Sentences with phrase «international contemporary art since»

Rarely seen in the United States, Roman Signer is thought by many to be Switzerland's most important artist and undoubtedly one of the major figures in international contemporary art since the early 1970s.

Here, Martin reflects on developments in international contemporary art since 1989, and looks ahead to Ilya & Emilia Kabakov's Monumenta 2014 commission for the Grand Palais in Paris: Interview

Not exact matches

Martin, born in San Francisco in 1973 and based in London since 2002, has had solo exhibitions in international venues such as the New Museum, New York, Museum of Contemporary Art, Chicago, Kunsthalle Zürich, and the Stedelijk Museum, Amsterdam.

Since his death in 1990, he has been the subject of several international retrospectives including at the Whitney Museum in New York, the Museum of Contemporary Art Australia and the MAC in Lyon, France.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as InterfaART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as InterfaArt, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

Since 2005 the gallery opened a new space to represent and exhibit solely international established artists as well as emerging talents, to advise and and build local and international private and corporate art collections, focusing on contemporary photography, painting and sculpture.

As one of the first galleries worldwide to do so, since its first contact in the middle of the 1990s, the Galerie Urs Meile has also been intensively involved in the Chinese contemporary art scene, whose protagonists now participate in the discourse on contemporary visual art at the highest international level.

Located on West 57th street, the gallery has championed both contemporary and vintage fine art photography since its inception in 1984, covering the likes of American and Asian photography since the 40's and 50's, respectively, and international contemporary photo - based art.

Since 1955 the Documenta, an international exhibition of modern and contemporary art, has been held regularly in Kassel.

Leckey's exhibition history since the early 2000s includes solo exhibitions at many major international galleries and museums including WIELS Contemporary Art Centre, Brussels, Belgium, Hammer Museum, Los Angeles, USA, Banff Centre, Alberta, Canada, the Serpentine Gallery, London, UK, Milton Keynes Gallery, Milton Keynes, UK, Kölnischer Kunstverein, Cologne, Germany, Le Consortium, Dijon, France, Portikus, Frankfurt, Germany, and Migros Museum, Zurich, Switzerland.

The gallery specializes in American photography since 1940, Asian photography since 1950, and international contemporary photo - based art.

In addition to Finnish art, the collection has since the 1980s also acquired international, mainly European contemporary art.

1962 Introductions 1936 - 1948, Willard Gallery, New York, NY Masters of American Watercolor, Whitney Museum of American Art, New York, NY The First 5 Years: Acquisitions by the Friends of the Whitney Museum of American Art 10th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME The Artist's Environment: The West Coast, Amon Carter Museum of Western Art, Fort Worth, TX American Art Since 1950, Institute of Contemporary Art, Boston, MA 7th Annual International Exhibition of Modern Art, Mary Washington College, Fredericksburg, VA

Christie's has led the international market for Post-War and Contemporary Art market over the last decade, including holding consistent international market share every year since 2010.

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

Beirne has exhibited extensively and to great acclaim since the early 1970s at institutions including P.S. 1 Contemporary Art Center, New York; the National Center for Contemporary Art in Kaliningrad, Russia; TV Gallery, Moscow; MIT List Visual Arts Center, Cambridge; the Sculpture Center, New York; the International Center of Photography, New York; The Whitney Museum of American Art, New York; Anthology Film Archives, New York; the New Museum of Contemporary Art, New York; and Artists Space, New York among many others.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Since her first exhibition in 2005 she has exhibited her work at The Museum of Contemporary Art of Georgia, Hartsfield Jackson International Airport, the Rialto Center for the Performing Arts, Agnes Scott College and Sandler Hudson Gallery.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Salamé has been collecting contemporary art since the early 1990s and has established the Aïshti Foundation, a non-for-profit institution dedicated to contemporary culture, encompassing more than 2000 works by international artists.

Since then, KW has delivered a significant contribution to the development of Berlin as an international center for contemporary art.

Since it opened in 1995, SITE Santa Fe, an exhibition space for international contemporary art, has pushed the boundaries of what it means to be a museum.

Since then, the gallery's holdings of Canadian and international contemporary and historical art have increased, with the AGA currently boasting over 6000 works valued at approximately $ 30 million.

Since 2005 Fogle has been the curator of contemporary art at the Carnegie Museum of Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 20art at the Carnegie Museum of Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 20Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 2008.

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since its foundation in 1983, Galerie Thaddaeus Ropac has specialised in international contemporary art representing around 60 artists as well as several renowned estates.

Since its inception, the gallery has gone on to participate in international art fairs — including those in Miami, New York, Chicago, Cologne, and London — and represents over twenty - five contemporary emerging and mid-career artists.

Since 2015, seven high - profile international museums have hosted major Takashi Murakami personal exhibitions: Mori Art Museum of Tokyo, Yokohama Museum of Art, Astrup Fearnley Museet of Oslo, Museum of Contemporary Art Chicago, Museum of Fine Arts Boston, Albright - Knox Gallery, Buffalo and Garage Museum of Contemporary Art, Moscow.

Monash University Museum of Art MUMA presents a dynamic program of exhibitions focusing on contemporary Australian and international art since the 196Art MUMA presents a dynamic program of exhibitions focusing on contemporary Australian and international art since the 196art since the 1960s.

1975 The Museum of Modern Art, New York, American Art Since 1945 from the Collection of the Museum of Modern Art, exhibition traveled to Worcester Art Museum, Worcester, MA; Toledo Museum of Art, Toledo; Denver Art Museum, Denver; Fine Arts Gallery of San Diego, San Diego, CA; Dallas Museum of Fine Arts, Dallas; Joslyn An Museum, Omaha; Virginia Museum of Fine Arts, Richmond; Bronx Museum, Bronx) American Works on Paper 1945 - 1975 M. Knoedler & Co., New York, American Art Since 1945 from the Collection of the Museum of Modem Art Sidney Janis Gallery, New York, at Basel, Switzerland, Basel International Art Fair Corcoran Gallery of Art Washington DC, 34th Biennial of Contemporary American Painting Yale University M Gallery, New Haven, CT, Richard Brown Baker Collects (catalogue) Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, 25 Stills New York Cultural Center, New York, The Nude in American Art

1970 Institute of Contemporary Art, Boston, The Highway American Federation of Arts, New York, The Drawing Society's New York Regional Drawing Exhibition The Art Institute of Chicago, Chicago, 30th Annual Exhibition of the Society of Contemporary Art The Art Museum, Princeton University, Princeton, NJ, American Art Since 1960 Leo Castelli Gallery, New York, Moratorium Philadelphia Museum of Art, Philadelphia, Art for Peace Galerie Beyeler, Basel, Basel International Art Fair Contemporary Arts Center, Cincinnati, Monumental Art School of Fine & Applied Arts Centennial Exhibit, Boston University, Boston, American Artists of the 1960's Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Selected Works from the Collection of Mrs. A. B Sheldon Sonnabend Gallery, New York, Major Works in Black and White Institute of Contemporary Art, London, The Sidney and Harriet Janis Collection

Max, you began with collecting international contemporary art, but have since shifted your focus.

Since its foundation in 1983, Galerie Thaddaeus Ropac has specialized in international contemporary art representing around 60 artists as well as several renowned estates.

Georg Herold, born in Jena in 1947, has since the 1980s numbered among those distinctively characteristic figures of contemporary art who have achieved recognition on the international level.

Centrum sztuki, Elblag, Poland Op Art Revisited, Albright - Knox Art Gallery, Buffalo, USA The Rational Eye - Geometric, Optical, Kinetic and Programmed Art, International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia To Infinity and Beyond: Mathematics in Contemporary Art, Heckscher Museum of Art, Huntington, USA Sensory Overload: Light, Motion, Sound and the Optical in Art Since 1945 - Milwaukee Art Museum, Milwaukee, USA

«The Body in Contemporary Art» presents an international survey of art made since the early 1990s that has the body as its focArt» presents an international survey of art made since the early 1990s that has the body as its focart made since the early 1990s that has the body as its focus.

Since then, Handforth's work has garnered international recognition, yet he has chosen to remain in Miami, participating in the city's increasingly dynamic contemporary art scene.

Since its launch in 2006, Swab has become one of the most recognised international contemporary art fairs.

Largely self - supported and community - driven since the 90s, the New Contemporary Art Movement has been steadily gaining in international recognition over the past decade and is now widely recognized a

Largely self - supported and community - driven since the 90s, the New Contemporary Art Movement has been steadily gaining in international recognition over the past decade and is now widely recognized as both the largest and longest running art movement in histoArt Movement has been steadily gaining in international recognition over the past decade and is now widely recognized as both the largest and longest running art movement in histoart movement in history.

Since graduating from the Historical and Contemporary Photography MA at Sotheby's Institute of Art, London, he has developed exhibition programmes with national and international artists, more recently Essence of Place, a group show of three generations of Latin American artists working with photography, identity and place, for Mummery + Schnelle Gallery in London.

Since his first solo show in 2001, the artist's work has been extensively exhibited by international institutions such as Astrup Fearnley Museet, Oslo; Künstlerhaus Bethanien, Berlin; Museum Abteiberg, Monchengladbach, Germany; Museu Colecção Berardo, Lisbon; Museu de Arte Contemporânea de Serralves, Porto; National Center for Contemporary Art, Moscow; Rijksakademie, Amsterdam; Spanish Academy, Rome; Qbox Gallery, Athens; and Queens Museum, New York.

The International Istanbul Biennial is a contemporary art exhibition that is held every two years in Istanbul, Turkey, since 1987.

Reinventing Ritual is the first international exhibition to survey Jewish ritual as a vital site of experimentation in contemporary art and design since the 1990s.

The Foundation and Center for Contemporary Arts — F&CCA is engaged in documenting the Czech art scene and runs not only the progressive Gallery Jelení, but since 1993 also organizes an international exchange of artists in order to raise the profile of the local scene abroad.

Since 2002 he has worked nomadically, taking part in numerous international residencies including MMCA - National Museum of Modern and Contemporary Art Korea, The National Art Studio Goyang (2008); IMMA - Irish Museum of Modern Art, Dublin (2006); Künstlerhaus Bethanien, Berlin (2004 - 2005) and ISCP - International Studio and Curatorial Programinternational residencies including MMCA - National Museum of Modern and Contemporary Art Korea, The National Art Studio Goyang (2008); IMMA - Irish Museum of Modern Art, Dublin (2006); Künstlerhaus Bethanien, Berlin (2004 - 2005) and ISCP - International Studio and Curatorial ProgramInternational Studio and Curatorial Programme, New York.

Since 1995, when the Fine Arts Gallery was rededicated the Morris and Helen Belkin Art Gallery, the Collection has developed considerably through a program of selected donations and the purchase of significant works of contemporary art produced by Canadian and international artisArt Gallery, the Collection has developed considerably through a program of selected donations and the purchase of significant works of contemporary art produced by Canadian and international artisart produced by Canadian and international artists.

Published annually since 2006, in collaboration with Fundación Telefónica, La Fabrica's Conversations with Photographers series pairs up leading lights in contemporary photography and the visual arts with international curators and fellow artists.

Since 1979, Mercer Union has provided a forum for the production and exhibition of Canadian and international contemporary art and related cultural practices.

He has exhibited globally since 1993 and participated in numerous exhibitions including Documenta, the Carnegie International, Havana Biennial, Istanbul Biennial, Kwang Ju Biennial, Taipei Biennial, Gwangju Biennale, Lyon Biennial, Glasstress at the Venice Biennale, as well as presented solo exhibitions in the CCA Cincinnati, Stedelijk Museum voor Actuele Kunst Gent, Baltic Centre for Contemporary Art, [13] Aspen Art Museum, MOCA in Rome, Migros Museum, Palais de Tokyo, the CAC in Lyon and Haus der Kunst in Munich.