Sentences with phrase «international contemporary art practices»

In harmony with POP Montreal's mandates, Art POP strives to create a place for young, emerging artists and curators to share space alongside established talent, and to find challenging and creative ways to situate Montreal's artistic community within the context of international contemporary art practices.

These eight week residencies emphasize cross-cultural exchange and authentic dialogue and conversation surrounding international contemporary art practices.

These eight week residencies emphasize cross-cultural exchange and authentic dialogue and conversation surrounding international contemporary art practices, which stimulate Chicago's own cultural community by infusing a range of artists and cultural producers into the city.

A common international contemporary art practice, the artist's book has a long history within Brazilian art and maintains a central position for young Brazilian artists.

Our mutual interest in international contemporary art practice and critical study, combined with our shared dedication to advancing the Bay Area arts community, makes us ideal partners.

Not exact matches

Hotels owner and international arts patron Dakis Joannou commissioned the Brazilian brothers for their eco-sensitive ethos and the use of contemporary handicraft practices and local idioms.

painttube is connected to an expanding network of Irish and International painting groups delivering events that explore painting in contemporary visual arts practice.

Occupying an important position in contemporary art practice, Lutz Bacher's work is receiving increasing levels of international recognition.Black Beauty provides a unique opportunity to see Bacher's new works made specifically for the ICA together with recent -LSB-...]

She has been featured in major international exhibitions including the Museum of Modern Art; the Centre Georges Pompidou; the Whitney Museum of American Art; the Fowler Museum at UCLA; Art + Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.

Occupying an important position in contemporary art practice, Lutz Bacher's work is receiving increasing levels of international recognition.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Philagrafika advocates for the value of printmedia and its critical role in current art practices through an international contemporary art festival, an annual invitational portfolio, and special projects.

In a period of increasingly rapid communication and experience exchange, the biennial has become the main hub in Istanbul for the introduction, debate and assessment of current paradigms in both the theory and practice of local, international, and transnational contemporary art.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

Carlos / Ishikawa is a contemporary art gallery focusing on international artists with wide - ranging, multi-disciplinary and experimental practices.

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

V - A-C Foundation is a not - for - profit private institution founded in Moscow in 2009, committed to the international presentation, production and development of Russian contemporary art and cultural practice.

Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

The common thread, according to the press release, is that of «a fluid and fluent dialogue between the most diverse national and international artistic practices in contemporary art.»

The aim of the conference is to discuss a wide range of issues in contemporary Russian art and its interaction with international practice.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Sargent's art and research investigates the history and impact of the international shipping industry on the ecologies, economies, and communities along the Great Lakes and St. Lawrence River through a contemporary amalgam of new media art, radical cartography, grass roots activism, and sustainable culture as art practice.

Committed to innovation and experimentation in art, THE HUB is devoted to contemporary artistic practices, with a balanced network of local and international artists, students, faculty and art professionals working to create relevant visions about art in the world of tomorrow.

The Wattis serves as a forum for the presentation and discussion of international contemporary art and curatorial practice.

The main collection includes extensive holdings of international exhibition catalogs, artists» monographs, and over 60 current subscriptions to international art journals and periodicals covering the contemporary arts and curatorial practices.

He is contributing editor for Per Contra — The International Journal of Arts, Literature and Ideas, and has written two books on the history of painting: Alla Prima: A Contemporary Guide to Direct Painting and Color: Its Traditions and Practice in Painting.

Artes Mundi's links with the international art community make it well placed to initiate dialogue between artists and the communities, opening up access to the contemporary visual arts and the ideas and practice of contemporary artists.

The work, which explores the full range and potential of printmaking in contemporary visual arts practice, was produced following a series of international residencies in 2013 and 2014.

The impact of Adrian Piper's practice on the art world has never more been notable than in contemporary moment, which is proven by the international recognition she has received in recent years, especially with the honors such as the Gold Lion prize for the best artist of the Venice Biennale in 2015.

It has been curated by Christine Eyene (an international curator and art historian known for her enquiry into contemporary African art, gendered perspectives and non-object based art practices), with Melanie Kidd (Director of Programmes at NAE).

Berlin / / Mar. 27, 2018 The Bemis Center for Contemporary Art in Omaha, Nebraska is now accepting applications from national and international artists of all backgrounds and practices for its 2019 Artist - in - Residence Program.

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

From Amsterdam to New York we uncover the best in contemporary art in international galleries across a variety of practices.

Her works have been featured at international museums and in institutional collections including The Norton Museum of Art, The Whitney Museum of American Art, The Hammer Museum, Art + Practice, Tiwani Contemporary, Sensei Exchange, Franklin Art Works, Gallery Zidoun, Modern Art Oxford, 32 Edgewood Gallery, The Moore Building, The Studio Museum in Harlem, The Rubell Family Collection / Contemporary Arts Foundation, New Museum, Stevenson Gallery, Landcommandery of Alden - Bisen, Brand New Gallery, Marianne Boesky Gallery, BRIC, Bronx Museum, American Academy of Arts and Letters, Brooklyn Academy of Music, Clifford Chance US LLP, Museum of New Art Detroit, Benrimon Contemporary, Swarthmore College List Gallery, Kravets / Wehby Gallery, Green Gallery, Hunter College Times Square Gallery, Yale University Art Gallery, San Francisco Museum of Modern Art, The Pennsylvania Academy of the Fine Arts, The Nasher Museum of Art at Duke University, The Tate Modern, The New Church Museum, Zeitz MOCAA, Los Angeles County Museum of Art, and The Museum of Modern Art.

The aim is also to enable students to be active contributors within contemporary art and related areas of society for a national - and international - level practice.

This exhibition embodies a fluid and fluent dialogue between the most diverse national and international artistic practices in contemporary art — the purpose for which Aujourd» hui was established.

State of Denmark surveys the breadth and consistent inventiveness of Brisley's practice and asserts his influence of one of the most important and enduring voices in international contemporary art.

Curated by Daniela Ferrari, art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 196art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 196Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 1963).

Either as a pop cultural reference point or the conceptual link between the speculative practices of contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.

Meanwhile she is extending her curatorial practice in many international projects including 9th Gwangju Biennale (2012) in South Korea as Co-Artistic Director, Phantoms of Asia: Contemporary Awakens the Past (2012) at Asian Art Museum in San Francisco as guest curator, and Ai Weiwei: According to What?

Stephen Whitmarsh (neuroscientist Nijmegen and member of the international network OuUnPo), will reflect on the differences and similarities between how process and practice is formulated in neuroscience and in contemporary art.

The chosen practices emphasise the recent developments in contemporary art in Ireland, a period of new engagement with international practices, an increase in visiting artists, curators and speakers, with Irish curators and educators taking up major positions overseas, and Irish artists being showcased around the world.

The gallery continues to pursue a creative direction that balances the emerging and the established and national and international artists — with the constant aim of presenting and supporting outstanding contemporary visual art practices.

Previously, she was executive director of ICI (2009 - 13), the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

Since 1979, Mercer Union has provided a forum for the production and exhibition of Canadian and international contemporary art and related cultural practices.

PRAXES Center for Contemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistiContemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practicArt is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artisticontemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practicart and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.

Luis Camnitzer speaks in The Role of Printmaking in Contemporary Practice at the International Centre of Graphic Arts in Ljublana, Slovenia.