Sentences with phrase «international cultural scene»

Deborah Bowmann does not represent artists; instead it creates exhibitions through collaborations with young artists, established artists, designers, and people from the international cultural scene.

CHART is an influential non-profit organisation that is committed to strengthening the role of the Nordic region within the international cultural scene.

Not exact matches

«This occasion will offer Italy the opportunity to present itself as a key protagonist within the German cultural scene for an entire year and to demonstrate its international standing, confirming publishing as the leading cultural industry in our country,» stated President Levi.

Denver is not only the premier gateway to the Rocky Mountain West and America's best skiing at resorts like Vail, it is also an urban destination with a small - town feel for international travelers to explore - from the thriving arts and cultural scene and Denver's Western heritage, to the creativity of craft brewers and local chefs.

Southbank is also at the forefront of Brisbane's cultural scene and here tourists will find an array of museums and galleries housing a collection of both domestic and international art.

Riviera Nayarit offers an authentic cultural heritage combined with a dynamic contemporary art scene through a combination of traditional Huichol art, Mexican handicraft artisans and the contemporary work of many Mexican and international artists drawn to the area.

PRAISE FROM THE PUBLIC AND THE MEDIA GAMEHOTEL was launched in 2003 as a series of international events spotlighting the most innovative personalities of the worldwide video games scene and offering wide - ranging access to the cultural phenomenon that is interactive entertainment.

It was written before Chelsea became the commercial hub of the international art scene — note the antiquated nod to SoHo — and before virtual reality became the cultural legerdemain.

With a thriving art scene and a growing collector base, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its public institutions, private collections, leading commercial galleries, and internationally renowned Biennale of Sydney, the third oldest in the world.

The festival will bring together 38 of the most exciting, creative, and respected not - for - profit centers, alternative institutions, artists» collectives, and independent enterprises from around the world that contribute to the international art scene by inventing new strategies for the distribution of information and by supporting a diverse cultural program.

Unlike most other fairs, Frieze takes place at the heart of its host city, forming part of London's vibrant cultural fabric and international art scene.

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

Produced in close collaboration with the PSA, a major cultural institution in China, this exhibition allows the public to discover almost 100 emblematic artworks from the contemporary international arts scene.

We play a vital role in Atlanta's cultural landscape by presenting over 100 consequential artists from the local, national, and international art scenes through our various exhibition and project spaces each year.

«Frieze LA will add an exciting new dimension to this thriving cultural scene... As with all our fairs, Frieze LA will be at the heart of a dynamic week during which international collectors, curators and artists will come together to engage with and appreciate the city and everything that makes it great.»

With Istanbul being named the European Cultural Capital of the year and its biennial on the horizon next year, the timing seemed great to further introduce a group of international artists in the context of this thriving scene.

«Both the color black and the number 13 are rich with cultural and historical meaning, so in these paintings the wealth of connotations is fused with a reflection of mood, emotion, and rational concepts on a simultaneous level... Jutta Koether emerged from the art scene in Cologne at the time when Martin Kippenberger and the German «Neue Wilde» painters, such as the artists of the group «Muelheimer Freiheit», first received international attention.

LuminArté Fine Art Gallery brings an international and bicoastal flavor to Dallas» cultural art scene.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

The project places its focus on international contemporary emerging artists together with the presentation of key figures from within the Amsterdam cultural scene.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.

State Cultural Counsellor Christian Buchmann said, «In Barbara Steiner the Kunsthaus is getting a director who, with her international experience and knowledge of the domestic art and culture scene, is best equipped to give the institution greater international reach...»

Based on the significance of Istanbul as a global cultural hub, the variety of events will ensure that the Turkish contemporary art scene continues to receive the international recognition it deserves.

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Yogyakarta Open Studio 2016, presented in conjunction with 17 studios, looks at the way studios function in the Indonesian art scene: as place to work, but also as sites of cultural negotiation, as international meeting points for friends and colleagues to organize art activities, and as administrative centers for complex, demanding careers.

The assembled materials provide a rich jumping off point for art history students, artists, and general audiences to plunge into the international contemporary art scene of 1972, to see what this particularly fertile cultural moment produced.

The Infinite Mix brings together major audio - visual artworks from ten leading international artists including Stan Douglas, whose six - hour film Luanda - Kinshasa, 2013, expands upon his interest in the African origins of the early 1970s New York music scene, while exploring the synthesis of cultural histories.

Written by a cast of guest contributors including artists, curators and critics, ARTLURKER documents local, national and international cultural subjects that impact the local community and functions as both resource and a platform representative of the relative accessibility of Miami's art scene.

Families attended international nights, when teachers transformed their classrooms into public markets and wilderness scenes so we could experience cultural sights, tastes, and sounds from around the world.

«With global buyers consistently drawn to both the city's athletic scene as well as its wide array of cultural offerings, Engel & Völkers Scottsdale will provide the international reach and top - tier level of service to best serve our clients» comprehensive real estate needs,» says Nathan.

The association says Toronto has a long history of cultural diversity in terms of immigration but has been experiencing «a meteoric rise on the international real estate scene, particularly with investors from Asia.