Sentences with phrase «international cultural centre»

Künstlerhaus Bethanien is an international cultural centre in Berlin.

The international cultural centre in Berlin features the work of Finnish photographer Eeva Hannula in her solo show «The Choreography of Uncertainty.»

Not exact matches

Three consortia comprising local and international design firms will compete for the design and construction contract for the new $ 430 million WA Museum, set to be built at the Perth Cultural Centre.

THE Perth Cultural Centre has been transformed this week with tents, decorations and various spectacles as part of the Awesome International Arts Festival for Bright Young Things.

While at the University of Uyo, she served variously as Director, Centre for Cultural studies; Head, Department of History and International Studies; Vice Dean, Faculty of Arts; Dean faculty of Arts; adjunct professor, Akwa Ibom State University.

In his words at the public hearing on constitution and electoral reform held at Ogun State Cultural Centre, Abeokuta today, Governor Fayose said; «Even when it inherited a working system that conducted elections adjudged as free and fair by local and international communities, INEC has failed consistently to replicate the inherited working system due to overzealousness and rabid passion to work as appendage of the federal government.

With the PyeongChang Olympic Winter Games just one week away, the director of Western University's International Centre for Olympic Studies (ICOS) is available to discuss socio - cultural issues such as politics,...

Since its inception the MRC Centre for Genomics and Global Health (CGGH) has maintained a strong focus on creating ethical frameworks for undertaking genomics research, often working with international networks including researchers in the developed and developing world who are in turn working with communities in diverse political and cultural landscapes.

Situated in the cultural heart of northern Thailand, Panyaden International School in Chiang Mai is a green school built from earth and bamboo and is peacefully located among rice fields just 15 minutes drive from the city centre.

It is only a 12 minute drive from the central palace of Balis cultural centre, Ubud and about 32 kilometers from Ngurah Rai International Airport.

Centrally located amidst the city's busy Wanchai district, which is a prime centre of business and entertainment, Regal iClub Hotel offers convenient access to convention and exhibition venues and leisure, cultural and sports facilities — 3 minutes walk to MTR station, 10 minutes walk to Hong Kong Exhibition & Convention Centre, 40 minutes drive to the Hong Kong International Aicentre of business and entertainment, Regal iClub Hotel offers convenient access to convention and exhibition venues and leisure, cultural and sports facilities — 3 minutes walk to MTR station, 10 minutes walk to Hong Kong Exhibition & Convention Centre, 40 minutes drive to the Hong Kong International AiCentre, 40 minutes drive to the Hong Kong International Airport.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerlcentre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina SauerlCentre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

Among its best known works are: the Menil Collection in Houston; the Kansai International Airport Terminal Building in Osaka; the Kanak Cultural Centre in New Caledonia; the Beyeler Foundation in Basel; the Rome Auditorium; the New York Times Building in New York; Potsdamer Platz in Berlin; and more recently, the Shard in London and the new Whitney Museum in New York.

Recent international group exhibitions and screenings include Sanctioned Array - Other2 Specify at the White Box gallery in NYC, Rencontres Internationales Paris / Berlin / Madrid at the Centre Pompidou and at the Reina Sofia National Museum, Madrid, Spain; The Haus der Kulturen der Welt, Berlin; FILE 2012 and 2015 at the SESI Cultural Centre Sao Paulo, Brazil, the Berlin International Director's Lounge 2014 and the Moscow Museum of Modern Art, where he international group exhibitions and screenings include Sanctioned Array - Other2 Specify at the White Box gallery in NYC, Rencontres Internationales Paris / Berlin / Madrid at the Centre Pompidou and at the Reina Sofia National Museum, Madrid, Spain; The Haus der Kulturen der Welt, Berlin; FILE 2012 and 2015 at the SESI Cultural Centre Sao Paulo, Brazil, the Berlin International Director's Lounge 2014 and the Moscow Museum of Modern Art, where he International Director's Lounge 2014 and the Moscow Museum of Modern Art, where he won an award.

Tracy Rose's work has consistently questioned and challenged the prevalent aesthetics of international contemporary art centres, as well as the emergence of a dominant cultural narrative of struggle and reconciliation in South Africa.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

2006 Centre International des Recollets, Paris, Residency Program 2005 Lambent Fellowship in the Arts, Tides Foundation, New York 2003 The Media Arts Fellowship, The Rockefeller Foundation, New York Resident Faculty, Skowhegan School of Painting and Sculpture, Maine 2002 - 2003 Cite Internationale des Arts in Paris, Residency Program, in assocation with the Lower Manhattan Cultural Council 2000 CAMAC: Centre D'Arte Residency Program The Lower Manhattan Cultural Council, Studio Residency Program, World Trade Centers The Tiffany Foundation 1999 The Franklin Furnace Fund for Performance Art New York Foundation for the Arts 1997 The Rema Hort Mann Foundation Grant

2013 The Alpert Award in the Arts 2007 Louis Comfort Tiffany Foundation Fellowship, Art Matters Grant 2006 Lower Manhattan Cultural Council, Swing Space 2005 Smack Mellon Artist Residency Program New York State Council of the Arts, Individual Artist Grant 2004 Lower Manhattan Cultural Council, 120 Broadway Workspace, artist residency Banff Centre for the Arts, IntraNation residency 2003 International Arts Studio Program in Sweden (IASPIS), artist residency 2001 - 03 Jacob K. Javits Fellowship, U.S. Department of Education 2001 Charles Speroni Memorial Scholarship, University of California, Los Angeles Edward J. and Alice Mae Smith Scholarship, University of California, Los Angeles 2000 D'Arcy Hayman Award, University of California, Los Angeles 1999 New York Foundation for the Arts Fellowship, MacDowell Colony Fellow 1994 Bowdoin College, Brunswick, Maine

Exhibition history includes The Chicago Cultural Center; Soap Factory, Minneapolis; Centre International d'Art Contemporain, Pont - Aven, France; EiM, Toronto; Terrain Exhibitions, Oak Park, IL; Columbia College, Chicago; Julius Ceasar, Chicago; 32 - Up, Seattle; The Lab, San Francisco.

Deeman's work was featured in a solo exhibition at the Berkeley Art Museum and Pacific Archive, Berkeley, CA, and has also been in many domestic and international group exhibitions, including Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; SF Cameraworks, San Francisco, CA; and the University of Derby, Derbyshire, UK.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).

Art Projects International (API) is please to announce Paris - New York: IL LEE, on view at Galerie Gana - Beaubourg 3, rue Pierre au Lard, 75004 Paris from October 13 to November 5, 2005, sponsored by Centre Culturel Coreen Paris and Korean Cultural Service New York.

At the Fondazione Cini (Venice) she will stay at The International Centre for the Study of Italian Culture as an independent researcher with access to its specialist libraries and cultural initiatives.

Soil and Stones, Souls and Songs at Para Site, Hong Kong, by Ming Lin Chen Yujun at Bank and Arario Gallery, Shanghai, by Fi Churchman Song Dong at Rockbund Art Museum, Shanghai, by Julie Chun Teng Chao - Ming at Cube Project Space, Taipei, by Guo Juan Jakkai Siributr at Bangkok Art & Culture Centre, by Max Crosbie - Jones Kyotographie International Photography Festival, Kyoto, by Darryl Wee Lotus Land at Asia Culture Center, Gwangju, by Aimee Lin Natee Utarit at Ayala Museum, Manila, by Tony Godfrey Native Revisions at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, Singapore, by Adeline Chia Bahar Yürükoğlu at Art Sümer, Istanbul, by Sarah Jilani Hera Büyüktaşçıyan at Green Art Gallery, Dubai, by Rahel Aima But We Can not See Them: Tracing a UAE Art Community, 1988 — 2008 at NYUAD Art Gallery, Abu Dhabi, by Murtaza Vali Lala Rukh at Grey Noise, Dubai, by Rahel Aima Nalini Malani at Stedelijk Museum, Amsterdam, by Sam Steverlynck Haegue Yang at Kurimanzutto, Mexico City, by Aimee Lin Zhang Peili at The Art Institute of Chicago, by Mark LeBlanc Aki Sasamoto at The Kitchen, New York, by Xiaoyu Weng Bruce Yonemoto at Japanese American Cultural & Community Center, Los Angeles, by John Tain

Our current plan is to open an office in Brussels early in 2010 and to continue to work on the international projects (amongst others: With Your Eyes Only @ Medienturm Graz, My Eyes Keep Me in Trouble @ Urban Institute for Contemporary Arts (UICA), Grand Rapids, Michigan, and Centro Cultural Recoleta, Buenos Aires, CAN - Centre D'Art, Neuchatel) scheduled up to the year 2011.

Deeman has had a solo exhibitions at Berkeley Art Museum and Pacific Archive, Berkeley, CA and domestic and international group exhibitions at Aberystwyth Arts Centre, Aberystwyth, UK; The Hive, Worcester, Worcestershire, UK; Municipal Gallery, Library and Cultural Centre, Dublin, Ireland; New Orleans Museum of Art, New Orleans, LA; Old Truman Brewery, London, UK; Pier 24 Photography, San Francisco, CA; and SF Cameraworks, San Francisco, CA; and University of Derby, Derbyshire, UK.

2011 Wander, Labyrinthine Variations, Centre Pompidou - Metz, Metz, France Terrible Beauty - Art, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germany

In the 1960s and 1970s, the Gallery achieved a national profile with exhibitions that explored what is now known as cultural studies, and by presenting innovative work by artists who would establish Vancouver as an international centre.

American Association of Law Schools Arts Counsel of Texas, Dallas, TX Bronx Museum Brown University School of Art Centre Sociologie de l'Innovation, Ecole des Mines de Paris, France Columbia Law School Columbia University School of the Arts Cour de Cassation, Grand» Chambre, Paris, France Cornell Law School Creative Capital CUNY Graduate Center, Center for the Humanities Dia: Beacon El Paso Museum of Art Fordham Law School Fundación Cisneros, Caracas, Venezuela Georgia State University Harvard University, Department of Visual & Environmental Studies International Center of Photography Lower Manhattan Cultural Council, NYC McGill Faculty of Law, Montréal, Canada Museum of Contemporary Art, Detroit New York Law School NYU School of Law Rhode Island School of Design School of Visual Arts SUNY, New Paltz SUNY, Oswego Texas A&M School of Law Triple Canopy Universidad de los Andes, Bogotá, Colombia Universidad Torcuato di Tella, Buenos Aires, Argentina University of California - Irvine School of Art Vera List Center for Arts and Politics at The New School Virginia Commonwealth University Yale Law School Yale School of Architecture Yale School of Management

Residency: November 28, 2016 - December 25, 2016 Organized by Arts Initiative Tokyo [AIT], TABAKALERA International Centre for Contemporary Culture Supported by BASQUE INSTITUTE ETXEPARE, ACCIÓN CULTURAL ESPAÑA (AC / E), EU JAPAN FEST, the Agency for Cultural Affairs Fovernment of Japan in the fisCULTURAL ESPAÑA (AC / E), EU JAPAN FEST, the Agency for Cultural Affairs Fovernment of Japan in the fisCultural Affairs Fovernment of Japan in the fiscal 2016

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

After a long history, it is now a cultural centre hosting major international exhibitions, fashion shows and other cultural events.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

Tegeder is a recipient of several residencies and grants including The Yaddo Foundation, The Triangle Foundation Residency and Workshop, Elizabeth Foundation in New York, The Lower Manhattan Cultural Council Studio Residency at Governor's Island, Smack Mellon Studios and Artist Stipend, Banff Centre for the Arts, Artist Residency in Banff, Canada, The Pollock - Krasner Foundation, Lower East Side Print Fellowship Edition Award, National Studio Program, P.S. 1 / MOMA Affiliate, Clocktower, New York, NY, ART OMI, Omi International Arts Center, Omi, NY, Henry Street Settlement Studio Fellowship, NY, The Marie Walsh Sharpe Studio Fellowship, NY, The Millay Colony for the Arts, Austerlitz, NY, and The Ragdale Foundation Residency Program, Lake Forest, IL.

Widely recognised as one of the most important cultural figures of the 1900s, she has been exhibited alongside Robert Rauschenberg and Jasper Johns at some of the most prestigious international galleries including The Guggenheim, New York, The Centre Pompidou, Paris, and MoMA, New York.

In addition to its emphasis on engaging local cultural centres, galleries, foundations, and schools, the biennale routinely collaborates with international foundations and cultural organisations to position Bamako as an important site for analysing and sharing recent developments in lens - based media.

Selected group exhibitions include: Ark, Chester Cathedral, Chester, UK; Emanation 2017: An Invitational Contemporary Art Exhibit, Wheaton Arts and Cultural Centre, New Jersey, US; Glasstress, Boca Raton Museum of Art, Florida, US; Vitreous Bodies: Assembled Visions in Glass, MASS Art (Stephen D. Paine Galleries), Boston, Massachusetts, US; Naturalia, curated by Danny Moynihan, Paul Kasmin Gallery, New York, US (all 2017); Anyang Public Art Project, Anyang - si, KR; Still (the) Barbarians, Curated by Koyo Kouoh, EVA International Biennale, Limerick, IE (both 2016); Seoul, Vite, Vite!

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

The Koppel Project is a cultural centre focusing on international and local artists whose work has an emphasis on social engagement.

Bertha Schaefer Gallery, New York, annually 1950 - 61 American University, Washington, D.C., 1957 Brookhaven National Laboratory, Long Island, New York, 1959 Centre Cultural American, American Embassy, Paris, 1960 Whitney Museum of American Art, New York, 1961 Bowdoin College, Brunswick, Maine, 1961 Carnegie Institute Museum of Art, Pittsburgh, Pennsylvania, 1961 Everhart Museum, Scranton, Pennsylvania, 1961 University of Massachusetts, Amherst, 1961 Mouth Holyoke College, South Hadley, Massachusetts, 1961 Munson - Williams - Proctor Institute, Utica, New York, 1961 Saidenberg Gallery, New York, annually 1962 - 5, 1967 - 8 Feingarten Galleries, Los Angeles, 1963 - 4 Feingarten Galleries, Chicago, 1963 La Jolla Art Center, California, 1964 University Gallery, University of Florida, 1965 Tampa Art Institute, Florida, 1965 James David Gallery, Coral Gables, Florida, 1965, 1966 Arts and Crafts Center, Pittsburgh, Pennsylvania, 1966 Main Street Galleries, Chicago, 1966 Santa Barbara Musewn of Art, California, 1966 Phoenix Art Museum, Arizona, 1966 Adele Bednarz Galleries, Los Angeles, California, annually, 1966 - 69; annually, 1971 - 75 Occidental College, Los Angeles, 1967 Berenson Galleries, Bay Harbor Islands, Florida, annually, 1967 - 69 Mackler Gallery, Philadelphia, Pennsylvania, 1968 Forum Gallery, New York, 1970, 1972, 1974, 1975 Fairweather - Hardin Gallery, Chicago, 1972, 1973 Harmon Gallery, Naples, Florida, annually, 1974 - 1977, 1979, 1982 Harmon - Meek Gallery, Meek Gallery, Naples, Florida, 1974, 1975, 1979, 1982, 1983, 1985, 1992, 1994 International Oceanographic Institute, Key Biscayne, Florida, 1976 A.C.A.

Eligible for Q - INTERNATIONAL grants are non-Italian, non-profit public or private organizations whose purpose is the promotion of the contemporary visual arts, such as museums, university institutes, kunsthalle, kunstverein, kunsthaus, centres for contemporary art, foundations, alternative spaces, cultural associations and organisations such as biennials, triennials and quadrennials.

Banff International Curatorial Institute: Dedicated to advancing curatorial practice with an emphasis on contemporary art and culture, Banff Centre for Arts and Creativity's Banff International Curatorial Institute (BICI) offers ongoing professional development and complement degree granting curatorial programs for curators, artists, researchers, writers, critics, philosophers, and other cultural producers at various stages of their careers.

«The cultural collaborations formed by the K11 Art Foundation with leading institutions such as Centre Pompidou, Palais de Tokyo, and Claude Monet Foundation have allowed French audiences to deepen their understanding of contemporary Chinese art and to expand international opportunities for outstanding Chinese contemporary artists and curators,» Cheng said in a statement.

Following his successful retrospectives at Ilmin Museum of Art (2016) as well as Spike Island, Bristol and Korean Cultural Centre UK, London (2017), Kim's oeuvre has been garnering increasing attention from the international audience.

Selected group exhibitions include The Critic as Artist, curated by Michael Bracewell and Andrew Hunt, Reading International, Reading, UK, 2017; The Painting Show, Contemporary Art Centre (CAC), Vilnius, Lithuania, travelled to Limerick City Gallery of Art, Limerick, Ireland and Goyang Cultural Foundation, Korea (C), 2016 - 2017; (un mural, des tableaux), Frac Île de France Le Plateau, Paris, France, 2015; Gen X, Museo d'Arte Moderna e Contemporanea S. Francesco, San Marino, 2013; Secret Societies, Schirn Kunsthalle, Frankfurt, 2011 and The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009.

Mwilambwe Bondo has undertaken residencies worldwide, including at Gallery MOMO, Johannesburg; the French Cultural Centre, Pointe - Noire and Omi International Arts Center, Ghent, NY.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin - Gropius - Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949 - 79, Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Hertfordshire (2014).