Not exact matches
After organizing shows for the Drawing Center, Swiss Institute, Haus der Kunst (Munich), Hayward Gallery (London), Independent
Curators International, White Columns, and elsewhere, Schaffner was invited by
then - director Claudia Gould to reshape and oversee ICA's curatorial department.
When he walked away, she recalled the time Julian Schnabel,
then a young artist, came on to writer Carol Squiers (now a
curator at the
International Center of Photography).
It is perhaps fitting,
then, that
curator Przemysław Strożek uses the work as a symbolic point of departure for an exhibition that simultaneously serves as the first large - scale retrospective of Prampolini's work since the early 1990s and as a portrait of the
international character of the Polish avant - garde, the centenary of which is this
In 1979 Sandy Nairne was appointed as the first
international guest
curator of the exhibition and this model has continued since
then.
Then came the announcement that the
curator of the next edition of the
international confab would be Okwui Enwezor, perhaps the world's leading expert on the contemporary art of Africa.
After organizing shows for The Drawing Center, Swiss Institute, Haus der Kunst (Munich), Independent
Curators International, White Columns, Hayward Gallery (London), the Boulder Museum of Contemporary Art, and elsewhere, Schaffner was invited by
then - director Claudia Gould to reshape and oversee ICA's curatorial department.
Time after Time: Matthew Higgs on the January 1983 Issue of Artforum Artforum
International; October 1, 2013; Higgs, Matthew; 700 + words In this new column, artists, critics, and
curators single out past issues from Artforum's archives and explore their resonance,
then and now.
Time after Time Artforum
International; October 1, 2013; Higgs, Matthew; 700 + words MATTHEW HIGGS ON THE JANUARY 1983 ISSUE OF ARTFORUMIn this new column, artists, critics, and
curators single out past Issues from Artforum's archives and explore their resonance,
then and now.I RECENTLY CAME ACROSS a copy of the January 1983 issue of Artforum at New York's Twenty - Fifth Street flea
While we are looking back at the life and work of Mike Kelley, we will also be looking forward to the future of MOCA, the first museum to have purchased his work, the museum that presented Helter Skelter, the show organized by
then -
curator Paul Schimmel that did so much to further Kelley's
international career.
In 2008 BIO dispensed with national categories and in 2012 fully shed its former skin, gaining a
curator and an ensuing thesis for each exhibition: «Design Relations» and
then» 3, 2, 1, Test...» — the latter took on politically inflected themes such as affordability and sustainability, and by many accounts put BIO back on the schedule of unmissable
international design events.
The New Topographics take their name from an exhibition titled «New Topographics: Photographs of a Man - Altered Landscape,» mounted in 1975 by William Jenkins,
then curator at the
International Museum of Photography at George Eastman House in Rochester, New York.
Frances Morris joined Tate as a
curator in 1987, becoming Head of Displays at Tate Modern (2000 — 2006) and
then Director of Collection,
International Art until April 2016 when she was appointed as Director.