Sentences with phrase «international conversations between»

The petition garnered 1.4 million signatures, and has been widely credited with catalyzing international conversations between government officials from Norway, the European Union, Indonesia and the Aceh province.

As a museum sitting at the intersection of arts, science and technology, ArtScience Museum provides a unique platform to drive international conversations between local and international artists.

Not exact matches

Because of globalization and interdependence, the relationship between climate change, migration and security should become the «new normal» in international policy conversations, the panel said.

This panel explore a variety of perspectives within the cybersecurity domain, and foster a conversation to identify alignments and misalignments between the different strategies implemented by the stakeholders in the national and international arenas.

Conversations between international curators and artists, including Marina Abramović, Peter Blake and Luke Syson

Work by Brent Hallard November 12 — December 19, 2009 An international, visual conversation between abstract painters; a traveling, transformable series of shows.

Conversations offers a platform for dynamic dialogues between prominent members of the international artworld, each offering their unique perspective on producing, collecting, and exhibiting art.

Tucked in between, Cave's oeuvre is considered critically in essays by Creative Time Curator Nato Thompson and international curator Elvira Dyangani Ose, and an engaging conversation between the artist and Costume Institute Curator Andrew Bolton.

Our programming acts as a conversation between these disciplines, supporting contemporary creative practice through exhibitions of regional and international artists.

We will also see you at 6:30 pm on February 25th for a screening of Afropunk's The Triptych at the Fashion Institute of Technology, followed by a conversation between Wangechi and Michaela Angela Davis; and finally don't miss Wangechi's next public lecture at the International Center of Photography on March 12th!

Wall Street International has published a conversation between Sylvain Baumann, Justin Eagle and Raja'a Khalid about their recent three - person exhibition at VITRINE, Basel, which explored the artists» shared concerns with trust and safety and the relationship between society, architecture and the commercial object.

Their programming acts as a conversation between these three, supporting contemporary creative practice through exhibitions of regional and international artists.

Lynda Benglis will also be in conversation with Eike Schmidt (Director of the Galleria degli Uffizi, Florence and recently announced Director of Kunsthistorische Museum, Vienna) as part of Frieze Masters Talks - a series of conversations between international curators and artists, curated by Tim Marlow.

Jennet Thomas's film The Unspeakable Freedom Device was screened at the CCA (Centre for Contemporary Arts), Glasgow as part of Glasgow International, followed by an in - conversation between Jennet Thomas and GI Director Richard Parry

«Louise Bourgeois: Conscious and Unconscious is part of a series of cultural initiatives organised by the Qatar Museums Authority to promote and support local and international art, foster conversations about artists and popular culture, and build bridges between cultures,» said Qatar Museums Authority Chairperson Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al - Thani.

This volume compiles work from Barney's solo exhibitions at Turin's Fondazione Merz and National Museum of Cinema, as well as coverage of the International Festival of Philosophy of Contemporary Art, a collaboration between the Fondazione Merz and the University of Turin for which Barney was featured in conversation with Richard Flood and Arthur C. Danto.

Since its inauguration in 2002, Art Basel Conversations has offered the show's public a chance to see dynamic dialogs between prominent members of the international artworld, each offering their unique, first - hand perspective on producing, collecting, -LSB-...]

The talk will be followed by a conversation between Pérez - Barreiro and Elisabeth Sussman, Curator and Sondra Gilman Curator of Photography, Whitney Museum of American Art, and Donna De Salvo, Deputy Director for International Initiatives and Senior Curator, Whitney Museum of American Art, co-curators of Hélio Oiticica: To Organize Delirium.

Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.

Whether she deals with complex gender or political issues, or questions the pressures on Arab artists who are wedged between local and international expectations — a dose of lightheartedness serves as a strategy to open up conversation.

The full program will feature Hans Ulrich Obrist in conversation with Hairy Who Artists; Diego Perrone, Eugenio Re Rebaudengo, Letizia Ragaglia and Ilaria Bonacossa on contemporary art in Italy; Matthieu Poirier and Daniel Buren on the intersections of art and architecture; Dan Cameron, Anthony Elms and Irene Hofmann on the difference between American and European international exhibition models in «Biennale Biennial;» a discussion on contemporary photography with curator and author of Photography is Magic, Charlotte Cotton, in conversation with various artists through the Aperture Foundation; the impact of contemporary design criticism and its discourse featuring Alice Twemlow among others; and Thelma Golden, Solveig Øvstebø and Franklin Sirmans in conversation with Jacob Proctor on the global influence of museum collections and exhibitions.

Nicholas Serota, Director, Tate, will introduce this Opening Conversation between Frank Bowling OBE and Zoe Whitley, Curator, International Art, Tate Morern.

Presented as part of ART ²: An International Platform on Contemporary Art, this conversation between three distinguished museum directors explores the landscape of new global initiatives.

I recall one conversation with an international executive who waved her hand in a regal but dismissive manner as she said that she had heard more than enough about content — what was needed she explained to me was more revenue, not content, completely failing to make the connection between the two.

The thrust of conversation throughout the event was on collaborating ideas to find common ground between civil and common law jurisdictions in international arbitration; a particularly pressing issue in Africa, whose tangled colonial history has contributed to a distinct mixture of both systems, as well as Islamic laws and local customs.