Sentences with phrase «international curatorial committee»

During the Unseen Amsterdam 2017 Theo Simpson was selected for the Outset Unseen Exhibition Fund by an international curatorial committee.

Not exact matches

Expect other changes for the New York fair: a newly formed Moving Image Curatorial Advisory Committee is inviting a selection of international galleries and non-profits to present this year.

In addition to overseeing the Museum's Sarah Lee Elson, Class of 1984, International Artist in Residence Program, she serves as a curatorial adviser to Princeton's campus art committee.

Ted also serves on numerous other boards and committees, presently including: ArtsConnection, the Asian American Arts Alliance, the Center for West Park, the CUE Art Foundation, the Design Trust for Public Space, HB Studio and Playwright's Foundation, the International Studio and Curatorial Program, and the New York City Arts Coalition.

Seikkula is running the ArtHelsinki International Fair for Contemporary Art and acts as a curatorial committee member for the Artist Pension Trust and the CROSSROADS London Art Show.

Inducted into the American Association of Museums Centennial Honor Roll, a recipient of the Award for Curatorial Excellence from Bard College, and named a Chevalier of the French Order of Arts and Letters, Halbreich has served as commissioner for North America and Cuba at the Gwangju Biennale (1995) and curatorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International CCuratorial Excellence from Bard College, and named a Chevalier of the French Order of Arts and Letters, Halbreich has served as commissioner for North America and Cuba at the Gwangju Biennale (1995) and curatorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International Ccuratorial advisor for the Carnegie International as well as a member of the Documenta X and Documenta XIII International Committees.

Ellen is the founder and artistic director for the media artist collective, Videotage, and a member of the curatorial / organizing committee for the Microwave International Media Art Festival and many media art events in Hong Kong.

Xenia Benivolski is the founder of several collective art spaces and an international artist - in - residency program, and sits on the curatorial committee for the 2017 Beijing Biennal.

She worked as an independent professional for various projects, among others: Diagonal Escuela Libre (member of the organizing committee) and has recently carried out curatorial projects for the City Museum, the International Book Fair, and the Ministry of Culture, Jalisco.

Bronx Speaks: No Boundaries is the latest exhibit presented by the Bronx Arts Alliance (BxAA) including over 60 artworks selected by a curatorial committee and featuring Bronx, US and International Artists from over 20 Bronx arts organizations.

Taking place in the Bargehouse, a raw, four - storey warehouse space behind the OXO Wharf Tower, conveniently located within walking distance from both the Tate Modern and the Southbank Centre along the Thames, Moving Image represents a broad survey of artists invited by an international committee of curatorial advisors.

From 2007 — 2009 he was a curatorial advisor at MoMA PS1, and he is currently a board member of the Artists Advisory Committee of the Sharpe - Walentas Studio Program, AICA (the International Association of Art Critics, United States Section), the Louis Comfort Tiffany Foundation, The Miami Rail and The Third Rail.

[citation needed] Golden serves on the Graduate Committee at the Center for Curatorial Studies at Bard College, is on the boards of Creative Time in New York and the Institute of International Visual Arts (inIVA) in London, and is a Henry Crown Fellow at the Aspen Institute.

The galleries exhibiting in 2018 were selected by an expert Curatorial Committee led by Philippe Garner, Former Director at Christie's and International Head of Photographs and 20th Century Decorative Arts and Design.

The 2016 Gerrit Lansing Independent Vision Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 2016, Brazil.

From 2007 to 2009 he was a curatorial advisor at MoMA PS1, and is currently a board member of the Artists Advisory Committee of the Sharpe — Walentas Studio Program, AICA (the International Association of Art Critics, United States Section), the Louis Comfort Tiffany Foundation, The Miami Rail, and The Third Rail.

Selected by an expert Curatorial Committee led by Philippe Garner, Former Director at Christie's and International Head of Photographs and 20th Century Decorative Arts and Design at Christie's, the works will provide a valuable insight into the past, present and future of the medium.