Keeping Up with the Joneses (PG - 13 for sexuality, violence and brief profanity) Action comedy revolving around a suburban couple (Zach Galifianakis and Isla Fisher) which becomes embroiled in
an international espionage plot after unwittingly befriending their seemingly - innocuous, new neighbors (Gal Gadot and Jon Hamm) who happen to be government spies.
Not exact matches
Suddenly this might as well be «Fringe» or «Warehouse 13» or «The X-Files» or «Eureka» or any one of hundreds of shows that involve FBI agents and
international espionage and terrorist thugs and secret
plots to take over the universe.
The stakes are now even higher for the agent as he coolly maneuvers through the dangerous waters of
international espionage - replete with CIA
plots, turncoat agents and ever - shifting covert alliances - all the while hoping to find the truth behind his haunted memories and answers to his own fragmented past.
The stakes are now even higher for the agent as he coolly maneuvers through the dangerous waters of
international espionage - replete with CIA
plots, turncoat agents
Cue the
international espionage - driven carnage that earned the earlier movie its action credentials, as well as the ample attempts at humour at the underlying idea's expense that endeavour to increase the levity of the situation, with both wrapped up in an overly, unnecessarily convoluted
plot.
There's a
plot, of course, a meticulously constructed but still thoroughly conventional script by Lem Dobbs that involves outsourced
international espionage, corrupt players, dirty tricks, and righteous vengeance, and gives accomplished supporting players Michael Fassbender, Ewan McGregor, Antonio Banderas, and Michael Douglas plenty of opportunity to play around in entertainingly stylized performances.
Still, Wax's approach to
international espionage propels us through a typical
plot, until Reece takes focus as the terrorists»
plot unravels.
The story probably has something to do with
international espionage... but does the
plot really matter, when even the marketing is about Cruise's willingness to perform unbelievably risky stunts?