Sentences with phrase «international context through»

Not exact matches

My theoretical explorations must be seen, however, not only in this context of theological education, but also in the context of my increasing involvement in feminist theological dialogue on a national and international level through lectures and workshops.

Whether it is about something as trivial as a baseball injury or something as serious as international terrorism, whether it is conveyed through an interview or a news report, evil is typically presented by the church in the context of a larger Christian hope.

In the context of discussing the International WHO Code of Marketing Breastmilk Substitutes (Israel is a signatory), he described the attitudes that formula companies try to foster through their marketing.

There are a number of different possible scenarios: either through agreements within the context of the Spanish state through agreements with European or international mediation (which currently seem unlikely), or through the mobilization of citizenry and a secessionist institutional disconnection.

Reading the history of the Anglicans in the 20th century, through the records of the Lambeth Conferences, ACCs and Primates» meetings, one sees the faithfulness of God through world war, economic crisis, civil and international conflicts, persecution and deep changes in cultural context.

It was through my new tasks for the EC that I became intrigued by the opportunities and challenges of international and multilingual networking in the context of emerging Web technologies.

This sense of a national story — set in an international context — is exemplified in some ways through the current display of our post-1960 collection.

My intent is to bind the adolescent allegories in my art with that of a hapless dreamer's vision for transcendence as an adult, whether it be someone who comes to a large city or new country seeking to fulfill their life's goal, or anyone living outside of their desired context looking in through the lens of international pop culture, mythology, folklore, and legend for heroic archetypes to identify with.

The selection and presentation of artists, collections, and commissioned projects for PAMM is guided by the Museum's mission to create dialogues across and through local, regional, and international contexts and to emphasize artists and projects that engage with traditions from the United States, the Caribbean, and Latin America.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Art Miami, the leading producer of international contemporary and modern art fairs, will present the third edition of Art New York and the second edition of CONTEXT New York at Pier 94, opening Wednesday, May 3, 2017 and continuing through Sunday, May 7, 2017 to kick off New York Art Week.

Through its exhibitions and programs, SJMA addresses major trends in international contemporary art, architecture, and design, with an ongoing commitment to also place the work of California artists in national and international context.

Founded in 2014, Moving Cities, captures international dancers through photography and film in the context and movement of the city.

On view from 11 May through 11 June 2012, the works and interventions of 112 Artists from 45 countries inhabited a wide range of locations throughout the city, articulating the curatorial aim to instigate an international dialogue while transforming the Cuban context and the public scenarios into a temporary laboratory of art experimentation.

The gallery creates a unique platform for international artists with an aim to balance and support the work of artists in the early stages of their careers through context and a distinctive vision.

PAMM and the Guggenheim Foundation both combine a focus on international and transnational artists and cultural movements with a deep interest in local context, and her work at both institutions has re-affirmed Nawi's belief in the crucial role museums play in writing and rethinking histories, and building and contributing to communities through the establishment of public dialogue.

With its silver foil - covered walls and geometric light fittings, «The Field» was controversial, surveying the hip ascendancy of international style late - modernist abstraction in the Australian context through minimalist, geometric, hard edged and colour field painting and sculpture.

The museum simultaneously gained a new mission, not just as a permanent exhibition and exhibition space, but as an experimental, informational and social hub for young contemporary artists, providing a regional, national and international context, the latter through the International Contemporaryinternational context, the latter through the International ContemporaryInternational Contemporary Art Network.

The various context - specific manifestations of The Shape We're Indemonstrate the Zabludowicz Collection's international vision and its commitment to supporting younger artists through new commissions as well as presenting them in relation to works by more established contemporary artists.

The various context - specific manifestations of The Shape We're In demonstrate the Zabludowicz Collection's international vision and its commitment to supporting younger artists through new commissions as well as presenting them in relation to works by more established contemporary artists.

Taking place during the 13th International Architecture Exhibition — la Biennale di Venezia, this presentation utilises the architectural context of the biennale as a filter and lens through which to compile the scattered phenomena of the last decades of Russian art into a vital and comprehensive landscape.

★ METROPOLITAN MUSEUM OF ART: «JERUSALEM 1000 - 1400: EVERY PEOPLE UNDER HEAVEN» (through Jan. 8) Three major faiths — Judaism, Christianity and Islam — have called Jerusalem their own, and its varying histories as a sacred space, a theater of conflict and a cosmopolitan cultural emporium are reflected in this exhibition modeled along classic Met epic lines: 200 fascinating objects from 60 international collections, with a time frame in the past and context in the present (in the form of short videos in each gallery).

This policy document aims to provide context for Rio +20 discussions through analysis of current challenges in ocean and coastal management around the world, assessment of how well the multiple goals and objectives of previous international efforts have been met, and building on recent dialogue and inputs including the meeting of the UN Informal Consultative Process on Oceans and the Law of the Sea (UNICPOLOS) and the Secretary General's report on Oceans and Law of the Sea.

The final outcome of the meeting will be to prepare a joint statement on how low carbon energy technologies can be developed and deployed through enhanced international collaboration and the respective roles that business and government can play in this context.

In this context, «learning by doing» at pilot - scale facilities (see Figure 3) and through targeted international collaboration is particularly important in the next decade as part of a broader effort to ensure that necessary expertise is grown to facilitate effective global rollout of CCS in the longer term.

The Krakow conference aims is to explore the complexities and ambivalence of dispute management and effective dispute resolution through arbitration and ADR in a globalized international business context.

The Australian Government has ratified this Convention and committed to its realisation in a domestic context and through international co-operation.

The first day of the workshop was devoted to an exploration of how to open spaces for reconciliation through apology and forgiveness, themes that have a particular resonance not only in our personal and therapeutic contexts, but also in the wider contexts of national identity and international relationships.

The use of the term «Indigenous» has evolved through international law and is appropriately used in a human rights based context.