Sentences with phrase «international exhibition record»

Applicants should be actively engaged in contemporary artistic practice, and show evidence of a continuing national or international exhibition record.

With dynamic images that use the visual chaos of the street to address urban class tension and are inspired by a variety of sources such as hobo art, sign painting, graffiti comics, and Beat literature, McGee now has an international exhibition record that includes shows at Deitch Projects, UCLA Hammer Museum, Foundation Cartier in Paris, and Fondazione Prada in Milan.

Miksys has an international exhibition record, including solo exhibitions at the Kominek Gallery in Berlin, Germany, and at the Nelson Hancock Gallery in New York.

Claudia DeMonte has an extensive international exhibition record, including exhibitions in Tokyo, Sweden, the Netherlands, Thailand, and Spain.

Applicants should be actively engaged in contemporary artistic practice, and show evidence of a national or international exhibition record.

His international exhibition record of solo shows, group shows and art fairs is extensive, and his paintings are held in many collections.

Her national and international exhibition record most recently includes the Czong Institute for Contemporary Art in Korea, Elmhurst Museum in Chicago, IL, Crocker Museum in Sacramento, CA, Florida State University Museum in Tallahassee, FL and Jonathan Ferrara Gallery, in New Orleans, LA.

Erickson has an extensive national and international exhibition record.

Not exact matches

Labelexpo Europe 2017, the largest international event dedicated to the label and package printing sector, culminated in its biggest - ever edition with record - breaking exhibitor and visitor figures and show floor occupying nine exhibition halls — 12 %

Labelexpo Europe 2017, the largest international event dedicated to the label and package printing sector, culminated in its biggest - ever edition with record - breaking exhibitor and visitor figures and show floor occupying nine exhibition halls — 12 % more

Thanks to its record - breaking second edition in 2013, where attendance increased by 57 percent to 3,158 attendees from 67 different countries, Natural Products Scandinavia, and its sister event Nordic Organic Food Fair, have been selected as finalists in the Best Tradeshow Exhibition (UK & International) Under 2,000 sq. m category at the Association of Event Organizers» Excellence Awards 2014 — the exhibition industry's equivalent to tExhibition (UK & International) Under 2,000 sq. m category at the Association of Event Organizers» Excellence Awards 2014 — the exhibition industry's equivalent to texhibition industry's equivalent to the Oscars.

Asia's largest and the 4th biggest food innovation exhibition in the world, SIAL China 2017 concluded at Shanghai New International Expo Center on May 19th with a record number of visitors, exhibitors and exhibition squares.

Future Shock is a group exhibition comprising work from 11 international artists, who provide multiple interpretations of the theme through installation, video, drawing, painting and audio recordings.

MOCA GA application rules: # At least one solo show in a gallery or museum in Atlanta, or of regional, national, or international renown *, # A minimum of five years of exhibition record, Recognition of quality of work through publication or review.

The world's biggest international art exhibition, Venice Biennial returned this year for the 57th time, breaking the attendance record.

At MUNAL, he oversaw the development of a five - year exhibition program, including the organization of an ambitious series of major international exhibitions, among them: Landscapes of the Mind: British Landscapes from the Tate Collection (2015); The Male Nude: Dimensions of Masculinity from 19th Century and Beyond (2014); and Yo, el Rey: La Monarquía Hispánica en el arte (2015), which involved over 200 loans from 40 institutions, including the Prado, the Metropolitan Museum of Art, and The Royal House in Spain, and which set recent attendance records for MUNAL.

With an extensive record of international experience, exhibitions and artistic research, Drew Ippoliti has been asked to share his perspective and discoveries with students at Tyler.

Starting March 17, and running until August 26, 2018 the exhibition «Bruce Nauman: Disappearing Acts» provides the international art world with a long - awaited opportunity to rediscover the full spectrum of the American artist's work in a wide range of mediums, from early performances recorded on film and video to drawing, printmaking, photography, sculpture and neon to installations.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

In this lecture recorded on October 13, 2013, at the National Gallery of Art, Harris describes how Brown brought drama and excitement to a heavy exhibition schedule, and, for many, personified the glamorous alliance of art and international diplomacy.

Con rming this international recognition of the Fondation's artistic commitment, the exhibition Icons of Modern Art, The Shchukin Collection (October 2016 - March 2017) received a record - breaking 1.2 million visitors.

Confirming the international recognition of its artistic commitment, the exhibition Icons of Modern Art, The Shchukin Collection received a record - breaking 1.2 million visitors in six months (Oct. 2016 - Mar.

Commissioned by the Stanley Picker Gallery, the Music Of MI!MS was premiered at the Rose Theatre Kingston as part of the International Youth Arts Festival 2013, with sound recordings and film - footage of the event forming a integral part of the new exhibition, originally staged at the Zabludowicz Collection London (Autumn 2013).

As part of «Pacific Standard Time: LA / LA», an ambitious exploration of Latin American and Latino Art in dialogue with Los Angeles that spans across more than 70 cultural institutions throughout Southern California, this groundbreaking exhibition will address an art historical vacuum that has omitted these women from the international record, reappraising their contributions to global contemporary art.

Gilliam, 84, joined a new gallery and has enjoyed more prominent exhibitions, presentations at international art fairs, notable press coverage, and record - breaking auction sales.

With exhibitions from regional, national, and international contemporary artists, The MAC has set an extraordinary record of presenting over thirteen hundred artists in the galleries, including our annual membership exhibition.

«In addition to a distinguished teaching record, Ken brings with him deep international experience of exhibitions and public art commissions and a thoughtful sensibility as a working artist.

Requirements and qualifications Experience and skills: — Minimum six years» experience in a museum or academic institution — Proven experience initiating and executing major loan exhibitions with international scope — Demonstrated scholarly achievement and extensive published record, including evidence of original research — Demonstrated engagement with international critical theory and artistic practice — Demonstrated commitment to broad international audience engagement and learning — Excellent interpersonal and communication skills with artists, museum colleagues, donors, and the general public — Ability to create and maintain well - researched and precise records

The bulk of these records span from 1965 through 2010, from Wilson's earliest New York performances to recent Center residencies and international exhibitions.

Demonstrated record of exhibitions and publications focusing on national and international contemporary art;

Likewise, the twenty - six works included in this exhibition, which were produced between 1958 and 2010 by a broad range of international artists, propose direct and indirect connections to the many different ways we experience solitude, reflection, and the passing and recording of time — both literally and conceptually — in a work of art, and in our daily life.

On that particular morning, the museum seemed a veritable Kid Nation, with middle schoolers stomping around Manfred Pernice's deconstructed installation of vitrines and eating lunch in the courtyard amid Susan Philipsz's a cappella recording of «The Banks of the Ohio,» two of the exhibition's 204 works (by forty international artists).

[1] The painting was purchased from Bellows during the painting's showing at the Carnegie International exhibition in 1909; see the Corcoran Gallery of Art Accession Record Sheet in NGA curatorial files.

Notably, MOMENTS 2015 marks the world premiere of its original group exhibition «LANDSCATE», showcasing over 40 international artists hailing from the United States, Europe, Asia, and a 15 year - retrospecive of album cover designs from music label Alone Records.

Following the continuity in rising demand for Pop Art works and recent price records at auction, the movement is increasingly present on the international exhibition agenda.