Centrum, Mechelen, BE Belle Haleine - The Scent of Art, Museum Tinguely, Basel, CH White, MOCA, Jacksonville, US

Launched in 1996, the Shanghai Biennale is China's oldest and most influential international contemporary art biennale, as well as the most important of its kind in Asia.

Borg el Amal (Tower of Hope), Baladi's ephemeral construction and sound installation, won the first prize at the 2008 - 09 Cairo International Contemporary Art Biennale.

I say surprised not only because I am disposed to a cynical suspicion about now - ubiquitous international contemporary art biennales and fairs, which somehow manage to be both bloated and vacuous, but also because, as a historian who works on postwar art of the not - so - distant past, my relationship to «the contemporary» and «contemporary art,» both in regards to my teaching and scholarship, has felt rather tortured of late.

Not exact matches

Graham represented Canada at the Esposizione Internazionale d'Arte la Biennale of Venezia in 1997, and numerous international museums have dedicated personal shows to his works, including the Hamburger Kunsthalle, the Musée d'Art Contemporain in Montréal, the Vancouver Art Gallery, the Art Gallery of Ontario, and the Museum of Contemporary Art, Los Angeles.

7th Moscow International Biennale of Contemporary Art entitled Clouds ⇄ Forests is a proposition at a time of R. Alleluia, alleluia.

One of the most unique virtues of the Venice Film Festival is that it every two years, it runs alongside the Venice Biennale — the world's foremost contemporary art showcase, spanning almost 6 months and housing exhibitions from over 90 international artists.

Creative types will appreciate that the Lyon Biennale of Contemporary Art has gained increasing international attention in recent years, and the Ecole des Beaux Arts attracts ambitious art students from all ovArt has gained increasing international attention in recent years, and the Ecole des Beaux Arts attracts ambitious art students from all ovart students from all over.

Their work has been presented in major international exhibitions including the Biennale of Moving Image, Centre d'art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Indart and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Inarts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

The artist's work has been featured in recent group shows at the Stedelijk Museum voor Actuele Kunst (SMAK) in Ghent (2010), Palazzo Saluzzo Paesana in Turin (2012), The Metropolitan Museum of Art (2012), Museum of Contemporary Art in Los Angeles (2013), The Moving Museum in Dubai (2013) as well as in «Love Me / Love Me Not: Contemporary Art from Azerbaijan and Its Neighbors» at the 55th International Art Exhibition — Venice Biennale (2013).

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Her works have been included in international biennials such as the 2010 Whitney Biennial; the Second Moscow Biennial of Contemporary Art (2007); Whitney Biennial: Day for Night (2006); and Biennale d'Art Contemporain de Lyon: Experiencing Duration (2005).

catalogues of international solo and group exhibitions and international biennials, including the Paris Biennale, Mercosul Biennial (Brazil), and the Slovenian Triennial of Contemporary Art;

The 1990s brought widespread international recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchenglainternational recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, MönchenglaInternational, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).

Group exhibitions include What People Do For Money, MANIFESTA 11, Zurich, Switzerland (2016); 9th Berlin Biennial, Berlin, Germany (2016); Billboard, Whitney Museum of American Art, New York, United States (2016); The Elephant Test, Lothringer13 Städtische Kunsthalle München, Munich, Germany (2014); Altars of Madness, Casino Luxembourg Forum d'art Contemporain, Luxembourg (2013); The Eye is a Lonely Hunter: Images of Humankind, Heidelberger Kunstverein, Heidelberg, Germany (2011); N'importe quoi, Musée d'Art Contemporain de Lyon, Lyon, France (2009); Disturbance, Johannesburg Art Gallery, Johannesburg, South Africa (2008); Trials and Terrors, Museum of Contemporary Art, Chicago, United States (2005); Elysian Fields, Purple Institute, Musée National d'Art Moderne, Centre Pompidou, Paris, France (2000); and dAPERTutto, 48th International Exhibition of Contemporary Art, La Biennale di Venezia, Italy (1999).

In 2012, Ji had a solo exhibition at the Ullens Center for Contemporary Art in Beijing and he has participated in several international biennales, including Sydney (2014) and Lyon (2011) as well as the Whitney Biennial in New York.

She has presented her work at the MCA Chicago, PS1 MoMA, the New Museum, The Kitchen, the Queens Museum, the International Biennale of Contemporary Art in Prague, and most recently with a solo exhibition at DePaul Art Museum.

Sikander has also participated in significant international group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, Iinternational group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, IInternational Art Exhibition, La Biennale di Venezia, Venice, Italy, (2005).

Koji Nakazono / «7th Moscow International Biennale of Contemporary Art: Clouds ⇄ Forests» New Tretyakov Gallery (The State Tretyakov Gallery), Moscow September 19, 2017 — January 18, 2018 Curated by Yuko Hasegawa http://jp.moscowbiennale.com

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

The event, that for 10 weeks takes over the city, is not a Biennial in the commonly used sense of the word on the art circuit — derived from the oldest of its kind, the Venice Biennale — that nowadays describes an international contemporary artistic showcase with a curatorial project that permeates artworks chosen by a curatorial team.

There is no more appropriate moment to examine new and recent contemporary art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 20art from Iraq and we are privileged that this talk will be led by curator and Director of Ikon Gallery in Birmingham, Jonathan Watkins, who curated the highly acclaimed Pavilion of Iraq at the 55th International Art Exhibition at the Venice Biennale in 20Art Exhibition at the Venice Biennale in 2013.

Binion's works are central to this year's 57th International Art Exhibition — La Biennale di Venezia, VIVA ARTE VIVA, curated by Christine Macel, and have been featured in solo exhibitions at the Contemporary Arts Museum Houston, Texas, and the University of Maryland University College Gallery.

2013 Salon der Angst, Kunsthalle Wien, Vienna 12th Biennale de Lyon, Lyon Pride Goes Before a Fall — Beware of a Holy Whore, Artists Space, New York Biennial of Moving Image, Contour, Mechelen Issues of our Times II, castillo / corrales, Paris Ljubljana Biennial of Graphic Arts, Slovenia Göteborg International Biennal for Contemporary Art, Göteborg, SwedenSweden

2015 The 56th International Art Exhibition - All the Worlds Future's, Venice Art Biennale Go East, Art Gallery of New South Wales, Sydney 2014 Taiping Tianguo: A History of Possible Encounters, e-flux, New York State of Emergency, Davidson College, Belk Visual Arts Center, Davidson, USA Beyond and Between, Leeum Samsung Museum of Art, Seoul, South Korea Beyond Stuff, Mizuma Gallery, Singapore The 14th International Architecture Exhibition - Fundamentals, Venice Architecture Biennale Unscrolled: Reframing Tradition in Chinese Contemporary Art, Vancouver, Canada

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

1997 Trade Routes: History and Geography II Johannesburg Biennale, Johannesburg, South Africa V International Istanbul Biennale, Istanbul, Turkey Material Immaterial, The Art Gallery of New South Wales, Sydney, Australia Arco Contemporary Art Fair, Recinto Ferial Juan Carlos I, Madrid, Spain Antarctica Artes com a Folha, Ibirapuera, São Paulo, Brazil Material Immaterial, The Art Gallery of New South Wales, Sydney, Australia

Exhibition venues include the Poznań Biennale, Poznań; the Metropolitan Museum of International Art, Osaka; and the National Museum of Modern and Contemporary Art, Seoul.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).

He has curated a number of large international exhibitions including the Biennale of Sydney (1998), Facts of Life: Contemporary Japanese Art, Hayward Gallery, London (2001), Quotidiana, Castello di Rivoli, Turin (1999), Tate Triennial (2003), Shanghai Biennale (2006), Sharjah Biennial (2007), Negotiations, Today Art Museum, Beijing (2010) and the Guangzhou Triennial (2012).

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Barclay represented Scotland at the 2003 Venice Biennale and her work has also been included in several other national and international exhibitions such as the British Art Show, Canberra Contemporary Art Space, Australia and Kettle's Yard, Cambridge.

Other main group exhibitions include The King and the Mockingbird, Vermillion Sands, Copenhagen, Denmark, 2016; Yinchuan Biennale 2016 — For an Image, Faster Than Light, Museum of Contemporary Art Yinchuan, Ningxia, China, 2016; SHE — International Women Artists Exhibition, Long Museum, Shanghai, China, 2016; Tutorials, Pino Pascali Foundation Museum, Polignano, Italy, 2016; Bentu, Chinese Artists in A Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, 2016; Unordinary Space, Aurora Museum, Shanghai, 2015; CAFAM Future, Central Academy of Fine Art Museum, Beijing, 2015; Now You See, Whitebox Art Center, New York, 2014; 7th Shenzhen Sculpture Biennale, OCT - Contemporary Art Terminal, Shenzhen, 2012; stillspotting nyc, Solomon R. Guggenheim Museum, New York, among others.

Group exhibitions include the 2002 Whitney Biennial in New York, The Jerusalem Show VII: Fractures (Qalandiya International Biennial), D - 0 Ark Underground Biennale of Contemporary Art, Sarajevo - Konjic, and IK - 00 Spaces of Confinement in Venice.

Her work has been featured in group exhibitions across the US including «Flow, Just Flow» at the Harnett Museum of Art in Richmond, VA, «Art + Space» at Project4 in Washington, DC, «Other Worlds,» at the Jacksonville Museum of Contemporary Art in Jacksonville, FL; «Earthly Delights,» at Mass Art in Boston; and internationally at The Chengdou International Biennale in Chengdou, South Korea.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

Expectations ran high for the show, particularly as it happened to appear within the same year as a number of extraordinarily successful and well - received international surveys of contemporary art — including the Venice Biennale, the Lyon Biennale and the Carnegie International, among thointernational surveys of contemporary art — including the Venice Biennale, the Lyon Biennale and the Carnegie International, among thoInternational, among those I've seen.

1985 Sarah Charlesworth, General Idea, Peter Halley, Jeff Koons, Peter Nagy, Richard Prince and Laurie Simmons, International with Monument, New York Metro Pictures, New York Paravision, Postmasters Gallery, New York (curated by Collins & Milazzo) Dealers and Critics, Mo David Gallery, New York (curated by Robert Nickas) Currents, Institute of Contemporary Art, Boston (curated by David Joselit, brochure) Final Love, CASH / Newhouse, New York (curated by Collins & Milazzo) Jay Gorney Modern Art, New York Post-Style, Wolff Gallery, New York Selected Works, Metro Pictures, New York Cult and Decorum, Tibor De Nagy Gallery, New York (curated by Collins & Milazzo) A Brave New World, A New Generation: 40 New York Artists, Udstillingsbygning ved Charlottenborg, Copenhagen; travelled to Lunds Konsthall, Lund, Sweden Biennale de São Paulo, Brazil (catalogue) Infotainment, Rhona Hoffman Gallery, Chicago; travelled to Texas Gallery, Houston (catalogue) Currents, Institute of Contemporary Art, Boston, MA

2000 Faith, The Aldrich Museum of Contemporary Art, Ridgefield, CT Man & Space, Kwangju Biennale, South Korea Masterminds of Mode, International Fashion Festival, Mitsukoshi Nihonbashi, Tokyo, Japan Traveled to Kobe Fashion Museum, Kobe, Japan; Mitsubishi - Jisho Atrium, Fukuoka, Japan

Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Tintin's works have been shown in major international exhibitions including at the Istanbul Biennial, Yokohama Triennial, Moscow Biennale, Jakarta Biennale, Gwangju Biennale, Asia Pacific Triennial, Van Abbemuseum, FACT at Liverpool Biennial, Museo de Arte Contemporánea (MARCO) de Vigo, Hiroshima City Museum of Contemporary Art, Institute of Contemporary Art (ICA) London, Institute of Contemporary Arts Singapore (ICAS), ZKM / Center for Art and Media Karlsruhe, Clermont - Ferrand Short Film Festival and International Film Festivinternational exhibitions including at the Istanbul Biennial, Yokohama Triennial, Moscow Biennale, Jakarta Biennale, Gwangju Biennale, Asia Pacific Triennial, Van Abbemuseum, FACT at Liverpool Biennial, Museo de Arte Contemporánea (MARCO) de Vigo, Hiroshima City Museum of Contemporary Art, Institute of Contemporary Art (ICA) London, Institute of Contemporary Arts Singapore (ICAS), ZKM / Center for Art and Media Karlsruhe, Clermont - Ferrand Short Film Festival and International Film FestivInternational Film Festival Rotterdam.